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After two decades of experience in the music industry, King realized that although music and business change, the one constant is the mistakes artists continue to make in their approach to success. In “Dude, I Can Help You! 18 Mistakes Artists Make And How To Fix Them”, King imparts knowledge to artists, musicians, and music business professionals on how to solve many of the problems that are stifling the growth of their music careers. The book discusses a multitude of topics ranging from accurately assessing your talent, to finding the right artist manager, to promoting yourself despite your location, and much more… Stop beating your head against a brick wall and start taking your music career seriously! If you don’t know the mistakes artists have made before you, then you are destined to repeat history. Music Business is a game that must be played correctly! This book will show you how to solve many of the problems that are stifling the growth and development of your music career
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making "slide presentations" in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations.
The hit series is back, to inspire and charm another generation of baby-sitters! Stacey's so excited! She's invited her friends in the Baby-sitters Club to New York City for a long weekend. It's going to be perfect--a party and a sleepover on Friday, a big baby-sitting job on Saturday, and lot of sightseeing on Sunday.But what a mistake! The BSC is way out of place in the big city. Mary Anne sounds like a walking guide book, Dawn is afraid of everything, Kristy can't keep her mouth shut, and Claudia is jealous of Stacey's friends. Can Stacey be in the BSC anymore?The best friends you'll ever have--with classic BSC covers and a letter from Ann M. Martin!
Join Frank Frazetta, Steve Ditko, John Severin, Gene Colan, Angelo Torres, and other legendary artists for an eerie excursion through the haunted halls of comics history, as Dark Horse Comics unleashes the fourth big volume of Eerie magazine archives. Vampires, ghouls, werewolves, and ax-wielding maniacs are only the beginning of the thrills you'll find inside this huge collection crafted by the most gifted storytellers the medium of comics has ever known.
Artistic Anatomy is widely acknowledged to be the greatest book of its kind since the Renaissance. The original French edition, now a rare collector's item, was published in 1889 and was probably used as a resource by Renoir, Braque, Degas, Bazille, and many others. The English-language edition, first published 35 years ago, brings together the nineteenth century's greatest teacher of artistic anatomy, Paul Richer, and the twentieth century's most renowned teacher of anatomy and figure drawing, Robert Beverly Hale, who translated and edited the book for the modern reader. Now Watson-Guptill is proud to reissue this dynamic classic with an anniversary sticker, sure to inspire drawing students well into our century.
Follow your Cousin Eerie on a funeral march through the haunted halls of comics history in Eerie Archives Volume 4, now in a value-priced softcover format! Join an all-star lineup of comics creators—Archie Goodwin, Frank Frazetta, Reed Crandall, Tom Sutton—as they mine your nightmares for ghoulish gold. Includes the adaptations of “The Death of Halpin Frayser” by Ambrose Bierce and “The Fall of the House of Usher” by Edgar Allan Poe and a lengthy interview with legendary comics illustrator Al Williamson. Collects Eerie magazine issues #16–#22.
The author examines issues such as the rightness of web-based applications, the programming language renaissance, spam filtering, the Open Source Movement, Internet startups and more. He also tells important stories about the kinds of people behind technical innovations, revealing their character and their craft.
Imagine if we treated broken hearts with the same respect and concern we have for broken arms? Psychologist Guy Winch urges us to rethink the way we deal with emotional pain, offering warm, wise, and witty advice for the broken-hearted. Real heartbreak is unmistakable. We think of nothing else. We feel nothing else. We care about nothing else. Yet while we wouldn’t expect someone to return to daily activities immediately after suffering a broken limb, heartbroken people are expected to function normally in their lives, despite the emotional pain they feel. Now psychologist Guy Winch imagines how different things would be if we paid more attention to this unique emotion—if only we can understand how heartbreak works, we can begin to fix it. Through compelling research and new scientific studies, Winch reveals how and why heartbreak impacts our brain and our behavior in dramatic and unexpected ways, regardless of our age. Emotional pain lowers our ability to reason, to think creatively, to problem solve, and to function at our best. In How to Fix a Broken Heart he focuses on two types of emotional pain—romantic heartbreak and the heartbreak that results from the loss of a cherished pet. These experiences are both accompanied by severe grief responses, yet they are not deemed as important as, for example, a formal divorce or the loss of a close relative. As a result, we are often deprived of the recognition, support, and compassion afforded to those whose heartbreak is considered more significant. Our heart might be broken, but we do not have to break with it. Winch reveals that recovering from heartbreak always starts with a decision, a determination to move on when our mind is fighting to keep us stuck. We can take control of our lives and our minds and put ourselves on the path to healing. Winch offers a toolkit on how to handle and cope with a broken heart and how to, eventually, move on.