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Three ducks escape from a university lab experiment and find sanctuary in a fraternity house. They discover human beings can be their friends - and enemies. Their adventures begin righting wrongs - and getting even.
Anthony Samuel Colbert, a welder by trade and a criminal by choice, is dead. The criminal underworld is in an uproar over a theft of millions of dollars Colbert's passing exposed, and the attentions of police now looking into all their trafficking activities. The police are perplexed by the circumstances in which Colbert was discovered, and the supernatural elements that seem to be balking their efforts to solve the case. And Colbert himself, beyond the grave, is now in Hell. Shadowed by evil, he fights to protect his family from what still haunts him. But will he find peace? And can he keep his family away from this terror?
When Duck gets tired of working for Farmer Brown, his political ambition eventually leads to his being elected President.
Tom Durnin did the time for his white-collar crime. Now, he's determined to win back the respect he believes he deserves—even if that means ripping apart the new life his family has so carefully put together in his absence. Tom's son warily allows his father to camp out on his couch, hoping the man who let everyone down has finally turned a new page. After a lifetime of empty promises, can Tom find a place in a family that has worked so hard to move on without him? Steven Levenson gives us this funny, raw and moving play about the price we pay for defaulting on those we love.
In If I Forget, Michael Fischer reunites with his sisters to celebrate their father’s seventy-fifth birthday. Each deeply invested in their own ver­sion of family history, the siblings clash over everything from Michael’s controversial scholarly work to the pressures of caring for their ailing parent. As destructive secrets bubble to the surface, the three negotiate how much of the past they’re willing to sacrifice for a chance at a new beginning. This debut collection also includes The Unavoidable Disappearance of Tom Durnin and The Language of Trees.
Their names resonate with organized crime in Montreal: the Matticks, MacAllisters, Johnstons and Griffins, and Peter Dunie Ryan. They are the Irish equivalent of the infamous Rizzuto and Cotroni families, and the "Mom" Bouchers and Walter Stadnicks of the Hells Angels. Award-winning producer, journalist and author D’Arcy O’Connor narrates the genesis and rise to power of one of Montreal’s most powerful, violent and colorful criminal organizations. It is the West End Gang, whose members controlled the docks and fought the Hells Angels and Mafia for their share of the city’s prostitution, gambling, loan sharking and drug dealing. At times, they did not disdain forging alliances with rival gangs when huge profits were at stake, or when a killing needed to be carried out. The West End Gang—the Irish Mafia of Montreal—is a legendary beast. They sprang out of the impoverished southwest of the city, some looking for ways to earn enough just to survive, some wanting more than a job in an abattoir or on a construction site. In that sense, they were no different from other immigrants from Italy and other European countries. A shortcut to wealth was their common goal. And Montreal, with its burgeoning post-WWII population, was ripe for the picking. The Irish Mob made headlines with a spectacular Brinks robbery in 1976, using the money to broker a major heroin and cocaine trafficking ring. It took over the Port of Montreal, controlling the flow of drugs into the city, drugs which the Mafia funnelled to New York. The West End Gang had connections to the cocaine cartel in Colombia; hashish brokers in Morocco and France; and marijuana growers in Mexico. The gang imported drugs on an enormous scale. One bust that took place off the coast of Angola in 2006 involved 22.5 tonnes of hashish, destined for Montreal. The West End Gang is a ripping tale that unveils yet another chapter in Montreal’s colorful criminal underworld.
The Magic Behind the Voices is a fascinating package of biographies, anecdotes, credit listings, and photographs of the actors who have created the unmistakable voices for some of the most popular and enduring animated characters of all time. Drawn from dozens of personal interviews, the book features a unique look at thirty-nine of the hidden artists of show business. Often as amusing as the characters they portray, voice actors are charming, resilient people—many from humble beginnings—who have led colorful lives in pursuit of success. Beavis and Butthead and King of the Hill's Mike Judge was an engineer for a weapons contractor turned self-taught animator and voice actor. Nancy Cartwright (the voice of Bart Simpson) was a small-town Ohio girl who became the star protégé of Daws Butler—most famous for Yogi Bear, Huckleberry Hound, and Quick Draw McGraw. Mickey Mouse (Wayne Allwine) and Minnie Mouse (Russi Taylor) were a real-life husband-and-wife team. Spanning many studios and production companies, this book captures the spirit of fun that bubbles from those who create the voices of favorite animated characters. In the earliest days of cartoons, voice actors were seldom credited for their work. A little more than a decade ago, even the Screen Actors Guild did not consider voice actors to be real actors, and the only voice actor known to the general public was Mel Blanc. Now, Oscar-winning celebrities clamor to guest star on animated television shows and features. Despite the crushing turnouts at signings for shows such as Animaniacs, The Simpsons, and SpongeBob Squarepants, most voice actors continue to work in relative anonymity. The Magic Behind the Voices features personal interviews and concise biographical details, parting the curtain to reveal creators of many of the most beloved cartoon voices.
The author presents a cultural history of popular Viennese electronic music from 1990 to 2015, from the perspectives of production, scene and national and international reception. To illustrate this history in depth, a number of case studies of the most successful and distinguished musicians are explored, such as Kruder and Dorfmeister, Patrick Pulsinger, Tosca, Electric Indigo and Sofa Surfers. The author draws on research about electronic music, the relationship between music and the urban environment, the history of Austria and Vienna, music scenes and fandom, the digital shift , stardom in popular music (especially electronic music), as well as theories of postmodernism. Chapters 4 and 8 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Out-and-proud volunteer dance instructor, Reid Alexander, is a California boy accustomed to living in flashy luxury. He is less than thrilled upon inheriting his late grandfather’s South Dakota horse ranch. Yet he must endure three months of cowboy hell before he can even consider selling the property. As the ranch foreman, Walker Corrigan’s entire life is Pine Ridge. When Reid arrives with cold-hearted plans to sell, Walker endeavors to endear the place to the younger man. Reid is unprepared for the sudden attachment to Walker, the land, and – unbelievably enough – the horses. Walker’s long-suffering heart takes an unexpected gallop straight toward Reid. Both men are on-board with exploring their relationship, and Reid discovers ranch ownership is more gratifying than he’d once imagined. But Reid is forced to reconsider his place on the ranch when threats put the property and employees in danger. Menacing events call Reid’s integrity into question, and he considers saving everyone the hassle and throwing in the reins. But how can he leave when his heart now feels at home on Pine Ridge Ranch and in Walker’s arms?