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Dublin Since 1922 tells the story of Ireland's capital city since independence. Richly illustrated throughout, it unfolds around hundreds of dates in the city's history, beginning with the founding of the Irish state - when Dublin had the worst slums in Europe - and ending in the last days of the Celtic Tiger. Through major events, Carey charts nearly a century of the capital's history, from the Civil War, the Eucharistic Congress and President Kennedy's visit, to the 1986 earthquake, the Stardust disaster and the changing faces of the St Patrick's Day parade. Brought to life are the figures who have shaped the city's identity - from Archbishop McQuaid to Tony Gregory, from Luke Kelly to Maeve Binchy - and the daily life of its people, through the books they read, the way they move around the city, the music they listen to, the crimes they commit and the unique experiences they have of simply being in the city of Dublin. A captivating celebration of people and place, this book makes essential reading for anyone who wants to understand how the character of a city - and its inhabitants - is shaped.
FIFTY ESSAYS.FIFTY CONTRIBUTORS.ONE EXTRAORDINARY YEAR. From the handover of Dublin Castle, to the dawning of a new border across the island, to the fateful divisions of the civil war, Ireland 1922 provides a snapshot of a year of turmoil, tragedy and, amidst it all, state-building as the Irish revolution drew to a close. Leading international scholars from different disciplines explore a turning point in Irish history; one whose legacy remains controversial a century on.
While the Irish Civil War first erupted in Dublin, playing out through the seizure and eventual recapture of the Four Courts, it quickly swept over the entire country. In The Civil War in Dublin, John Dorney extends his study of Dublin beyond the Four Courts surrender, delivering shocking revelations of calculated violence and splits within the pro-Treaty armed forces. Dorney's exacting research, using primary sources and newly available eyewitness testimonies from both sides of the conflict, provides insight into how the entire city of Dublin operated under conditions of disorder and bloodshed: how civilians and guerrilla fighters controlled the streets, how female insurgents operated alongside their male counterparts, how the patterns of IRA violence and National Army counter-insurgency alternated, and-for the first time-how the pro-Treaty 'Murder Gang' emerged from Michael Collins' IRA Intelligence Department, 'the Squad', with devastating and ruthless effect. The Civil War in Dublin brings the chaos of life in the city of Dublin to life through meticulous detail, and it reveals unsettling truths about the extreme actions taken by a burgeoning Irish Free State and its Anti-Treaty opponents. [Subject: Irish Studies, History, Military History, Dublin]
Edmund Curtis's remarkable survey of Ireland, from its earliest origins to the twentieth century, is a classic introduction to Ireland's fascinating history. Reaching from St Patrick's Mission in 432 to the Anglo-Irish Treaty of 1922, this authoritative text explores the formative events of Ireland's past and encompasses the Norman invasion, Gaelic recovery, Cromwell's Settlement, the Act of Union, and the Great Famine. Lucid and scholarly, this all-embracing account unfolds the events of Ireland's history and the story of its people, through an examination of their political, religious, social, economic and cultural past. Ireland's unique history is revealed here through the 'moving forces, the deciding facts, and the men who mattered'. Featuring a chronology of key dates in Irish history and a guideline to the pronunciation of Irish names, this celebrated narrative now includes a new introduction by Sean Duffy.
In this book, Jane K. Brown offers an original reading of Goethe's complex masterpiece in the context of European Romanticism. Looking at the two parts of Faust in sequence, she views the second part as an elaboration of what was implicit in the first, and she clarifies the patterns of thought and organization underlying the play. In Faust, she argues, Goethe not only situates German culture within the wider European literary tradition, but also demonstrates that all literature is by its nature allusive--that it exists only as part of a tradition.
Irish Media: A Critical History maps the landscape of media in Ireland from the foundation of the modern state in 1922 to the present. Covering all principal media forms, print and electronic, in the Republic and in Northern Ireland, John Horgan shows how Irish history and politics have shaped the media of Ireland and, in turn, have been shaped by them. Beginning in a country ravaged by civil war, it traces the complexities of wartime censorship and details the history of media technology, from the development of radio to the inauguration of television in the 1950s and 1960s. It covers the birth, development and - sometimes - the death of major Irish media during this period, examining the reasons for failure and success, and government attempts to regulate and respond to change. Finally, it addresses questions of media globalisation, ownership and control, and looks at issues of key significance for the future. Horgan demonstrates why, in a country whose political divisions and economic development have given it a place on the world stage out of all proportion to its size, the media have been and remain key players in Irish history.
This innovative book interprets architectural spaces in the light of the underlying tensions between 18th-century Dublin as a fashionable resort and the attempts by the authorities to deal with some of the results of its apparent profligacy. These include the creation of new institutions as well as other measures designed to remove ugly realities from the street and purify urban space. Based mainly on 18th- and 19th-century archival material from the Rotunda Hospital, the Lock (venereal) Hospital and the Hospital for Incurables, this book challenges the vision of 18th-century Dublin as an ideal Protestant city by investigating the hidden world behind its wide streets and magnificent Georgian facades. The decision to establish the British Isles' first maternity hospital on the northern edge of Sackville Street (today's O'Connell Street) was grounded in a series of imperatives where obstetrics and medicine were only part of the overall story. The adjacent Pleasure Gardens, created ostensibly to provide funds for the hospital, introduced new types of social engagement and an increase of commodified forms of entertainment to the city. The Gardens, characterised by acts of spectacle and display, soon acquired an additional reputation as a site of sexual adventure and louche behaviour, one which ultimately would be extended to the city. (Series: The Making of Dublin)
Men and women who were born, grew up and died in Ireland between 1850 and 1922 made decisions - to train, to emigrate, to stay at home, to marry, to stay single, to stay at school - based on the knowledge and resources they had at the time. This, the first comprehensive social history of Ireland for the years 1850-1922 to appear since 1981, tries to understand that knowledge and to discuss those resources, for men and women at all social levels on the island as a whole. Original research, particularly on extreme poverty and public health, is supplemented by neglected published sources - local history journals, popular autobiography, newspapers. Folklore and Irish language sources are used extensively. All recent scholarly books in Irish social history are, of course, referred to throughout the book, but it is a lively read, reproducing the voices of the people and the stories of individuals whenever it can, questioning much of the accepted wisdom of Irish historiography over the past five decades. Statistics are used from time to time for illustrative purposes, but tables and graphs are consigned to the appendix at the back. There are some illustrations. An idea summary for the student, loaded with prompts for future research, this book is written in a non-cliched, jargon-free style aimed at the general reader.
Pictorial history with texts by noted Irish writers and participants.