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This is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820.
As rich and diverse as its subject, Dickson’s magisterial history brings 1,400 years of Dublin vividly to life: from its medieval incarnation through the neoclassical eighteenth century, the Easter Rising that convulsed the city in 1916, the bloody civil war following the handover of power by Britain, to end-of-millennium urban renewal efforts.
This book illuminates the neglected history of the Dublin Metropolitan Police – a history that has been long overshadowed by existing historiography, which has traditionally been preoccupied with the more radical aspects of Irish history. It explores the origins of the institution and highlights the Dublin Metropolitan Police’s profound influence on the colonial forces, as its legacy reached some of the furthest outposts of the British Empire. In doing so Anastasia Dukova provides much needed nuance and complexity to our understanding of Ireland as a whole, and Dublin in particular, demonstrating that it was far more than a lawless place ravaged by political and sectarian violence. Simultaneously, the book tells the story of the bobby on the beat, the policeman who made the organisation; his work and day, the conditions of service and how they affected or bettered his lot at home and abroad.
Men and women who were born, grew up and died in Ireland between 1850 and 1922 made decisions - to train, to emigrate, to stay at home, to marry, to stay single, to stay at school - based on the knowledge and resources they had at the time. This, the first comprehensive social history of Ireland for the years 1850-1922 to appear since 1981, tries to understand that knowledge and to discuss those resources, for men and women at all social levels on the island as a whole. Original research, particularly on extreme poverty and public health, is supplemented by neglected published sources - local history journals, popular autobiography, newspapers. Folklore and Irish language sources are used extensively. All recent scholarly books in Irish social history are, of course, referred to throughout the book, but it is a lively read, reproducing the voices of the people and the stories of individuals whenever it can, questioning much of the accepted wisdom of Irish historiography over the past five decades. Statistics are used from time to time for illustrative purposes, but tables and graphs are consigned to the appendix at the back. There are some illustrations. An idea summary for the student, loaded with prompts for future research, this book is written in a non-cliched, jargon-free style aimed at the general reader.
This book is a comparative study of masculinity and white racial identity in Irish nationalism and Zionism. It analyses how both national movements sought to refute widespread anti-Irish or anti-Jewish stereotypes and create more prideful (and highly gendered) images of their respective nations. Drawing on English-, Irish-, and Hebrew-language archival sources, Aidan Beatty traces how male Irish nationalists sought to remake themselves as a proudly Gaelic-speaking race, rooted both in their national past as well as in the spaces and agricultural soil of Ireland. On the one hand, this was an attempt to refute contemporary British colonial notions that they were somehow a racially inferior or uncomfortably hybridised people. But this is also presented in the light of the general history of European nationalism; nationalist movements across Europe often crafted romanticised images of the nation’s past and Irish nationalism was thus simultaneously European and postcolonial. It is this that makes Irish nationalism similar to Zionism, a movement that sought to create a more idealized image of the Jewish past that would disprove contemporary anti-Semitic stereotypes.
This innovative book interprets architectural spaces in the light of the underlying tensions between 18th-century Dublin as a fashionable resort and the attempts by the authorities to deal with some of the results of its apparent profligacy. These include the creation of new institutions as well as other measures designed to remove ugly realities from the street and purify urban space. Based mainly on 18th- and 19th-century archival material from the Rotunda Hospital, the Lock (venereal) Hospital and the Hospital for Incurables, this book challenges the vision of 18th-century Dublin as an ideal Protestant city by investigating the hidden world behind its wide streets and magnificent Georgian facades. The decision to establish the British Isles' first maternity hospital on the northern edge of Sackville Street (today's O'Connell Street) was grounded in a series of imperatives where obstetrics and medicine were only part of the overall story. The adjacent Pleasure Gardens, created ostensibly to provide funds for the hospital, introduced new types of social engagement and an increase of commodified forms of entertainment to the city. The Gardens, characterised by acts of spectacle and display, soon acquired an additional reputation as a site of sexual adventure and louche behaviour, one which ultimately would be extended to the city. (Series: The Making of Dublin)
The story of early modern medicine, with its extremes of scientific brilliance and barbaric practice, has long held a fascination for scholars. The great discoveries of Harvey and Jenner sit incongruously with the persistence of Galenic theory, superstition and blood-letting. Yet despite continued research into the period as a whole, most work has focussed on the metropolitan centres of England, Scotland and France, ignoring the huge range of national and regional practice. This collection aims to go some way to rectifying this situation, providing an exploration of the changes and developments in medicine as practised in Ireland and by Irish physicians studying and working abroad during the seventeenth and eighteenth centuries. Bringing together research undertaken into the neglected area of Irish medical and social history across a variety of disciplines, including history of medicine, Colonial Latin American history, Irish, and French history, it builds upon ground-breaking work recently published by several of the contributors, thereby augmenting our understanding of the role of medicine within early modern Irish society and its broader scientific and intellectual networks. By addressing fundamental issues that reach beyond the medical institutions, the collection expands our understanding of Irish medicine and throws new light on medical practices and the broader cultural and social issues of early modern Ireland, Europe, and Latin America. Taking a variety of approaches and sources, ranging from the use of eplistolary exchange to the study of medical receipt books, legislative practice to belief in miracles, local professionalization to international networks, each essay offers a fascinating insight into a still largely neglected area. Furthermore, the collection argues for the importance of widening current research to consider the importance and impact of early Irish medical traditions, networks, and practices, and their interaction with related issues, such as politics, gender, economic demand, and religious belief.
This innovative urban history of Dublin explores the symbols and spaces of the Irish capital between the Restoration in 1660 and the advent of neoclassical public architecture in the 1770s. The meanings ascribed to statues, churches, houses, and public buildings are traced in detail, using a wide range of visual and written sources.
The first book to tackle the controversial history of prostitution in modern Ireland.
O'Connell Street is at the heart of Dublin. It has been through name changes and revolutions, destruction and rebuilding and remained at the heart of the story of Ireland for centuries. Nicola Pierce explores the people, the history, the buildings and the stories behind the main street in our capital city. Packed with stories of the people connected to the streets, from the subjects of the statues, to the sculptors that created them, from those who owned and developed the street since the days of St Mary's Abbey in 1147, to those who worked and lived there through the centuries and all the drama and scandals that went on both on the street and behind closed doors. O'Connell Street will also feature more personal, anecdotal stories of the cinemas, meeting under Clery's clock, buying engagement rings at The Happy Ring House, witnessing motorcades such as the Apollo XIII coming down the street, the heyday of film stars staying at the Gresham, and scandals and murders on the street.