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Patience Thumm, the adventurous daughter of an NYPD inspector, teams up with actor Drury Lane to solve the mystery of a senator’s murder. Patience Thumm has just traveled the world. She turned heads in London, sipped absinthe in Tunis, and debated philosophy on the Left Bank of Paris. When she returns home to New York with a smuggled copy of Lady Chatterley’s Lover in her bag, her father, the NYPD’s Inspector Thumm, is quite unprepared to handle her. At first, it seems they have nothing in common—but the two soon discover a shared appetite for murder. When a corrupt senator is stabbed to death in his study, Patience can’t resist hunting for the killer. With the help of her father’s old friend Drury Lane, the legendary Shakespearean actor, she will find that all the exotic cities of the world can’t offer anything as exciting as a New York homicide.
Inspector Thumm enlists the help of an actor to track down a stolen Shakespearean manuscript and solve a baffling murder in this classic mystery. Inspector Thumm has never seen such a marvelous beard. It is massive and pointed, a rainbow composed of all the colors of Joseph’s biblical coat. He’s so distracted by the beard that he hardly notices the man it belongs to: a prospective client with mysterious business. This bearded fellow hands over an envelope containing a million-dollar secret—and the key to a matter of life and death. However, Thumm quickly forgets his strange visitor when a rare Shakespearean manuscript is stolen, only to be replaced by a rarer, more valuable one. With the help of the legendary Shakespearean actor Drury Lane, Thumm must locate the missing manuscript and solve an impossible murder—before the curtain comes down forever.
A Shakespearean actor-turned-sleuth wonders if a suicide’s been staged—and suspects the members of an eccentric New York family . . . A ramshackle trawler, the Lavinia D rumbles into New York harbor with empty nets. When its crew spies something floating in the water, they drag it in, hoping for a profitable catch. Their prize flops on the deck, limp, cold, and bloody: the corpse of a man. His name was York Hatter, and he had disappeared from his house on the fashionable Washington Square several days before. He hadn’t left a note and he wasn’t carrying any money. The police assume he killed himself—but they are very wrong. The Hatter family is famously eccentric, and when a murder attempt is made on York’s invalid stepdaughter, any one of them could be the culprit. Solving the case will fall to Drury Lane, the retired Shakespearean actor who has turned his genius to solving crimes. But he may find that these Hatters are so crazy and so deadly, they even put Hamlet to shame.
When a phantom begins scaring people at the Theatre Royal, the Baker Street Irregulars must decide if events have anything to do with three terracotta lions that have arrived from China at the British Museum. Is the mysterious "M" involved?
Book 8 in the Captain Lacey Regency Mysteries 1818: As Captain Gabriel Lacey prepares for his upcoming wedding, his former neighbor, Marianne Simmons, asks for his help to find an actress friend who’s gone missing. Lacey agrees to help look for the actress, little realizing that the search will pit him against men who think nothing of abduction, assault, or sending incendiary devices to the innocent. At the same time, Lacey’s personal life is changing, and his time for investigation is frequently and frustratingly interrupted. He is also commanded by a new Bow Street Runner to assist in bringing down James Denis, a criminal with whom Lacey now has complicated ties. Lacey must help or else risk hanging alongside Denis. The search for the actress takes Lacey from elegant assembly rooms to the backstage of the Theatre Royal in Drury Lane, where he finds darkness in all corners. Lacey’s life and honor are constantly challenged as he tries to settle into his new life, until he realizes he can follow no code but his own.
A murder in a crowded Broadway theater presents a full house of suspects—the first in this classic mystery series starring Ellery Queen! Despite the dismal Broadway season, Gunplay continues to draw crowds. A gangland spectacle, it’s packed to the gills with action, explosions, and gunfire. In fact, Gunplay is so loud that no one notices the killing of Monte Field. In a sold-out theater, Field is found dead partway through the second act, surrounded by empty seats. The police hold the crowd and call for the one man who can untangle this daring murder: Inspector Richard Queen. With the help of his son Ellery, a bibliophile and novelist whose imagination can solve any crime, the Inspector attacks this seemingly impenetrable mystery. Anyone in the theater could have killed the unscrupulous lawyer, and several had the motive. Only Ellery Queen, in his debut novel, can decipher the clue of the dead man’s missing top hat.
This innovative work begins to fill a large gap in theatre studies: the lack of any comprehensive study of nineteenth-century British theatre audiences. In an attempt to bring some order to the enormous amount of available primary material, Jim Davis and Victor Emeljanow focus on London from 1840, immediately prior to the deregulation of that city's theatres, to 1880, when the Metropolitan Board of Works assumed responsibility for their licensing. In a further attempt to manage their material, they concentrate chapter by chapter on seven representative theatres from four areas: the Surrey Theatre and the Royal Victoria to the south, the Whitechapel Pavilion and the Britannia Theatre to the east, Sadler's Wells and the Queen's (later the Prince of Wales's) to the north, and Drury Lane to the west. Davis and Emeljanow thoroughly examine the composition of these theatres' audiences, their behavior, and their attendance patterns by looking at topography, social demography, police reports, playbills, autobiographies and diaries, newspaper accounts, economic and social factors as seen in census returns, maps and transportation data, and the managerial policies of each theatre.
Tragedies by Wordsworth, Coleridge and Shelley probe England's responses to the French Revolution and the poets' relationships with each other.
ondon 1816 After rescuing a lovely woman from an attempted robbery, Captain Lacey discovers that she's the widow of a colonel who had been accused of murdering an English officer during the recent war. Lydia declares that her husband was innocent and that she knows the true culprits' identities. Intrigued, Lacey begins to investigate, and soon finds himself mired in scandals past and present. Book 2 of the Captain Lacey Regency Mysteries. This is a full-length novel.