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Drum (optional) part of "Colonel Bogey March" for Clarinet Quartet + optional drum - intermediate level. Duration 4.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1024. The "Colonel Bogey March" is a British march that was composed in 1914 by Lieutenant F. J. Ricketts (1881–1945) (pen name Kenneth J. Alford), a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. The march is often whistled. Featuring in films since it first appeared in The Bridge on the River Kwai in 1957, Empire magazine included it in their list of 25 Of Cinema's Catchiest Earworms.
Clarinet Quartet Score of "Colonel Bogey March" + optional drum - intermediate level. Duration 4.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1024. *The "Colonel Bogey March" is a British march that was composed in 1914 by Lieutenant F. J. Ricketts (1881–1945) (pen name Kenneth J. Alford), a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. The march is often whistled. Featuring in films since it first appeared in The Bridge on the River Kwai in 1957, Empire magazine included it in their list of 25 Of Cinema's Catchiest Earworms.
The most comprehensive guide to tuba repertoire available today
Conducting Technique has been accepted as a standard text for both choral and orchestral conducting courses taught at universities, colleges, and conservatories throughout the English-speaking world. For this revised edition the author has made a number of corrections and additions, includinga new preface.
(Meredith Music Percussion). George Hamilton Green's xylophone rags are well known and loved by today's keyboard percussion players and audiences around the world. They are exciting, challenging and really fun to play. Now, in this new arrangement for brass quintet and solo xylophone from Xylophone Rags of George Hamilton Green published by Meredith Music the listener is taken back in time to the days of ragtime music and this important part of America's musical heritage.
One of the first Russian tone poems, Night on Bald Mountain had its genesis in the late 1850s when Mussorgsky started sketches for a projected opera: St. John's Eve (1858), later changed to The Witch (1860) - based upon a scenario about a witches' sabbath on St. John's Eve. These were abandonded by the early 1860s but Mussorgsky contemplated a tone poem using the material featuring piano and orchestra along the lines of Liszt's Totentanz. The work was finally completed on St. John's Eve (June 23) of 1867 as an orchestral tone poem entited St. John's Eve on the Bare Mountain. The symphonic poem was never performed in the composer's lifetime. After rejection for performance, Mussorgsky reworked the material two more times for operatic projects that never materialized. After the composer's death his friend Rimsky-Korsakov prepared a new arrangement based on the last version composed for the opera Sorochintsy Fair which was published in 1886. Rimsky's arrangement became very popular, especially after its use in the 1939 Walt Disney film Fantasia in a very bowldwerized orchestration made by Leopold Stowkowski. Rimsky's setting is the work offered here - in a newly engraved edition by Richard W. Sargeant, Jr. It is now often regarded as more of a fantasy on themes by Mussorgsky composed by Rimsky-Korsakov. IMSLP page Wikipedia article
The background music on a film can make or break the audience experience. Imagine the shower scene in Psycho without the shrieking violins or Jaws without the ominous notes thatportend the shark’s attack! Musical accompaniment helps create atmosphere for the viewer, from subtle undertones to compositions that heighten the drama. In 100 Greatest Film Scores, authors Matt Lawson and Laurence E. MacDonald consider the finest music produced for cinema since the development of motion picture sound. Each entry includes background details about the film, biographical information about the composer, a concise analysis of the score, and a summary of the score’s impact both within the film and on cinematic history. Among the many films cited here are iconic scores for The Adventures of Robin Hood, A Beautiful Mind,The Big Country, Chariots of Fire, Citizen Kane, Edward Scissorhands, Fargo, Gonewith the Wind, The Great Escape, Jurassic Park, King Kong, Lawrence of Arabia, The Lion in Winter, North by Northwest, On the Waterfront, Out of Africa, The Pink Panther, Raiders of the Lost Ark, Vertigo, and Up. Arranged alphabetically and featuring a photo of each movies, the entries in this volume give the reader insight into how music functions across a wide spectrum of film genres. Representing some of the greatest composers in the history of cinema including Elmer Bernstein, Bernard Herrmann, Alfred Newman, John Williams, and Hans Zimmer, 100 Greatest Film Scores will be of interest to fans of movie music everywhere.
(Southern Music). David Lean's epic film "Lawrence of Arabia" was nominated for ten Academy Awards and won seven, including Best Original Score for Maurice Jarre's masterful musical depiction of the exotic world through which T.H. Lawrence passed. Alfred Reed's setting of the music for concert band, available here for the first time in full score with newly edited parts, is built on two of the main themes: the Arabian motif, with its blazing color and almost-barbaric effects; and the Lawrence theme, a haunting, poignant melody that reflects both his love of the desert and his internal, psychological conflicts.