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From the Grammy-nominated singer, drummer, and percussionist who is world renowned for her contributions throughout the music industry, a moving memoir about the healing power of music and spiritual growth inspired by five decades of life and love on the stage. She was born Sheila Escovedo in 1957, but the world knows her as Sheila E. She first picked up the drumsticks and started making music at the precocious age of three, taught by her legendary father, percussionist Pete Escovedo. As the goddaughter of Tito Puente, music was the heartbeat of her family, and despite Sheila's impoverished childhood in Oakland, California, her family stayed strong, inspired by the music they played nightly in their living room. When she was only five, Sheila delivered her first solo performance to a live audience. By nineteen, she had fallen in love with Carlos Santana. By twenty-one, she met Prince at one of her concerts. Sheila E. and Prince would eventually join forces and collaborate for more than two decades, creating hits that catapulted Sheila to her own pop superstardom. The Beat of My Own Drum is both a walk through four decades of Latin and pop music—from her tours with Marvin Gaye, Lionel Richie, Prince, and Ringo Starr to her own solo career. At the same time, it’s also a heartbreaking, ultimately redemptive look at how the sanctity of music can save a person’s life. Having repeatedly endured sexual abuse as a child, Sheila credits her parents, music, and God with giving her the will to carry on and to build a lasting legacy. Rich in musical detail, pop, and Latin music history, this is a fascinating walk through some of the biggest moments in music from the ’70s and ’80s. But as Sheila’s personal story, this memoir is a unique glimpse into a world-famous drummer’s singular life—a treat for both new and longtime fans of Sheila E. And above all, The Beat of My Own Drum is a testament to how the positive power of music has fueled Sheila’s heart and soul—and how it can transform your life as well.
Using text in both English and Cree, presents the round dance, a celebration of the seasons, and describes how the dance connects the Cree people to the natural world around them.
The title Drumbeat is rooted in the African culture of using the drum as a voice and a means of communication. Drums are among the most important percussion instruments in African culture, and the sound of the drum, the time it is played, and the rhythm played will vary according to the occasion. The rhythm of the drumbeat is meant to reach and move the entire community. Songs accompanying the drumbeat are usually composed in simple language, understandable and even familiar to the community. This collection has drawn its character from the drumbeat, both in rhythm and the ability to resonate and address complex matters in simple, familiar language. 18
This book is based on performances and transcriptions from the DCI music videos Herlin Riley: Ragtime & beyond, and Johnny Vidacovich: Street beats modern applications. Additional interviews and essays on: Baby Dodds, Vernel Fournier, Ed Blackwell, James Black and Freddie Kohlman, Smokey Johnson, David Lee, and bassist Bill Huntington.
The story of Tibet’s notorious master of Buddhist sorcery—translated for the first time into English An essential sacred text of Tibetan Buddhism, The All-Pervading Melodious Drumbeat tells the wondrous story of Ra Lotsawa Dorjé Drak. Though he was can­onized as a saint and a fully enlightened buddha, the eleventh-century Ra Lotsawa’s life story presents a darker path than those taken by Siddhartha Gautama and Milarepa. Viewed by some as a mur­derous villain and by others as a liberator of human suffering, Ra Lotsawa used his formidable power and magical abilities to defeat his rivals, accumulate wealth, and amass a devoted following. His life offers a rare view into the often overlooked roles of magic and sorcery in the Buddhist tradition. Despite this sinister legacy, his fame also rests on an illustrious career as a translator of Buddhist scriptures, through which he helped spark a renaissance of Buddhism in Tibet. This spirited new translation gives readers in English their first opportunity to encounter one of the most colorful and memorable figures in Tibetan Buddhist history. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This book brings the wisdom of the ancient healing practice of shamanism together with the insights of contemporary psychology to provide an integrated approach to the treatment of traumatic symptoms.'Soulfulness' has two historic shamanic roots: Mayan and Native American psychology - a psychology of Self - as expressed in the many aspects of the Medicine Wheel, the wheel of health and wholeness; and the Shamanic Journey and Soul Retrieval, as practiced in traditional societies throughout the world, notably the Tungus tribes of Siberia. This book presents the ancient wisdom of shamanic theory and practice in a form which is fit for use within the mainstream of twenty-first century psychotherapeutic endeavour, including an extensive explanation of Shamanic Psychology and a practical description of the ceremonies of the Shamanic Journey and Soul Retrieval.
As the twenty-first century unfolds society is confronted with the normalization of warfare and political violence and their growing allure for the young. Current global political events highlight the extent to which young people have become the target of both State and non-State actors in the prosecution of war and terror. The conduct of what we can refer to as "social war" has increasingly come to target the young through media (social media, the internet and video games) and more directly through acts of violence (the massacre of children, the reliance on child soldiers, and the use of children in martyrdom operations) as legitimate forms of conduct. The appropriation of the young as political and military materials through the processes of both radicalization and militarization warrants close examination. Drumbeat examines these issues within the context of the ongoing process of militarization and the establishment of a state of perpetual warfare. The book distinguishes between radicalization, which refers to the application of propaganda and ideological methods by non-State agents, and militarization, which refers to the application of propaganda and ideological methods by State agents in order to effectively prosecute war. The focus of this book will be an examination of the mechanisms through which forms of media and other digital and web-based artefacts – social media, video and video games - assist in the militarization and radicalization of the young. There is a growing body of evidence which points to the effectiveness of various forms of media in both the recruitment of young people and the promotion of ideological frames. For example, non-State actors (extremist religious groups and the Alt-Right) have been highly effective in appropriating new media to project their propaganda messages and their appeal to young people. The book also argues that militarization has become a powerful societal force, which is re-configuring the daily conduct of life in the West. Just as radicalization seeks to prepare the young for the conduct of war, militarization also functions to position the broader society for war. This is a new form of the "civilizing process" to which Norbert Elias referred. In this context new media provides the conduits through which this process is legitimized, celebrated and promulgated.