Download Free Drowning Like Li Po In A River Of Red Wine Book in PDF and EPUB Free Download. You can read online Drowning Like Li Po In A River Of Red Wine and write the review.

A career-spanning book of poetry from this small press legend.
Africanization and Americanization Anthology, Volume 1: Searching for Inter-racial, Interstitial, Inter-sectional, and Interstates meeting spaces, Africa Vs North America, comprises of 107 pieces from 43 poets, 4 essayists, 6 storytellers, and 1 playwright from North America and Africa regions: professors, leading theorists and researchers. The contributors are: Barbara Foley, Barbara Howard, Biko Agozino, poets; A.D Winans, Tim Hall, C Liegh McInnis, Nat Turner, Allan Kolski Horwitz, Changming Yuan, Tiel Aisha Ansari, Diane Raptosh, Wanjohi wa Makokha, storytellers; Paris Smith, Sheree Renée Thomas, and journalists; Kenneth Weene and several other essayists, street poets, academicians, musicians, visual artists... This collection is vibrant, discursive, penetrating, and is invaluable to literary and language experts, poetry collections, social and human scientists, political theorists, race theorists, development practioners, students, general readers and many others.
Editor: Gordon Grigsby Associate Editors: Jan Schmittauer, Matthew M Cariello, & Donna Spector Managing Editor: Barbara Bergmann Evening Street Review is published in the spring and fall of every year by Evening Street Press. United States subscription rates are $24 for one year and $44 for two years (individuals), and $32 for one year and $52 for two years (institutions). ISBN: 978-1-937347-04-8 Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-5232. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): [email protected]. For submission guidelines, subscription information, selected works, and news, please visit our website at www.eveningstreetpress.com. Cover photos: North Cascade Mountains, WA; small city, OH. Words from Robinson Jeffers, “How Beautiful It Is,” The Beginning and the End, 1963 © Copyright 2011 by Evening Street Press. All rights revert to author upon publication.
Ibbetson Street has increased its stature with our new affiliation and has attracted such poets as Marge Piercy, X.J. Kennedy, Daniel Tobin, Sam Cornish, Diana der-Hovanessian, and Richard Hoffman, to name a few. We continue to be dedicated to publishing fine emerging poets as well. I want to thank Poetry Editors Mary Rice and Harris Gardner for their fine work, as well as Managing Editor Dorian Brooks and Consulting Editor Robert K. Johnson.
The deepest and most varied of the Tang Dynasty poets, Tu Fu (Du Fu) is, in the words of David Hinton, the “first complete poetic sensibility in Chinese literature.” Tu Fu merged the public and the private, often in the same poem, as his subjects ranged from the horrors of war to the delights of friendship, from closely observed landscapes to remembered dreams, from the evocation of historical moments to a wry lament over his own thinning hair. Although Tu Fu has been translated often, and often brilliantly, David Hawkes’s classic study, first published in 1967, is the only book that demonstrates in depth how his poems were written. Hawkes presents thirty-five poems in the original Chinese, with a pinyin transliteration, a character-by-character translation, and a commentary on the subject, the form, the historical background, and the individual lines. There is no other book quite like it for any language: a nuts-and-bolts account of how Chinese poems in general, and specifically the poems of one of the world’s greatest poets, are constructed. It’s an irresistible challenge for readers to invent their own translations.
Considered by many to be his best work, "This Land Is Not My Land" is a series of poems written by a young A D Winans when he was a Military Policeman stationed in Panama during the U.S. occupation of that country. In these short narrative poems, Winans depicts scenes of ordinary poor people sacrificed to the forces of corporate greed and power. Though these are not political poems per se, they are slices of reality compressed into thumbnail sketches that give the reader a sympathetic view of the lives of third world citizens and the inequities between rich and poor nations. Originally published in 2005 as a Presa Press chapbook, This Land Is Not My Land was given the PEN Oakland Josephine Miles Literary Achievement Award. The new edition has eight new poems contributed by A D Winans at the age of 78.