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Drowne, a woodcarver who has established a reputation for producing adequate but not inspired figures, accepts a commission from Captain Hunnewell to carve a specific figurehead for Hunnewell's ship the Cynosure. As he works upon the carving, Drowne becomes more engaged with his artistry and more aware of the potential to convey the energy and dynamism of the human form in sculpture. Like Pygmalion, whose myth inspires this tale, Drowne falls in love with his creation and wishes it were real. Hawthorne reveals that a living version of this figure does exist when she appears in the company of Captain Hunnewell. The carved figure of the mysterious lady is Drowne's one great success; afterward he returns to being "the mechanical carver in wood, without the power even of appreciating the work that his own hands had wrought.
One sunshiny morning, in the good old times of the town of Boston, a young carver in wood, well known by the name of Drowne, stood contemplating a large oaken log, which it was his purpose to convert into the figure-head of a vessel. And while he discussed within his own mind what sort of shape or similitude it were well to bestow upon this excellent piece of timber, there came into Drowne's workshop a certain Captain Hunnewell, owner and commander of the good brig called the Cynosure, which had just returned from her first voyage to Fayal. "Ah! that will do, Drowne, that will do!" cried the jolly captain, tapping the log with his rattan. "I bespeak this very piece of oak for the figure-head of the Cynosure. She has shown herself the sweetest craft that ever floated, and I mean to decorate her prow with the handsomest image that the skill of man can cut out of timber. And, Drowne, you are the fellow to execute it."
First published in 1984, this book offers a unique interpretation of Hawthorne’s work, making use of perspectives opened up by Derrida in his work on Rousseau. It offers a psycho-biography of the author as discoverable in the texts and avoids a simplistic Freudian analysis. In doing so, it illuminates the work and re-opens Hawthorne’s texts to creative discussion. This book will be of interest to those studying 19th century literature.
THE GRASSBLADE LIGHT is the second volume of the long poem, FORTH OF JULY.
This open access volume provides for the first time a comprehensive description and scientific evaluation of underwater archaeological finds referring to human occupation of the continental shelf around the coastlines of Europe and the Mediterranean when sea levels were lower than present. These are the largest body of underwater finds worldwide, amounting to over 2500 find spots, ranging from individual stone tools to underwater villages with unique conditions of preservation. The material reviewed here ranges in date from the Lower Palaeolithic period to the Bronze Age and covers 20 countries bordering all the major marine basins from the Atlantic coasts of Ireland and Norway to the Black Sea, and from the western Baltic to the eastern Mediterranean. The finds from each country are presented in their archaeological context, with information on the history of discovery, conditions of preservation and visibility, their relationship to regional changes in sea-level and coastal geomorphology, and the institutional arrangements for their investigation and protection. Editorial introductions summarise the findings from each of the major marine basins. There is also a final section with extensive discussion of the historical background and the legal and regulatory frameworks that inform the management of the underwater cultural heritage and collaboration between offshore industries, archaeologists and government agencies. The volume is based on the work of COST Action TD0902 SPLASHCOS, a multi-disciplinary and multi-national research network supported by the EU-funded COST organisation (European Cooperation in Science and Technology). The primary readership is research and professional archaeologists, marine and Quaternary scientists, cultural-heritage managers, commercial and governmental organisations, policy makers, and all those with an interest in the sea floor of the continental shelf and the human impact of changes in climate, sea-level and coastal geomorphology.
USA TODAY bestseller, #1 international bestseller, and Indie Next Pick Best of 2023 Pick for Autostraddle and BookPage; a Recommended Reading List Pick for Locus; Locus Award Finalist The sequel and series conclusion to She Who Became the Sun, the accomplished, poetic debut of war and destiny, sweeping across an epic alternate China. Mulan meets The Song of Achilles. How much would you give to win the world? Zhu Yuanzhang, the Radiant King, is riding high after her victory that tore southern China from its Mongol masters. Now she burns with a new desire: to seize the throne and crown herself emperor. But Zhu isn’t the only one with imperial ambitions. Her neighbor in the south, the courtesan Madam Zhang, wants the throne for her husband—and she’s strong enough to wipe Zhu off the map. To stay in the game, Zhu will have to gamble everything on a risky alliance with an old enemy: the talented but unstable eunuch general Ouyang, who has already sacrificed everything for a chance at revenge on his father’s killer, the Great Khan. Unbeknownst to the southerners, a new contender is even closer to the throne. The scorned scholar Wang Baoxiang has maneuvered his way into the capital, and his lethal court games threaten to bring the empire to its knees. For Baoxiang also desires revenge: to become the most degenerate Great Khan in history—and in so doing, make a mockery of every value his Mongol warrior family loved more than him. All the contenders are determined to do whatever it takes to win. But when desire is the size of the world, the price could be too much for even the most ruthless heart to bear... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.