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In this sixth book of the Dropping in on... series, Puffer lands in New York City to interview the famous artist Romare Bearden who uses a variety of media to make his unique images with family, urban life, and music themes. 32 pages, hardcover.
"In addition to reproducing examples of Bearden's well-known collages, photostats, and watercolors, The Art of Romare Bearden includes paintings in gouache and oil, murals, book illustrations, costume designs, and his only known sculpture. Much of this art has been culled from private collections and is rarely seen. Fine's definitive essay, based on new research, is accompanied by shorter essays on the artist's European and African sources, his own writings, and contemporary criticism of his art."--BOOK JACKET.
Romare Bearden (1911–1988), one of the most prolific, original, and acclaimed American artists of the twentieth century, richly depicted scenes and figures rooted in the American South and the Black experience. Bearden hailed from North Carolina but was forced to relocate to the North when a white mob harassed his family in the 1910s. His family story is a compelling, complicated saga of Black middle-class achievement in the face of relentless waves of white supremacy. It is also a narrative of the generational trauma that slavery and racism inflicted over decades. But as Glenda Gilmore reveals in this trenchant reappraisal of Bearden's life and art, his work reveals his deep imagination, extensive training, and rich knowledge of art history. Gilmore explores four generations of Bearden's family and highlights his experiences in North Carolina, Pittsburgh, and Harlem. She engages deeply with Bearden's art and considers it as an alternative archive that offers a unique perspective on the history, memory, and collective imagination of Black southerners who migrated to the North. In doing so, she revises and deepens our appreciation of Bearden's place in the artistic canon and our understanding of his relationship to southern, African American, and American cultural and social history.
A train journey in Romare Beardens childhood, inspired by one of his collage paintings
Struggles for Representation examines over 300 non-fiction films by more than 150 African American film/videomakers and includes an extensive filmography, bibliography, and excerpts from interviews with film/videomakers. In eleven original essays, contributors explore the extraordinary scope of these aesthetic and social documents and chart a previously undiscovered territory: documentaries that examine the aesthetic, economic, historical, political, and social forces that shape the lives of black Americans, as seen from their perspectives. Until now, scholars and critics have concentrated on black fiction film and on mainstream non-fiction films, neglecting the groundbreaking body of black non-fiction productions that offer privileged views of American life. Yet, these rich and varied works in film, video, and new electronic media, convey vast stores of knowledge and experience. Although most documentary cannot hope to match fiction film's mass appeal, it is unrivaled in its ability to portray searing, indelible impressions of black life, including concrete views of significant events and moving portraits of charismatic individuals. Documentary footage brings audiences the moments when civil rights protestors were attacked by state troopers; it provides the sights and sounds of Malcom X delivering an electrifying speech, Betty Carter performing a heart-wrenching song, and Langston Hughes strolling on a beach. Uniting all of this work is the "struggle for representation" that characterizes each film–an urgent desire to convey black life in ways that counter the uninformed and often distorted representations of mass media film and television productions. African American documentaries have long been associated with struggles for social and political empowerment; for many film/videomakers, documentary is a compelling mode with which to present an alternative, more authentic narrative of black experiences and an effective critique of mainstream discourse. Thus, many socially and politically committed film/videomakers view documentary as a tool with which to interrogate and reinvent history; their works fill gaps, correct errors, and expose distortions in order to provide counter-narratives of African American experience. Contributors include Paul Arthur, Houston A. Baker, Jr., Mark F. Baker, Pearl Bowser, Janet K. Cutler Manthia Diawara, Elizabeth Amelia Hadley, Phyllis R. Klotman, Tommy Lee Lott, Erika Muhammad, Valerie Smith, and Clyde Taylor.
Li'l Dan, a slave on a Southern plantation, loves to play his drum. When a company of Union soldiers announce that the slaves have been set free, Dan has no place to go, so he follows the soldiers, who make him their mascot. But Confederate soldiers attack, and Dan discovers that he is the only one who can save his friends. The only children's book ever written and illustrated by legendary American artist Romare Bearden, Li'l Dan, the Drummer Boy was just recently discovered. Dr. Henry Louis Gates Jr. has written a personal introduction to the book, describing his own memories of the artist while Bearden created this memorable tale. On an accompanying CD, Dr. Maya Angelou, three-time Grammy Award winner for spoken word recordings, reads the text.
Grant Hill and experts celebrate and examine the creative expression of African American art and artists.
While visiting his grandparents in the country, Mike finds an abandoned baby bird, takes care of him until he learns how to fly, and makes an important discovery about when to let go.