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Drone and Apocalypse is an exhibit catalog for a retrospective of twenty-first-century art. Its narrator, Cynthia Wey, is a failed artist convinced that apocalypse is imminent. She writes critical essays delineating apocalyptic tendencies in drone music and contemporary art. Interspersed amid these essays are “speculative artworks”, Wey’s term for descriptions of artworks she never constructs that center around the extinction of humanity. Wey’s favorite musicians are drone artists like William Basinski, Celer, Thomas Köner, Les Rallizes Dénudés, and Éliane Radigue, and her essays relate their works to moments of ineffability in Herodotus, Aristotle, Plato, Pliny the Elder, Isidore of Seville, Robert Burton, Hegel, and Dostoyevsky. Well after Wey’s demise, the apocalypse never arrives, but Wey’s journal is discovered. Curators fascinated with twenty-first-century culture use her writings as the basis for their exhibit “Commentaries on the Apocalypse”, which realizes Wey’s speculative artworks as photographs, collages, and sound/video installations.
Small Gods deconstructs the mythology of the drone: as soothing sound, aerial spy, and killing machine. When we say 'drone technology,' we can mean the tanpura, a plucked-string instrument originating in 16th century India, or the Gorgon Stare, an aerial surveillance technology designed by the US military - and evoke competing notions of terror and transcendence. Small Gods leans into this ambiguity. As each chapter focuses on the work of an artist with a unique understanding of 'the drone', the book illuminates myriad facets of these entangled technological entities. Opening with William Basinki's first glimpse of the ash-clouds of 9/11 - which spawned both The Disintegration Loops and the drone-driven War on Terror - the narrative then zooms into the representational sleights of hand of British and American artists preoccupied with the West's stake in endless drone wars. Its midsection lands us in the doldrums: where Anne Imhof's Angst, Anna Mikkola's drone-watched runner, and Atef Abu Saif's drone war memoir find maddening safety in boredom, raising questions about the trade-offs between security and surveillance. In the final section, the narrative uncouples from earthly oppression - we're freed to explore future and spirit worlds with artists including Korakrit Arunanondchai, Lawrence Lek, and WangShui, all of whom use drone technology to envision a future beyond the burden of colonialism, racism, exclusion or, simply, representation. Empty metal becomes a vessel for escape, connection, or intention; a future-facing spirit, a ride into the afterlife, a god or a ghost.
Leon Tsarev is a high school student set on getting into a great college program, until his uncle, a member of the Russian mob, coerces him into developing a new computer virus for the mob’s botnet - the slave army of computers they used to commit digital crimes. The evolutionary virus Leon creates, based on biological principles, is successful -- too successful. All the world’s computers are infected. Everything from cars to payment systems and, of course, computers and smart phones stop functioning, and with them go essential functions including emergency services, transportation, and the food supply. Billions may die. But evolution never stops. The virus continues to evolve, developing intelligence, communication, and finally an entire civilization. Some may be friendly to humans, but others are not. Leon and his companions must race against time and the military to find a way to either befriend or eliminate the virus race and restore the world’s computer infrastructure. Praise for the Singularity Series: “Highly entertaining, gripping, thought inspiring. Don’t start without the time to finish — it won’t let you go.” —Gifford Pinchot III, founder Bainbridge Graduate Institute, author THE INTELLIGENT ORGANIZATION “A tremendous book that every single person needs to read. In the vein of Daniel Suarez's Daemon and Freedom(TM), William shows that science fiction is becoming science fact.” —Brad Feld, managing director Foundry Group, cofounder TechStars “A fascinating look at how simple and benign advancements in technology could lead to the surprise arrival of the first AI. And like all good techno-thrillers, the reality of AI is less than ideal.” —Jason Glaspey, SILICON FLORIST “An alarming and jaw-dropping tale about how something as innocuous as email can subvert an entire organization. I found myself reading with a sense of awe, and read it way too late into the night.” —Gene Kim, author of VISIBLE OPS
One rogue Artificial Intelligence to rule us all. A far-future space opera series from #1 Bestselling author James David Victor. Captain Eliard Martin has found himself in an alternate universe ruled by Armcore’s rogue artificial intelligence. Eliard and his alternate crew must take back the galaxy and return things to normal or humanity will never be the same. Can he change the past to save the future? A. I. Apocalypse is the eighth book in the exciting Valyien series. If you like fast-paced space adventure, the rogue crew of the Mercury Blade will keep you entertained for hours. Download A. I. Apocalypse and get started on your next space adventure today!
//I draw circles and sacred boundaries about me; fewer and fewer climb with me up higher and higher mountains.-I am building a mountain chain out of ever-holier mountains. - Nietzsche// //Drone music excels in creating and maintaining tension. It aestheticizes doom, opening a door onto once and future catastrophe [...] Drone music is a music for when the markers of time such as clocks, metronomes, alarms have stopped. It is an acoustic foundation from which other sounds emerged, and to which all sounds will eventually return. - Joanna Demers// Sustain/Decay is a philoscillosophical mantralith a technaural chronicle 0f art, audio, and essays on and on and around and around drone music and its relation to such things as extreme slowness deceleration extension futility/nihilism/withdrawal/renunciation/suspension/emptiness mantra/repetition/meditation/ritual/endurance hermetics and occultism holy mountains and arduous tasks pilgrimage/isolation/intoxication ...as well as... conceptual droning: thinking like:as:with drone repetitive philosophical/tonal/rhythmic oscillations around a central "pedal point." drone music theory/topology: xenharmonics/xenrhythmics vibration/waveforms/noise anthropological approaches to, and the physics of, art that engages stylistic elements such as heavy repetition and iteration, vastness, endless echoes, symmetry, resonation and humming, thrumming, threnody - cascading, en-trancing, enveloping art that rewards patience and attention : art that demands endurance to complete or understand.
“A searing, facts-driven indictment of America’s drone wars and their implications for US democracy and foreign policy. A must-read for concerned citizens” (Library Journal, starred review) from bestselling author Jeremy Scahill and his colleagues at the investigative website The Intercept. Drones are a tool, not a policy. The policy is assassination. But drone strikes often kill people other than the intended target. These deaths, which have included women and children, dwarf the number of actual combatants who have been assassinated by drones. They have generated anger toward the United States among foreign populations and have even become a recruiting tool for jihadists. The first drone strike outside a declared war zone was conducted more than twelve years ago, but it was not until May 2013 that the White House released a set of standards and procedures for conducting such strikes. However, there was no explanation of the internal process used to determine whether a suspect should be killed without being indicted or tried, even if that suspect is an American citizen. The implicit message of the Obama administration has been: Trust, but don’t verify. The Assassination Complex reveals stunning details of the government’s secretive drone warfare program based on documents supplied by a confidential source in the intelligence community. These documents make it possible to begin the long-overdue debate about the policy of drone warfare and how it is conducted. The Assassination Complex allows us to understand at last the circumstances under which the US government grants itself the right to sentence individuals to death without the established checks and balances of arrest, trial, and appeal—“readers will be left in no doubt that drone warfare affronts morality and the Constitution” (Kirkus Reviews).
NPR Best Books of 2018 A teen girl and her robot embark on a cross-country mission in this illustrated science fiction story, perfect for fans of Ready Player One and Black Mirror. In late 1997, a runaway teenager and her small yellow toy robot travel west through a strange American landscape where the ruins of gigantic battle drones litter the countryside, along with the discarded trash of a high-tech consumerist society addicted to a virtual-reality system. As they approach the edge of the continent, the world outside the car window seems to unravel at an ever faster pace, as if somewhere beyond the horizon, the hollow core of civilization has finally caved in.
With his best and craziest days behind him, a Florida call center employee struggles through mind-numbing drudgery day after day--but he just might have a way to reclaim the madness and his former life. The zombie apocalypse is over. The humans have won. Life is back to normal. And Rip is bored as hell. It's not much of a life sitting in a call center in the poor town of Spanish Shanty, Florida, answering emails like a drone and listening to customer complaints. Rip was ruler of a tiny kingdom in the Lazy River waterpark, killing zombies by day and making passionate love at night. He misses the danger, the camaraderie, and the blistering love he once knew. He longs to feel Santana--his trusty machete--in his hand, and Davia--the fiercest woman alive--in his arms once again. He can still picture it-- life on the razor's edge--and he would do anything to get that feeling back. But what if Rip could get it back? He's totally desperate. Not normal desperate--more like ready-to-restart-the-apocalypse desperate. Condemning humanity to a repeat merely for an adrenaline rush is probably not a good idea. But life at the call center is nothing more than a slow death, and Rip might not be able to go on without trying to find out.
Will tomorrow's wars be dominated by autonomous drones, land robots and warriors wired into a cybernetic network which can read their thoughts? Will war be fought with greater or lesser humanity? Will it be played out in cyberspace and further afield in Low Earth Orbit? Or will it be fought more intensely still in the sprawling cities of the developing world, the grim black holes of social exclusion on our increasingly unequal planet? Will the Great Powers reinvent conflict between themselves or is war destined to become much 'smaller' both in terms of its actors and the beliefs for which they will be willing to kill? In this illuminating new book Christopher Coker takes us on an incredible journey into the future of warfare. Focusing on contemporary trends that are changing the nature and dynamics of armed conflict, he shows how conflict will continue to evolve in ways that are unlikely to render our century any less bloody than the last. With insights from philosophy, cutting-edge scientific research and popular culture, Future War is a compelling and thought-provoking meditation on the shape of war to come.