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A new poetry collection of startling beauty and thought by a great American poet.
Abstract paintings are discussed both from the point of the creator and from the point of view of the spectator.
This book constitutes the thoroughly refereed proceedings of the 16th International Conference on Design Science Research in Information Systems and Technology, DESRIST 2021, held in Kristiansand, Norway, in August 2021.* The 24 revised full research papers, included in the volume together with 6 short contributions and 7 prototype papers, were carefully reviewed and selected from 78 submissions. They are organized in the following topical sections: ​impactful sociotechnical design; problem and contribution articulation; design knowledge for reuse; emerging methods and frameworks for DSR; DSR and governance; the new boundaries of DSR. *Apart from the planned on-site event, the hybrid conference model was explored due to the Covid-19 pandemic.
Experience wonder and excitement as you mindfully take your painting technique to the next level: It’s Paint Alchemy. Part of the new Alchemy series, Paint Alchemy explores how to build a painting practice. Whether you’re a novice or an experienced painter, you’ll learn how to create freely by combining a foundation in solid techniques and design principles with an open approach that stays focused on the moment, rather than the end result. You will learn how to prepare your art space, work with intention, and move between action and observation, responding to the work along the way. Paint Alchemy will help you cultivate a full perspective on the process: from developing ideas in a sketchbook to crystalizing your vision. As you work through the exercises, you’ll gain a better understanding of color theory, mark making, representational form, abstraction, and composition. Mindfulness, experimentation, and reflection will give way to wonder as your paintings develop.
This book constitutes the refereed proceedings of the 13th IFIP WG 10.5 Advanced Research Working Conference on Correct Hardware Design and Verification Methods, CHARME 2005, held in Saarbrücken, Germany, in October 2005. The 21 revised full papers and 18 short papers presented together with 2 invited talks and one tutorial were carefully reviewed and selected from 79 submissions. The papers are organized in topical sections on functional approaches to design description, game solving approaches, abstraction, algorithms and techniques for speeding (DD-based) verification, real time and LTL model checking, evaluation of SAT-based tools, model reduction, and verification of memory hierarchy mechanisms.
Flexible, Reliable Software: Using Patterns and Agile Development guides students through the software development process. By describing practical stories, explaining the design and programming process in detail, and using projects as a learning context, the text helps readers understand why a given technique is required and why techniqu
The purpose of this book is to disseminate the research results and best practice from researchers and practitioners interested in and working on modeling methods and methodologies. Though the need for such studies is well recognized, there is a paucity of such research in the literature. What specifically distinguishes this book is that it looks at various research domains and areas such as enterprise, process, goal, object-orientation, data, requirements, ontology, and component modeling, to provide an overview of existing approaches and best practices in these conceptually closely-related fields. *Note: This book is part of a series entitled ?Advanced Topics in Database Research".
"Papers presented at the Eighth International Conference on New Trends in Software Methodologies, Tools and Techniques, (SoMeT 09) held in Prague, Czech Republic ... from September 23rd to 25th 2009."--P. v.
Fifty paintings, reproduced in color, by an international array of contemporary artists, show the aptness and relevance of painting in an era of uncertainty. In an age of global instability, the threat of chaos looms. Or is the threat more spectral than real? The fear of chaos may simply be our response to living in a world controlled by powerful forces beyond our understanding. Chaos and Awe demonstrates the aptness and relevance of painting as a medium for expressing the uncertainty of our era. It presents more than fifty paintings, by an international array of contemporary artists, that induce sensations of disturbance, curiosity, and expansiveness—the new sublime, derived not from the unfathomable mystery of nature but from the hidden and often insidious forces of culture. Essays by art historians and “painters who write” offer context and illumination. Chaos and Awe, which accompanies a major exhibition at the Frist Art Museum in Nashville, shows that painting's capacity to represent the liminal space between the real and the virtual allows it to portray the shifting ground of today's social imaginary. With suggestions of fragmentation, instability, and murkiness, these paintings enclose what seems to be (as Simon Morley writes in his essay) “wholly unenclosable.” The paintings presented offer visions of interconnected forces invisibly shaping contemporary global experience; portray the intractability of veiled racial animus and the phantoms of the past that continue to haunt the present; suggest, through semi-abstract languages, long-term conflicts played out through nationalism and extremism; depict the conjunction of cultures not as flashpoints but in terms of cross-fertilization and a new hybridity; convey the role of digital technology in intertwining knowledge and doubt; express the elusive nature of perception through floating forms, liquid, gas, flame, and light; and cast instability and chaos as opportunities to expand our perceptions of the connectedness of knowledge, intuition, and spirituality. Painters Franz Ackermann, Ahmed Alsoudani, Ghada Amer, Korakrit Arunanondchai, Radcliffe Bailey, Ali Banisadr, Pedro Barbeito, Jeremy Blake, Matti Braun, Dean Byington, Hamlett Dobbins, Nogah Engler, Anoka Faruqee, Barnaby Furnas, Ellen Gallagher, Adrian Ghenie, Wayne Gonzales, Wade Guyton, Rokni Haerizadeh, Peter Halley, Eddy Kamuanga Ilunga, Rashid Johnson, Guillermo Kuitca, Heather Gwen Martin, Julie Mehretu, Jiha Moon, Wangechi Mutu, James Perrin, Neo Rauch, Matthew Ritchie, Rachel Rossin, Pat Steir, Barbara Takenaga, Dannielle Tegeder, Kazuki Umezawa, Charline von Heyl, Sarah Walker, Corinne Wasmuht, Sue Williams Contributors Media Farzin Media Farzin is a writer, editor, and educator. Her writings have appeared in Bidoun, Artforum, Afterimage, and Art-Agenda online. She is a faculty member at the School of Visual Arts and the Sotheby's Institute of Art, New York. Simon Morley is an artist and Professor at Dankook University in Korea. He is the author of Writing on the Wall: Word and Image in Modern Art and editor of The Sublime (MIT Press/Whitechapel Gallery). Matthew Ritchie's work is regularly exhibited worldwide and is in the collections of the Museum of Modern Art (New York), the San Francisco Museum of Modern Art, the Guggenheim, the Whitney Museum of American Art. He has written for Artforum, Flash Art, Art & Text, October, and the Contemporary Arts Journal. He lectures widely and is currently a Mentor Professor in the Graduate Visual Arts Program at Columbia University. Copublished with the Frist Art Museum, Nashville
A groundbreaking account of the meaning of abstract painting From Mondrian's bold geometric forms to Kandinsky's use of symbols to Pollock's "dripped paintings," the richly diverse movement of abstract painting challenges anyone trying to make sense of either individual works or the phenomenon as a whole. Applying his insights as an art historian and a painter, John Golding offers a unique approach to understanding the evolution of abstractionism by looking at the personal artistic development of seven of its greatest practitioners. He re-creates the journey undertaken by each painter in his move from representational art to the abstract—a journey that in most cases began with cubism but led variously to symbolism, futurism, surrealism, theosophy, anthropology, Jungian analysis, and beyond. For each artist, spiritual quest and artistic experimentation became inseparable. And despite their different techniques and philosophies, these artists shared one goal: to break a path to a new, ultimate pictorial truth. The book first explores the works and concerns of three pioneering European abstract painters—Mondrian, Malevich, Kandinsky—and then those of their American successors—Pollock, Newman, Rothko, and Still. Golding shows how each painter sought to see the world and communicate his vision in the purest or most expressive form possible. For example, Mondrian found his way into abstraction through a spiritual response to the landscape of his native Holland, Malevich through his apprehension of the human body, Kandinsky through a blend of religious mysticism and symbolism. Line and color became the focus for many of their creative endeavors. In the 1940s and 50s, the Americans raised the level of pictorial innovation, beginning most notably with Pollock and his Jung-inspired concept of action. Golding makes a powerful case that at its best and most profound, abstract painting is heavily imbued with meaning and content. Through a blend of biography, art analysis, and cultural history, Paths to the Absolute offers remarkable insights into how a sense of purpose is achieved in painting, and how abstractionism engaged with the intellectual currents of its time. Please note: All images in this ebook are presented in black and white and have been reduced in size.