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“I am inordinately proud of my travels and at the same time embarrassed by my pride in them. I feel alternately overflowing and empty, replete with gratitude for my good fortune, and abashed at the overentitled, obsessive nature of my need to continue. I feel sometimes like the most interesting man in the world, sometimes like the most obtuse. I am driven onward and yet, even as I chart my next adventure, I remain unsure why I should want to, unclear why I need to. And I do need to. The road beckons me, and always has. But am I running toward something? Running away? Is there a difference?” —from the foreword Tom Lutz is addicted to journeying. Sometimes he stops at the end of the road, sometimes he travels further. In this richly packed portmanteau of traveler’s tales, we accompany him as he drives beyond the blacktop in Morocco, to the Saharan dunes on the Algerian border, and east of Ankara into the Hittite ruins of Boğazkale. We ride alongside as he hitches across Uzbekistan and the high mountain passes of Kyrgyzstan into western China. We catch up with him as he traverses the shores of a lake in Malawi, and disappear with him into the disputed areas of the Ukraine and Moldova. We follow his footsteps through the swamps of Sri Lanka, the wilds of Azerbaijan, the plains of Tibet, the casinos of Tanzania, the peasant hinterlands of Romania and Albania, and the center of Swaziland, where we join him in watching the king pick his next wife. All along the way, we witness his perplexity in trying to understand a compulsion to keep moving, ever onward, to the ends of the earth.
Che Guevara left Argentina at 22. At 21, Belén Fernández left the U.S. and didn’t look back. Alone, far off the beaten path in places like Syria and Tajikistan, she reflects on what it means to be an American in a largely American-made mess of a world. After growing up in Washington, D.C. and Texas, and then attending Columbia University in New York, Belén Fernández ended up in a state of self-imposed exile from the United States. From trekking—through Europe, the Middle East, Morocco, and Latin America—to packing avocados in southern Spain, to close encounters with a variety of unpredictable men, to witnessing the violent aftermath of the 2009 coup in Honduras, the international travel allowed her by an American passport has, ironically, given her a direct view of the devastating consequences of U.S. machinations worldwide. For some years Fernández survived thanks to the generosity of strangers who picked her up hitchhiking, fed her, and offered accommodations; then she discovered people would pay her for her powerful, unfiltered journalism, enabling—as of the present moment—continued survival. In just a few short years of publishing her observations on world politics and writing from places as varied as Lebanon, Italy, Uzbekistan, Syria, Mexico, Turkey, Honduras, and Iran, Belén Fernández has established herself as a one of the most trenchant observers of America’s interventions around the world, following in the footsteps of great foreign correspondents such as Martha Gellhorn and Susan Sontag.
Once again, Tom Lutz takes us to seldom-traveled corners of the world—the small towns of western Madagascar, the terraced rice fields in northern Luzon, the scattered homesteads on the Mongolian steppe, the hilltop churches on Micronesian islands, the riverside docks of Dhaka, Ethiopian weddings in Gondar, funeral pyres in Nepal, traditionalist karaoke bars in Bhutan—to bring us random reports of human kindness. You may never visit these places, but Tom Lutz will do it for you. And while global media may serve up a steady diet of division, violence, oppression, hatred, and strife, The Kindness of Strangers shows that people the world over are much more likely to meet strangers with interest, empathy, welcome, and compassion.
For years, when traveling, I found myself getting in conversations with people when I took their pictures, and started to consult with them--showing them the digital shot, then retaking it until we had one they were happy with. It gave us a reason to interact, and a way to do so, even when we shared no language in common. These portraits are the result of those extended sessions, those moments of accidental intimacy on the road. Readers of my three travel books (Drinking Mare's Milk on the Roof of the World, And the Monkey Learned Nothing, and The Kindness of Strangers) may recognize some of the people, because a number of them feature in those stories. But each stands on its own--each a testament to the human ability to connect across the fault lines that keep us precariously divided. And each is a tribute to the accidental intimacy of the road.
Our culture values striving, purpose, achievement, and accumulation. This book asks us to get sidetracked along the way. It praises aimlessness as a source of creativity and an alternative to the demand for linear, efficient, instrumentalist thinking and productivity. Aimlessness collects ideas and stories from around the world that value indirection, wandering, getting lost, waiting, meandering, lingering, sitting, laying about, daydreaming, and other ways to be open to possibility, chaos, and multiplicity. Tom Lutz considers aimlessness as a fundamental human proclivity and method, one that has been vilified by modern industrial societies but celebrated by many religious traditions, philosophers, writers, and artists. He roams a circular path that snakes and forks down sideroads, traipsing through modernist art, nomadic life, slacker comedies, drugs, travel, nirvana, and oblivion. The book is structured as a recursive, disjunctive spiral of short sections, a collage of narrative, anecdotal, analytic, and lyrical passages—intended to be read aimlessly, to wind up someplace unexpected.
Composed in a prison cell in 1298 by Venetian merchant Marco Polo and Arthurian romance writer Rustichello of Pisa, The Description of the World relates Polo's experiences in Asia and at the court of Qubilai, the Great Khan of the Mongol Empire. In addition to a new translation based on the Franco-Italian "F" manuscript of Polo's text, this edition includes genealogies of the Mongol rulers and nine maps of Polo's journey, as well as thorough annotation and an extensive bibliography.
This comprehensive reference work introduces food culture from more than 150 countries and cultures around the world—including some from remote and unexpected peoples and places. From babka to baklava to the groundnut stew of Ghana, food culture can tell us where we've been—and maybe even where we're going. Filled with succinct, yet highly informative entries, the four-volume Food Cultures of the World Encyclopedia covers all of the planet's nation-states, as well as various tribes and marginalized peoples. Thus, in addition to coverage on countries as disparate as France, Ethiopia, and Tibet, there are also entries on Roma Gypsies, the Maori of New Zealand, and the Saami of northern Europe. There is even a section on food in outer space, detailing how and what astronauts eat and how they prepare for space travel as far as diet and nutrition are concerned. Each entry offers information about foodstuffs, meals, cooking methods, recipes, eating out, holidays and celebrations, and health and diet. Vignettes help readers better understand other cultures, while the inclusion of selected recipes lets them recreate dishes from other lands.
The illuminating history of milk, from ancient myth to modern grocery store. How did an animal product that spoils easily, carries disease, and causes digestive trouble for many of its consumers become a near-universal symbol of modern nutrition? In the first cultural history of milk, historian Deborah Valenze traces the rituals and beliefs that have governed milk production and consumption since its use in the earliest societies. Covering the long span of human history, Milk reveals how developments in technology, public health, and nutritional science made this once-rare elixir a modern-day staple. The book looks at the religious meanings of milk, along with its association with pastoral life, which made it an object of mystery and suspicion during medieval times and the Renaissance. As early modern societies refined agricultural techniques, cow's milk became crucial to improving diets and economies, launching milk production and consumption into a more modern phase. Yet as business and science transformed the product in the nineteenth and twentieth centuries, commercial milk became not only a common and widely available commodity but also a source of uncertainty when used in place of human breast milk for infant feeding. Valenze also examines the dairy culture of the developing world, looking at the example of India, currently the world's largest milk producer. Ultimately, milk’s surprising history teaches us how to think about our relationship to food in the present, as well as in the past. It reveals that although milk is a product of nature, it has always been an artifact of culture.
Tom Lutz is on a mission to visit every country on earth. And the Monkey Learned Nothing contains reports from fifty of them, most describing personal encounters in rarely visited spots, anecdotes from way off the beaten path. Traveling without an itinerary and without a goal, Lutz explores the Iranian love of poetry, the occupying Chinese army in Tibet, the amputee beggars in Cambodia, the hill tribes on Vietnam’s Chinese border, the sociopathic monkeys of Bali, the dangerous fishermen and conmen of southern India, the salt flats of Uyumi in Peru, and floating hotels in French Guiana, introduces you to an Uzbeki prodigy in the market of Samarkand, an Azeri rental car clerk in Baku, guestworkers in Dubai, a military contractor in Jordan, cucuruchos in Guatemala, a Pentecostal preacher in rural El Salvador, a playboy in Nicaragua, employment agents in Singapore specializing in Tamil workers, prostitutes in Colombia and the Dominican Republic, international bankers in Belarus, a teacher in Havana, border guards in Botswana, tango dancers in Argentina, a cook in Suriname, a juvenile thief in Uruguay, voters in Guyana, doctors in Tanzania and Lesotho, scary poker players in Moscow, reed dancers in Swaziland, young camel herders in Tunisia, Romanian missionaries in Macedonia, and musical groups in Mozambique. With an eye out for both the sublime and the ridiculous, Lutz falls, regularly, into the instant intimacy of the road with random strangers.