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"Even in death, who has ownership over Black women's bodies?" Questions like this lurk between the lines of this stunning collection of stories that engage with African women's histories, both personal and generational. Their history is not just one thing: there is heartbreak and pain, and joy, and flying and magic, so much magic. An avenging spirit takes on the patriarchy from beyond the grave. An immigrant woman undergoes a naturalization ceremony in an imagined American state that demands that immigrants pay a toll of the thing they love the most. A first-generation Zimbabwean-American woman haunted by generational trauma is willing to pay the ultimate price to take her pain away—giving up her memories. A neighborhood gossip wakes up to find that houses are mysteriously vanishing in the night. A shapeshifting freedom fighter leaves a legacy of resistance to her granddaughter. In Drinking from Graveyard Wells, Yvette Lisa Ndlovu assembles poignantly reflective stories that center the voices of African women charting their own Black history through the ages. Ndlovu's stories play with genre, from softly surreal to deeply fantastical. Each narrative is wrapped in the literary eloquence and tradition of southern African mythology, transporting readers into the lives of African women who have fought across space and time to be seen. Drawing on her own early experiences as a Zimbabwean living under the Mugabe dictatorship, Ndlovu's stories are grounded in truth and empathy. Ndlovu boldly offers up alternative interpretations of a past and a present that speculates upon the everyday lives of a people disregarded. Her words explore the erasure of African women while highlighting their beauty and limitless magic. Immersed in worlds both fantastical and familiar, readers find themselves walking alongside these women, grieving their pain, and celebrating their joy, all against the textured backdrop of Zimbabwe.
" Spencer Polk was born of an African-Indian slave woman known as Sally, and her master, Taylor Polk, a descendant of one of America's first families and one of the earliest white settlers in the Arkansas Territory. A favored slave, Spencer Polk became a prosperous farmer and landowner in southwestern Arkansas and the founder of a numerous and energetic family. Since emancipation the family homestead he built on Muddy Fork Creek has housed succeeding generations and has drawn back those who sought their fortunes elsewhere. In this new paperback edition, Ruth Polk Patterson, a granddaughter of Spencer Polk who was born and raised in the log house he built, traces the life of Polk and his family from his birth in 1833 to the present generation. The skillful blending of folklore, history, and personal insight makes The Seed of Sally Good'n an excellent contribution to the long neglected history of middle-class African Americans.
"A Romance of the Republic" is a novel written by author Lydia Maria Child. The book is an engaging romantic tale in which the main protagonist, Lydia Maria, explores various aspects of the American republic in the 19th century. The story unfolds during a period of rapid development in the United States, as the country grapples with significant issues and challenges. Lydia Maria, driven by her curiosity and passion for justice, embarks on a journey that takes her through the complexities of American society, politics, and cultural norms. Through vivid storytelling and compelling characters, Child delves into themes of love, freedom, and social progress. The novel captures the spirit of the era, offering readers a glimpse into the hopes, struggles, and aspirations of individuals navigating a changing world. "A Romance of the Republic" is a captivating blend of history, romance, and social commentary, showcasing the author's ability to weave together personal narratives and larger societal issues. It invites readers to reflect on the complexities of American identity and the ongoing pursuit of a more perfect union.
A disilusioned doctor comes to Piney Ridge and learns of the healing power of kindness.
Miss Willie, first published in 1951, is the second novel in Janice Holt Giles's Piney Ridge trilogy, which includes also The Enduring Hills and Tara's Healing. Although the plot is fictional, the central character is based on Giles's mother and some of the episodes are drawn from her life. This is the story of a dedicated teacher who moves to the hills of Kentucky to teach in a one-room schoolhouse at Piney Ridge. Zealously she tries to change the ways of the stubborn and proud Appalachian people - but to no avail. They listen to her crazy ideas about sanitation and other foolishness because to argue would be rude. But in the end they quietly go about their accustomed ways. Ultimately Miss Willie realizes that the hill customs have a beauty and dignity of their own and that some of her efforts to reform them were ill-conceived. Her warmth, generosity, and humor help her bridge the gap and find fulfillment in Piney Ridge. This is a story of reconciliation and the coming together of two different ways of life. Above all, it is a story of people and of the land to which they belong.
Each chapter is a biographical sketch of an influential black woman who has written for American newspapers or television news, including Maria W. Stewart, Mary Ann Shadd Cary, Gertrude Bustill Mossell, Ida B. Wells-Barnett, Josephine St.Pierre Ruffin, Delilah L. Beasley, Marvel Cooke, Charlotta A. Bass, Alice Allison Dunnigan, Ethel L. Payne, and Charlayne Hunter-Gault.
Broke Neck, Kentucky, lies deep in Appalachia. Its people are descendents of the men and women who settled the country during the Revolutionary War, and their ways have not changed much in the past two hundred years. Shady Grove chronicles the riotous adventures and misadventures of Broke Neck's Fowler clan, among them Frony, the feisty and articulate widow who narrates the tale, and Sudley, the thrice-married farmer and quintessential "ridge man." Sudley, who wields considerable political influence among his kin and community, isn't happy when a new preacher from "outside" comes in from his city-based denomination with ideas about what's wrong in Broke Neck. What follows is a compelling example of the tension between urban viewpoints and rural traditions, a central conflict in Appalachia. The town's delicate balance is disturbed when other outsiders -- federal revenue officials and four suitors responding to a personal ad -- converge in an unlikely climax that is both comic and telling. In her last book of fiction about her adopted Kentucky homeland, Janice Holt Giles cleverly dispels the common stereotypes of rural peoples by creating honest, believable characters who cherish their soil, churches, songs, and lines of kin. Shady Grove is a novel that makes us laugh and touches our hearts. Janice Holt Giles (1905-1979), author of nineteen books, lived and wrote near Knifley, Kentucky, for thirty-four years. Her biography is told in Janice Holt Giles: A Writer's Life.
Along with Benedict Arnold, Simon Girty was one of the most hated men in early America. The son of an Irish immigrant, he was raised on the western Pennsylvania frontier but was captured by the Senecas as a teenager and lived among them for several years. This able frontiersman might be seen today as a defender of Native Americans, but in his own time he was branded as a traitor for siding with First Nations and the British during the Revolutionary War. He fought fiercely against Continental Army forces in the Ohio River Valley and was victorious in the bloody Battle of Blue Licks. In this classic work, Richard Taylor artfully assembles a collage of passages from diaries, travel accounts, and biographies to tell part of the notorious villain's story. Taylor uses the voice of Girty himself to unfold the rest of the narrative through a series of interior monologues, which take the form of both prose and poetry. Moments of torture and horrifying bloodshed stand starkly against passages celebrating beautiful landscapes and wildlife. Throughout, Taylor challenges perceptions of the man and the frontier, as well as notions of white settler innocence. Simon Girty's bloody exploits and legend made him hated and feared in Kentucky and the Ohio River Valley, but many who knew him respected him for his convictions, principles, and bravery. This evocative work brings to life a complex figure who must permanently dwell in the borderland between myth and fact, one foot in each domain.