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In the tradition of "New York Times" bestsellers "Confessions of a Video Vixen" and "It's No Secret," an entertainment industry insider presents an expos into the down low culture of Hollywood and hip hop, where straight male celebrities find themselves intimate with other men.
Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge.
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
In the wake of his deeply powerful viral videos ("Before You Call the Cops" and "Walking While Black"), Tyler Merritt shares his experiences as a black man in America with truth, humor, and poignancy. Tyler Merritt's video "Before You Call the Cops" has been viewed millions of times. He's appeared on Jimmy Kimmel and Sports Illustrated and has been profiled in the New York Times. The viral video's main point—the more you know someone, the more empathy, understanding, and compassion you have for that person—is the springboard for this book. By sharing his highs and exposing his lows, Tyler welcomes us into his world in order to help bridge the divides that seem to grow wider every day. In I Take My Coffee Black, Tyler tells hilarious stories from his own life as a black man in America. He talks about growing up in a multi-cultural community and realizing that he wasn't always welcome, how he quit sports for musical theater (that's where the girls were) to how Jesus barged in uninvited and changed his life forever (it all started with a Triple F.A.T. Goose jacket) to how he ended up at a small Bible college in Santa Cruz because he thought they had a great theater program (they didn't). Throughout his stories, he also seamlessly weaves in lessons about privilege, the legacy of lynching and sharecropping and why you don't cross black mamas. He teaches readers about the history of encoded racism that still undergirds our society today. By turns witty, insightful, touching, and laugh-out-loud funny, I Take My Coffee Black paints a portrait of black manhood in America and enlightens, illuminates, and entertains—ultimately building the kind of empathy that might just be the antidote against the racial injustice in our society.
Leather-bound book - tribute to Hip-hop, that reveals the roots, birth, evolution, and global impact of Hip-hop culture over past four decades.
Lavishly illustrated with over 400 sketches, concept renderings and photographs, this book features Pharrell William's prolific body of work in his unique graphic language, including apparel from his Ice Cream/Billionaire Boys Club clothing Line (which he developed with *A Bathing Ape® founder NIGO®), his jewellery and accessories designs for Louis Vuitton, his furniture designs for Domeau & Pérès, as well as other product design, limited-edition toys; graphic designs, skate graphics and collaborations with Moncler, Marc Jacobs, the artist KAWS, and with architects Zaha Hadid and Masamichi Katayama/Wonderwall. This comprehensive book also explores Pharrell William's musical career in depth, from his role as producer for the Neptunes to the band N.E.R.D, and his collaborations with friends Kanye West, Jay-Z, Snoop Dog and other hip-hop royalty. One of the few artists to successfully weave together his varying talents and interests, Pharrell's unique body of work uses elements of music, fashion, street art and product design to create an industry, with one segment both supporting and inspiring the others. Critical essays lend context and position Pharrell's work within contemporary visual and material culture. With sections examining his design work, his music career, his collaborations and his inspirations, this volume gives readers insight into the synergetic process which has brought the artist such success.
This remarkable work of documentary fiction takes place in Burma, spanning more than two decades of the pro-democracy movement. It is a spare and poignant portrayal of the country’s continuing political instability and two fictitious families whose lives are inexorably shaped by the turmoil. The title alludes to the “Roadmap to Democracy,” a seven-step program for restoring democracy in Burma announced by General Khin Nyunt in 2003. Suragamika’s new Roadmap employs the metaphor of travelers journeying on a road. Vignettes from the lives of the characters intersperse true-to-life descriptions of the shifting political and social milieu. The narrative reveals the harsh realities of life in Burma since the 8-8-88 uprising, yet conveys an unflagging hope for the future. Here is one clear, new voice emanating from the heart of Burma. It compels the world to listen and watch and travel along with it. What others are saying “An unconventional narrative, searching and raw, that chronicles the Burmese military government’s heinous record of repression side-by-side with its dire consequences for individual families” — Wendy Law-Yone, author of Irrawaddy Tango “The Roadmap vividly illustrates how the lives of Burmese democracy activists and their family members have been profoundly reshaped by repression and separation as they continue to seek a way forward for themselves and their country. It is an evocative and moving book which touches the hearts of its readers through both its poetic language and its silences” — Christina Fink, author of Living Silence in Burma “To understand Burma’s many untold and unpublished human tragedies… read this roadmap” — Aung Zaw, editor of The Irrawaddy Highlights - Absorbing story of endurance and resilience - Sensitive portrayal of real life inside Burma, from 1988 to the present - Shows the struggle and commitment of pro-democracy activists - Presents contemporary Burmese history with passion and empathy
Filled with more than 250 images of artists including Ice Cube, The Notorious B.I.G., LL Cool J, Naughty by Nature, Public Enemy, 50 Cent, N.W.A, Snoop Dogg, Lil' Kim, Flavor Flav, Lauren Hill, Queen Latifah, TLC, many that have never before been published, this book is set to become the new hip-hop photography bible With exclusive, behind-the-scenes access, preeminent photographer Brother Ernie captures the last four decades of the evolution of hip-hop--the styles that grew from it, and the artists who shaped it. Complete with Brother Ernie's personal anecdotes of time spent with subjects, and stories behind the photographs, Hip-Hop at the End of the World shares intimate moments from the most important era of hip-hop. After picking up a camera in the 1973 to document the graffiti art that dominated New York City, Ernest Paniccioli started his journey of whole-heartedly capturing the scene during the most fertile years of hip-hop. Always armed with a 35mm camera, he successfully photographed nearly every rapper of note since the genre's inception, making him the go-to photographer for magazines like Word Up and Rap Masters. Hip Hop at the End of the World is a carefully curated selection of photographs from Brother Ernie's extensive archives, celebrating over 40 years of swag in one of the most complete records of the most crucial movements in American music.
The definitive collection of photographs depicting the city of Los Angeles; from "homies" to Hollywood.
Resident diva Devane will stop at nothing to get the star treatment she feels she deserves. Especially when she’s overlooked for a solo in the group’s first show and Emerson, her nemesis, isn’t. During the performance, Devane does the unthinkable—she steals the scene from Emerson— and is thrown out of the group. But in the end, it’s the group who could end up suffering. Devane may be an egomaniac, but she’s also an unbelievable dancer. The Hip Hop Kidz need her, and Emerson might be the only one who can convince her to come back.