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Following World War II, chemical companies and agricultural experts promoted the use of synthetic chemicals as pesticides on weeds and insects. It was, Pete Daniel points out, a convenient way for companies to apply their wartime research to the domestic market. In Toxic Drift, Daniel documents the particularly disastrous effects this campaign had on the South's public health and environment, exposing the careless mentality that allowed pesticide application to swerve out of control. The quest to destroy pests, Daniel contends, unfortunately outran research on insect resistance, ignored environmental damage, and downplayed the dangers of residue accumulation and threats to fish, wildlife, domestic animals, and humans. Using legal sources, archival records, newspapers, and congressional hearings, Daniel constructs a moving, fact-filled account of the use, abuse, and regulation of pesticides from World War II until 1970.
Shady doesn't exist anymore. Neither does Benjamin Purdue. In a single day he lost his family, his love, his freedom and even his name for reasons he's never known. Now after spending twenty-one years in prison for crimes he didn't commit, the young man he used to be is dead. And the man he's become is no one he—or anyone else—would ever want to know. With only fifty dollars of state money in his pocket, Henry Cole, aka Benjamin Purdue, journeys back to the dangerous outlaw settlement hidden deep in the Allegheny Mountains of Virginia where it all began. The only place he's called home. Instead of answers, he finds only old sunken graves. Now as he drifts southward, he gets closer to the beautiful woman he will never forget—whose untimely visit to Shady that fateful Sunday afternoon ended in a killing. A woman who holds the keys to his past…and his future.
An unflinching portrayal of the Korean immigrant experience from an extraordinary new talent in fiction. Spanning Korea and the United States, from the postwar era to contemporary times, Krys Lee's stunning fiction debut, Drifting House, illuminates a people torn between the traumas of their collective past and the indignities and sorrows of their present. In the title story, children escaping famine in North Korea are forced to make unthinkable sacrifices to survive. The tales set in America reveal the immigrants' unmoored existence, playing out in cramped apartments and Koreatown strip malls. A makeshift family is fractured when a shaman from the old country moves in next door. An abandoned wife enters into a fake marriage in order to find her kidnapped daughter. In the tradition of Chang-rae Lee's Native Speaker and Jhumpa Lahiri's Interpreter of Maladies, Drifting House is an unforgettable work by a gifted new writer.
What drives literary change? Does literature merely follow shifts in a culture, or does it play a distinctive role in shaping emergent trends? Michael Fuller explores these questions while examining the changes in Chinese shipoetry from the late Northern Song dynasty (960–1127) to the end of the Southern Song (1127–1279), a period of profound social and cultural transformation. Shi poetry written in response to events was the dominant literary genre in Song dynasty China, serving as a central form through which literati explored meaning in their encounters with the world. By the late Northern Song, however, old models for meaning were proving inadequate, and Daoxue (Neo-Confucianism) provided an increasingly attractive new ground for understanding the self and the world. Drifting among Rivers and Lakes traces the intertwining of the practice of poetry, writings on poetics, and the debates about Daoxue that led to the cultural synthesis of the final years of the Southern Song and set the pattern for Chinese society for the next six centuries. Examining the writings of major poets and Confucian thinkers of the period, Fuller discovers the slow evolution of a complementarity between poetry and Daoxue in which neither discourse was self-sufficient.