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Artists, cartoonists, comedians, musicians, actors, politicians, the famous and the infamous, these chosen people are just that: People chosen to be rendered by the man BoingBoing calls “The greatest living portrait artist.”
All the Presidents is the latest book of portraits by the artist BoingBoing hails as “the greatest portrait artist of our time.” All the Presidents is indeed what the title indicates, portraits of all 44 United States Presidents, from George Washington to Donald Trump and everyone in between, all rendered in Friedman’s celebrated in-your-face style of portraiture. The portraits will be accompanied by vital statistics on each subject (political affiliation as well as height and weight, etc.), as well as fascinating presidential factoids. Friedman’s two page comic strip introduction “Drawn to Presidents” opens the book, specifically detailing his fasciation with drawing many US presidents throughout his life, from childhood scrawlings of Richard Nixon to illustrations of Ronald Reagan, George H.W. Bush and Bill Clinton for Spy and eventually creating the famed Barack Obama/George Washington mashup inauguration cover for The New Yorker in 2009. The book also features a foreword by NPR’s Studio 360 host, Kurt Andersen.
This comical collection of of Jewish comedian portraiture is a sequel to 2006's wildly successful Old Jewish Comedians, which earned Friedman raves from Jerry Lewis, Howard Stern, The Believer,Entertainment Weekly and many more, and earned Friedman his own roast at New York's legendary Friar's Club. This all-new collection includes the famous (Woody Allen, Carl Reiner, Joan Rivers, Mel Brooks, Soupy Sales, etc.), the not-so-famous (Jerry Stiller, Zeppo & Gummo Marx, Larry Storch, Zero Mostel, etc.) and the largely unknown (Molly Picon, Herbie Faye, Jan Milton, etc.). The Reuben Award-winning Friedman, one of the great caricaturists of his age, presents a thorough visual history of the 20th Century's greatest Borscht-Belt comedians.
Featuring over 80 full-color portraits of the pioneering legends of American comic books, including publishers, editors and artists from the industry’s birth in the ’30s, through the brilliant artists and writers of behind EC Comics in the ’50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Werthem… it’s a Hall of Fame of comic book history from the man BoingBoing.com call “America’s greatest living portrait artist!”
Melvin Burkhart the Anatomical Wonder; Zip the Pinhead; Chang and Eng, the original Siamese twins; Johnny Eck, the King of the Freaks; Koo Koo the Birdgirl; and 45 more fascinating sideshow freaks both famous and obscure are immortalized in Drew Friedman's delightful portraits. Before the politically correct impulses of the 1970s squelched the grand American tradition of the sideshow -- people born with abnormalities and others, like Jolly Jere the Fat Man, who created their oddity -- exhibited themselves to the shock and thrill of millions in sideshows nationwide. As a youth in the late 60s and early 70s, Drew Friedman often visited Coney Island with his family, and he and his brothers always insisted on seeing the Freak Show. Drew Friedman's Sideshow Freaks presents 50 of his favorite historic human oddities -- famous and obscure -- in mesmerizing full-color portraits. As in Warts and All, Old Jewish Comedians, and More Old Jewish Comedians, Drew Friedman once again meticulously, brilliantly, and affectionately brings to life people in the show business, this time focusing on America's oddest performers.
This comprehensive collection of portraiture of comedians born before 1930 includes the famous (Milton Berle, Groucho Marx, Jerry Lewis, Mel Brooks, Jack Benny), the not-so-famous (Benny Rubin, Shelly Berman) and the largely unknown (Al Kelly, Menasha Skulnik). The Reuben Award-winning Friedman presents a thorough visual history of these greatest Borscht-Belt comedians.
The Fun Never Stops is a comprehensive collection of premier caricaturist Drew Friedman's best comic strips, illustrations, and mug shots dealing with all the familiar Friedman themes the world has come to love: showbiz has-beens, ugly old white men, nefarious politicians, debauched celebrities, the ubiquitous Lord of Eltingville, etc. Most of the work is from the 1990s, and show Friedman's gradual phasing out of his famous (and amazing) black-and-white stipple look to his current (and equally amazing) lush watercolor style. In addition to the works written by Friedman, Fun includes many collaborations with his longtime partner K. Bidus, as well as Harvey Pekar (American Splendor), Mark Newgarden (We All Die Alone), and Bruce Handy, among others. Also included is artwork from the notorious Topps Bubble Gum Card series Toxic High, as well as art from the card sets Beauties and Cuties and Ed Wood Players. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
The capital of the U.S. Empire after World War II was not a city. It was an American suburb. In this innovative and timely history, Andrew Friedman chronicles how the CIA and other national security institutions created a U.S. imperial home front in the suburbs of Northern Virginia. In this covert capital, the suburban landscape provided a cover for the workings of U.S. imperial power, which shaped domestic suburban life. The Pentagon and the CIA built two of the largest office buildings in the country there during and after the war that anchored a new imperial culture and social world. As the U.S. expanded its power abroad by developing roads, embassies, and villages, its subjects also arrived in the covert capital as real estate agents, homeowners, builders, and landscapers who constructed spaces and living monuments that both nurtured and critiqued postwar U.S. foreign policy. Tracing the relationships among American agents and the migrants from Vietnam, El Salvador, Iran, and elsewhere who settled in the southwestern suburbs of D.C., Friedman tells the story of a place that recasts ideas about U.S. immigration, citizenship, nationalism, global interconnection, and ethical responsibility from the post-WW2 period to the present. Opening a new window onto the intertwined history of the American suburbs and U.S. foreign policy, Covert Capital will also give readers a broad interdisciplinary and often surprising understanding of how U.S. domestic and global histories intersect in many contexts and at many scales. American Crossroads, 37
(W/A) Drew & Josh Alan Friedman $9.95 STAR04434 The Friedman brothers go after Tor Johnson, Leave It to Beaver, Bela Lugosi, Joey Heatherton, comic shop clerks, and ugly white guys. A thrilling, appalling trip through the backwaters of American culture.
The Art of Jewish Pastoral Counseling provides a clear, practical guide to working with congregants in a range of settings and illustrates the skills and core principles needed for effective pastoral counseling. The material is drawn from Jewish life and rabbinic pastoral counseling, but the fundamental principles in these pages apply to all faith traditions and to a wide variety of counselling relationships. Drawing on relational psychodynamic ideas but writing in a very accessible style, Friedman and Yehuda cover when, how and why counseling may be sought, how to set up sessions, conduct the work in those sessions and deal with difficult situations, maintain confidentiality, conduct groupwork and approach traumatic and emotive subjects. They guide the reader through the foundational principles and topics of pastoral counseling and illustrate the journey with accessible and lively vignettes. By using real life examples accompanied by guided questions, the authors help readers to learn practical techniques as well as gain greater self-awareness of their own strengths and vulnerabilities. With a host of examples from pastoral and clinical experience, this book will be invaluable to anyone offering counselling to both the Jewish community and those of other faiths. The Art of Jewish Pastoral Counseling will appeal to psychoanalysts, particularly those working with Jewish clients, counselors, psychotherapists, psychoanalysts and rabbis offering pastoral counseling, as well as clergy of other faiths such as ministers, priests, imams and lay chaplains.