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Reprint of the original, first published in 1843.
Margaret Scott presents a fascinating narrative of the history of European clothing for roughly 600 years from the tenth century onwards. Illuminated manuscripts are a treasure trove of information on the clothing people wore, or wanted to be seen to wear, in greater or lesser European courts, but she reminds us that written records, like household accounts, are a valuable complement to the pictures.
Examines the manner of dress and the design of the Middle Ages through biographies of the most prominent monarchs of the time.
To stripe a surface serves to distinguish it, to point it out, to oppose it or associate it with another surface, and thus to classify it, to keep an eye on it, to verify it, even to censor it. Throughout the ages, the stripe has made its mark in mysterious ways. From prisoners' uniforms to tailored suits, a street sign to a set of sheets, Pablo Picasso to Saint Joseph, stripes have always made a bold statement. But the boundary that separates the good stripe from the bad is often blurred. Why, for instance, were stripes associated with the devil during the Middle Ages? How did stripes come to symbolize freedom and unity after the American and French revolutions? When did the stripe become a standard in men's fashion? "In the stripe," writes author Michel Pastoureau, "there is something that resists enclosure within systems." So before putting on that necktie or waving your country's flag, look to The Devil's Cloth for a colorful history of the stripe in all its variety, controversy, and connotation.
A comprehensive study of dress in Northern Europe from the early fourteenth century to the beginning of the Renaissance,Illuminating Fashion is the first thorough study of the history of fashion in this period based solely on firmly dated or datable works of art. It draws on illuminated manuscripts, early printed books, tapestries, paintings, and sculpture from museums and libraries around the world. "Symbolism and metaphors are buried in the art of fashion," says Roger Wieck, the editor ofIlluminating Fashion. Examining the role of social customs and politics in influencing dress, at a time of rapid change in fashion, this fully illustrated volume demonstrates the richness of such symbolism in medieval art and how artists used clothing and costume to help viewers interpret an image. At the heart of the work isA Pictorial History of Fashion, 1325 to 1515, an album of over 300 illustrations with commentary. This is followed by a comprehensive glossary of medieval English and French clothing terms and an extensive list of dated and datable works of art. Not only can this fully illustrated volume be used as guide to a fuller understanding of the works of art, it can also help date an undated work; reveal the shape and structure of actual garments; and open up a picture's iconographic and social content. It is invaluable for costume designers, students and scholars of the history of dress and history of art, as well as those who need to date works of art.
More than a pictorial archive of medieval dress and decoration, this beautiful collection is also valuable for its discerning scholarship. A magnificent compilation of artwork from Henry Shaw's detailed study of court life in the Middle Ages, this splendid book provides a grand display of medieval figures and fashions of the times. Reproduced directly from Shaw's original, hand-colored plates and identified by brief captions, more than 200 superb illustrations depict knights in battle, ladies in waiting, kings, queens, popes, and commoners, as well as armor and weapons, jewelry, and other decorative accessories. Skillfully adapted from rare paintings, illuminated manuscripts, tapestries, textiles, and stained glass windows, these lovely illustrations will be invaluable to fashion historians and costume designers. Craftworkers will find them equally useful.
Illustrations of hats, veils, wigs, cravats, shawls, shoes, gloves, and other accessories enhance an engaging commentary that reveals the humor and charm of the many-sided story of accessorized apparel. 644 figures and 59 plates.