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A Whimsical array of ghosts and goblins, spooks and skeletons, animals and nursery-room characters parade through this unparalleled collection of more than one hundred years of American Halloween costumes and masquerade. Photographer Phyllis Galembo approaches her subjects with the delight and wonder of one who has discovered an entire cast of characters backstage in an abandoned theater. Through her lens, the costumes rise from the dead to once again dance, play, and amuse. Ranging from handmade to store-bought, satin to polyester, the masks, wigs, and costumes, whether recognizable figures or obscure, pique our childhood memories. In her celebration of Halloween revelry, Galembo never settles for the ordinary; instead she creates evocative scenes of dressed-to-scare young trick-or-treaters "modeling" their disguises and of undead spirits haunting their surroundings. The costumes, which span over a century, take on magical qualities through fanciful sets and specialized lighting effects. Accompanying the costumes is a history of this always-popular holiday and essays discussing Galembo's inspirations and techniques. Through her art, Galembo allows us to act out our youthful fantasies of transformation -- to become, or at least observe, what we most want to be: free of inhibitions, of fixed notions of identity. Her images make us laugh and dream and maybe even believe in ghosts. Book jacket.
Maske is an album of Phyllis Galembo's powerful and thrilling masquerade photographs, from Nigeria, Benin, Ghana, Sierra Leone, Burkina Faso, Zambia, and Haiti. Introduced by art historian Chika Okeke-Agulu, Galembo's pictures describe traditional masqueraders and carnival characters and are themselves works of vivid artistic imagination.
It was traditionally said that ′clothes maketh the man′. But what codes and meanings are associated with dress in a society that consists of divisions between class, race, gender, family status and religion? Is social and cultural life still fundamentally themed by the clothes that we wear? If so, how should we read these codes and themes in order to decipher their relation to power and meaning? This exhaustive book demonstrates how dress shapes and is shaped by social processes and phenomena such as beauty, time, the body, the gift exchange, class, gender and religion. It does this through an analysis of topics like the Islamic clothing controversy in state schools, the multitude of identities associated with dress, the Dress Reform movement, the construction of the body in fashion magazines and the role of the internet in fashion. What emerges is a trenchant, sharply observed account of the place of dress in contemporary society. The book will be of interest to students and researchers in Sociology, Cultural Studies, Women′s Studies, Gender Studies, Anthropology and Fashion Studies.
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
Fashion designer Bridgett Artise believes in second chances—a philosophy that extends all the way to her clothing line, B. Artise Originals. Fashion gave her a second chance at happiness and success, and, in turn, she gives vintage garments that have lost their luster another chance at being fashionable. Mixing contemporary clothing with the best elements of a vintage piece—like the collar of a funky fifties housedress or the pockets of a seventies-style jacket—and piecing them back together in a whole new way, she creates one-of-a-kind garments that are both trend setting and timeless. An old-fashioned ruffled shirt with terrific buttons, plus an inexpensive tank top, can become a unique top. A poodle skirt and that so-last-year’s knee-length cardigan sweater can be turned into anything from a mini-poncho to a structured tube top. With fashions for every season, Born-Again Vintage contains patterns for: •Pants that pair perfectly with winter boots and a sweater dress that’s sexy and simple •A cropped jacket + sweater corset that are perfect for a flirty spring fling •Dresses + bags to keep summer easy and breezy •Pretty-in-a-blink dresses + accessories for a big night out Born-Again Vintage updates the trends of fashion eras gone by and brings the unparalleled quality of vintage into a new age. Complete with a vintage shopping guide, handy style tips, and ideas for reinventing disused cast-offs, Born-Again Vintage is a must-have for vintage shoppers and sewers alike.
In its conventional meaning, masquerade refers to a festive gathering of people wearing masks and elegant costumes. But traditional forms of masquerade have evolved over the past century to include the representation of alternate identities in the media and venues of popular culture, including television, film, the internet, theater, museums, sports arenas, popular magazines and a range of community celebrations, reenactments and conventions. This collection of fresh essays examines the art and function of masquerade from a broad range of perspectives. From African slave masquerade in New World iconography, to the familiar Guy Fawkes masks of the Occupy Wall Street movement, to the branded identities created by celebrities like Madonna, Beyonce and Lady Gaga, the essays show how masquerade permeates modern life.
A hugely commercial, fabulously addictive fantastical romp - from an author with top-notch digital self-publishing pedigree and legions of fans awaiting publication
The second in the thrilling New York Times bestselling series from Mary Higgins Clark and Alafair Burke, follows television producer Laurie Moran as she investigates the cold case of a bride who went missing days before her wedding. Five years ago, Amanda Pierce was excitedly preparing to marry her college sweetheart. She and Jeffrey had already battled through sickness and health, although their livelihoods looked set as Amanda was due to inherit her father’s successful garment company. Then Amanda disappeared the night of her bachelorette party. In present-day New York, Laurie Moran realizes a missing bride is the perfect cold case for her Under Suspicion television series to investigate. By recreating the night of the disappearance at the wedding’s Florida resort with Amanda’s friends and family, Laurie hopes to solve the case. Laurie and her Under Suspicion host Alex Buckley soon find themselves overwhelmed with theories and rumors about the “beloved” bride from those who were involved with the wedding, including Amanda’s former fiancé, a jealous sister, and plenty of playboy groomsmen. One thing is certain, whoever was behind Amanda’s vanishing plans to keep the truth hidden “until death do they part.”
Dandies: Fashion and Finesse in Art and Culture considers the visual languages, politics, and poetics of personal appearance. Dandyism has been most closely associated with influential caucasian Western men-about-town, epitomized by the 19th century style-setting of Oscar Wilde and by Tom Wolfe's white suits. The essays collected here, however, examine the spectacle and workings of dandyism to reveal that these were not the only dandies. On the contrary, art historians, literary and cultural historians, and anthropologists identify unrecognized dandies flourishing among early 19th century Native Americans, in Soviet Latvia, in Africa, throughout the African-American diaspora, among women, and in the art world. Moving beyond historical and fictional accounts of dandies, this volume juxtaposes theoretical models with evocative images and descriptions of clothing in order to link sartorial self-construction with artistic, social, and political self-invention. Taking into consideration the vast changes in thinking about identity in the academy, Dandies provides a compelling study of dandyism's destabilizing aesthetic enterprise. Contributors: Jennifer Blessing, Susan Fillin-Yeh, Rhonda Garelick, Joe Lucchesi, Kim Miller, Robert E. Moore, Richard J. Powell, Carter Ratcliffe, and Mark Allen Svede.