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Excerpt from Dreer's Midsummer List, 1920For the winter crop of Cauliflower Sow seed during June or July, and set the plants out on_a cloudy day.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Victorian-era amateur sleuth and her detective groom navigate their chaotic wedding day in this novella by a New York Times–bestselling author. Midsummer in England—an auspicious time for a wedding. Brisbane has taken charge of the music. Julia has, perhaps mistakenly, authorized her sisters to choose the dress. And Belmont Abbey is overflowing with guests awaiting the blessed day. What could go wrong? Combine the close-knit chaos of village life, pagan traditions bursting through staid Victorian conventions, and the congenial madness that tends to swirl around Lady Julia’s family, and you get an unforgettable wedding. But add in a dangerous past nemesis who has come to wish them not-so-well, and their day to remember just might take a fatal turn . . . Previously published. Don’t miss the complete Lady Julia Grey mystery series by Deanna Raybourn!
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.