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My Vanishing African Dreams describes my unusual and exciting life as a woman, both on our cattle ranch where we were traders in beef cattle in Kenya, and my remarkable experiences exploring Kenya’s mostly uninhabited Northern Frontier District. My story includes the mountains I’ve climbed and the dangers of those climbs, as well as treacherous experiences encountering wildlife. I was taught to fly by my father, and during our flying years, survived aircraft accidents and other unforeseen tragedies. My travels to the United States and the adventures there with friends are also included. But my story is really about the never-ending excitement and danger of everyday life in the African wilderness. Even though it is almost 2017, we still get our hot water from lighting a fire in a wood burner to heat it. We collect our rain water off the house roof, which runs along gutters into huge underground storage tanks. We are miles from a shopping centre, and need a 4x4 Land Rover to get anywhere on our dirt roads that are filled with huge potholes.
When Craig Harrison spent a year traveling on a shoestring within the fabric of African societies in 1971-1972, he avoided safe, well-trodden routes. Instead, he depended on decrepit trains, cargo trucks, rattletrap buses, jammed bush taxis, dugout canoes, and ferries. Arriving in Spanish Sahara on a cargo ship from the Canary Islands, he trekked through Mauritania, Senegal, Gambia, Mali, Upper Volta, and Ghana. From Accra, he took a freighter to the Congo to journey overland to Kenya, Rwanda, Uganda, and Tanzania. After five months in East Africa, he returned to Europe via Ethiopia, Sudan, and Egypt. During his journey, he dealt with delays and dismaying circumstances, enjoying colorful encounters with ordinary Africans and fellow adventurers. He also met obnoxious public officials and faced obstacles that would have sent most others home.
My Vanishing African Dreams describes my unusual and exciting life as a woman, both on our cattle ranch where we were traders in beef cattle in Kenya, and my remarkable experiences exploring Kenya’s mostly uninhabited Northern Frontier District. My story includes the mountains I’ve climbed and the dangers of those climbs, as well as treacherous experiences encountering wildlife. I was taught to fly by my father, and during our flying years, survived aircraft accidents and other unforeseen tragedies. My travels to the United States and the adventures there with friends are also included. But my story is really about the never-ending excitement and danger of everyday life in the African wilderness. Even though it is almost 2017, we still get our hot water from lighting a fire in a wood burner to heat it. We collect our rain water off the house roof, which runs along gutters into huge underground storage tanks. We are miles from a shopping centre, and need a 4x4 Land Rover to get anywhere on our dirt roads that are filled with huge potholes.
The United States has gone off track, allowing domestic and foreign aid policies to be co-opted by a government—abetted by mass media—that serves special interests rather than the greater national good. Americans' tendencies to trust, play fair, and help have been abused and require replacement by a realistic outlook. The Vanishing American Dream posits solutions to get America back on the right track. Abernethy sees population growth driven by mass immigration as a major cause of economic and cultural changes that have been detrimental to most Americans. The environment has been degraded by over-crowding and increasing demands on natural resources. Work is cheapened by explosive growth in the labour force creating a buyer's market. One salary or wage no longer supports a family and educates children. Women working outside the home is a necessity, not a choice, for most American families. Furthermore, feminism, aimed originally at balanced gender roles, has been turned viciously against males of all ages and ultimately against females through degrading their traditional and valuable contributions. Abernethy proposes that Americans need time to regroup, untroubled by a continuing influx of foreign peoples. The family, small business, and responsive local government are centres around which a solvent and confident citizenry can prosper again.
#1 NEW YORK TIMES BESTSELLER • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS In this iconic memoir of his early days, Barack Obama “guides us straight to the intersection of the most serious questions of identity, class, and race” (The Washington Post Book World). “Quite extraordinary.”—Toni Morrison In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more as a myth than as a man—has been killed in a car accident. This sudden death inspires an emotional odyssey—first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father’s life, and at last reconciles his divided inheritance. Praise for Dreams from My Father “Beautifully crafted . . . moving and candid . . . This book belongs on the shelf beside works like James McBride’s The Color of Water and Gregory Howard Williams’s Life on the Color Line as a tale of living astride America’s racial categories.”—Scott Turow “Provocative . . . Persuasively describes the phenomenon of belonging to two different worlds, and thus belonging to neither.”—The New York Times Book Review “Obama’s writing is incisive yet forgiving. This is a book worth savoring.”—Alex Kotlowitz, author of There Are No Children Here “One of the most powerful books of self-discovery I’ve ever read, all the more so for its illuminating insights into the problems not only of race, class, and color, but of culture and ethnicity. It is also beautifully written, skillfully layered, and paced like a good novel.”—Charlayne Hunter-Gault, author of In My Place “Dreams from My Father is an exquisite, sensitive study of this wonderful young author’s journey into adulthood, his search for community and his place in it, his quest for an understanding of his roots, and his discovery of the poetry of human life. Perceptive and wise, this book will tell you something about yourself whether you are black or white.”—Marian Wright Edelman
"Cheetahs are the most rapidly vanishing cat in Africa. The lyrical text shares dreams of a bright future for cheetahs while engaging sidebars provide a wealth of natural history information. From cleat-like feet to tear-marked faces, these majestic cats are highly adapted to life on the African plains. The fierce predators sprint after their prey at high-speed, an exhausting dash that leaves them ready for a nap! This rhythmic text will lull readers into cheetah dreams of their own"--
In the decades between the Berlin Conference that partitioned Africa and the opening of the African Hall at the American Museum of Natural History, Americans in several fields and from many backgrounds argued that Africa had something to teach them. Jeannette Eileen Jones traces the history of the idea of Africa with an eye to recovering the emergence of a belief in “Brightest Africa”—a tradition that runs through American cultural and intellectual history with equal force to its “Dark Continent” counterpart. Jones skillfully weaves disparate strands of turn-of-the-century society and culture to expose a vivid trend of cultural engagement that involved both critique and activism. Filmmakers spoke out against the depiction of “savage” Africa in the mass media while also initiating a countertradition of ethnographic documentaries. Early environmentalists celebrated Africa as a pristine continent while lamenting that its unsullied landscape was “vanishing.” New Negro political thinkers also wanted to “save” Africa but saw its fragility in terms of imperiled human promise. Jones illuminates both the optimism about Africa underlying these concerns and the racist and colonial interests these agents often nevertheless served. The book contributes to a growing literature on the ongoing role of global exchange in shaping the African American experience as well as debates about the cultural place of Africa in American thought.
African Dream Machines takes African headrests out of the category of functional objects and into the more rarefied category of ‘art’ objects. Styles in African headrests are usually defined in terms of western art and archaeological discourses, but this book interrogates these definitions of style and demonstrates the shortcomings of defining a single formal style model as exclusive to a single ethnic group. Among the artefacts made by southern African peoples, headrests were the best known. Anitra Nettleton’s study of the uses and forms of headrests opened up a number of art-historical methodologies in the attempt to gain an understanding of form, style and content in African art objects. Her drawings of each and every headrest encountered become a major part of the project.
In Kwame Nkrumah and the Dream of African Unity, Lansiné Kaba describes some of the epic phases of Kwame Nkrumah’s struggle for the independence of his country, Ghana, and the unity of his continent, Africa. These two tasks were gigantic, complex, and even frightening. Each separately was promethean in scope, perhaps beyond the capacity of a single leader, however able and determined. Yet, Nkrumah dared to accomplish them and thus deserves a place among the great figures of his world. Far from being a hagiography or a biography, or an essay on the ideology and foreign politics of Nkrumah, this work follows the adventures of his dream of African unity, from the years studying across the Atlantic to the Accra Summit in 1965 and the coup d’état in 1966. Throughout, the analysis tries to understand the genesis of the dream and the effort required for its realization. These discussions deal with the difficulties of implementing a policy of regrouping independent states into a continental body.
An exciting and spirited trip through a year's fishing -- from Montana and Morocco to Iceland and the Canadian Rockies.