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nature and function of dream representation. An alphabetically arranged appendix lists the dream scenes gathered for the study and provides information about their present location, object type, original provenance, and approximate date, and, when known, a source for locating an illustration.
"This scholarly work fundamentally changes the way we think about the monastic church of Vezelay and its sculptures. Kirk Ambrose provides a new account of the celebrated sculptural ensemble at this important French Romanesque monastic church. Whereas scholarly attention in the past has focused almost exclusively on the Pentecostal portal, Ambrose devotes most of his analysis to the nave capitals. He considers how these works intersect with various aspects of monastic culture, from poetry to a sign language used during observed periods of silence. From this study it emerges how many of the sculptures resonated with communal practices and with interpretive modes in use at the site." "Deeming the attempt to uncover an underlying or unifying program to be an anachronistic project, Ambrose explores historically specific ways this ensemble cohered for medieval viewers. Covering a range of themes, including hagiography, ornament, and violence, he develops alternative approaches for the examination of serial imagery. As a result, this book has broad implications for the study of eleventh- and twelfth-century art in the West."--BOOK JACKET.
Monasticism, in all of its variations, was a feature of almost every landscape in the medieval West. So ubiquitous were religious women and men throughout the Middle Ages that all medievalists encounter monasticism in their intellectual worlds. While there is enormous interest in medieval monasticism among Anglophone scholars, language is often a barrier to accessing some of the most important and groundbreaking research emerging from Europe. The Cambridge History of Medieval Monasticism in the Latin West offers a comprehensive treatment of medieval monasticism, from Late Antiquity to the end of the Middle Ages. The essays, specially commissioned for this volume and written by an international team of scholars, with contributors from Australia, Belgium, Canada, England, France, Germany, Italy, the Netherlands, Spain, Switzerland, and the United States, cover a range of topics and themes and represent the most up-to-date discoveries on this topic.
The "Encyclopedia of Medieval Pilgrimage" is an interdisciplinary reference work, giving wide coverage of the role of travel in medieval religious life. Dealing with the period 300-1500 A.D., it offers both basic data on as broad a range of European pilgrimage as possible and clearly written, self-contained introductions to the general questions of pilgrimage research. Also available online as part of "Brill's Medieval Reference Library Online" (BRMLO) - Webpage BRMLO. Despite widespread modern interest in medieval pilgrimage and related issues, no comprehensive work of this type exists and it will be of interest to scholars and students for personal and academic use. Local sites of pilgrimage are represented in this work as well as the main routes to Rome, Jerusalem and Santiago. Written and material sources relating to pilgrimage are used to illustrate aspects of medieval society, from brewing, book production and the trade in relics, to the development of the towns, art, architecture and literature which pilgrimage engendered. The Encyclopedia of Medieval Pilgrimage will serve as the main starting point for any serious study of this phenomenon. The Encyclopedia of Medieval Pilgrimage is published in English in one illustrated volume of 550,000 words in 435 signed entries, and is compiled and written by over 180 contributors from Europe and North America. Entries are present alphabetically under headwords, with cross-references, maps, black-and-white illustrations, an editorial introduction and lists of theme and keywords.
The last decade has witnessed a striking upsurge of interest in Iberian hagiography. In painting and the fine arts through to poetic and narrative treatments composed in Castilian and Catalan, the legacies of Christ, Mary, and the saints have been approached from a range of perspectives and subjected to detailed critical scrutiny. This book, which focuses specifically on the application of theoretical and methodological approaches to analysis, asks what scholars of early Iberian hagiography can bring to the analysis of the sacred past and how the study of the discipline can be taken forward innovatively in the future. Its fourteen essays, each focusing on a different aspect of composition, seek in particular to explore interdisciplinary methodologies and the ways in which they intersect with broader discourses in other branches of research. Contributors are Carme Arronis Llopis, Fernando Baños Vallejo, Andrew M. Beresford, Sarah Jane Boss, Sarah V. Buxton, Marinela Garcia Sempere, Ryan D. Giles, Ariel Guiance, Lluís Ramon i Ferrer, Rebeca Sanmartín Bastida, Connie L. Scarborough, and Lesley K. Twomey.
A study of the mysterious stone carvings of naked females exposing their genitals on medieval churches all over the British Isles.
The bestselling and controversial new history of the 'British Isles', including Ireland from the author of Europe: A History. Emphasizing our long-standing European connections and positing a possible break-up of the United Kingdom, this is agenda-setting work is destined to become a classic. 'If ever a history book were a tract for the times, it is The Isles: A History ... a masterwork.' Roy Porter, The Times 'Davies is among the few living professional historians who write English with vitality, sparkle, economy and humour. The pages fly by, not only because the pace is well judged but also because the surprises keep coming.' Felipe Fernandez-Armesto, Sunday Times 'A book which really will change the way we think about our past . marvellously rich and stimulating' Noel Malcolm, Evening Standard 'A historiographical milestone.' Niall Ferguson, Sunday Times 'The full shocking force of this book can only be appreciated by reading it.' Andrew Marr, Observer 'It is too soon to tell if [Norman Davies] will become the Macaulay or Trevelyan of our day: that depends on the reading public. He has certainly made a good try. This is narrative history on the grand scale - compulsively readable, intellectually challenging and emotionally exhilirating.' David Marquand, Literary Review
This landmark volume combines classic and revisionist essays to explore the historiography of Sardinia’s exceptional transition from an island of the Byzantine empire to the rise of its own autonomous rulers, the iudikes, by the 1000s. In addition to Sardinia’s contacts with the Byzantines, Muslim North Africa and Spain, Lombard Italy, Genoa, Pisa, and the papacy, recent and older evidence is analysed through Latin, Greek and Arabic sources, vernacular charters and cartularies, the testimony of coinage, seals, onomastics and epigraphy as well as the Sardinia’s early medieval churches, arts, architecture and archaeology. The result is an important new critique of state formation at the margins of Byzantium, Islam, and the Latin West with the creation of lasting cultural, political and linguistic frontiers in the western Mediterranean. Contributors are Hervin Fernández-Aceves, Luciano Gallinari, Rossana Martorelli, Attilio Mastino, Alex Metcalfe, Marco Muresu, Michele Orrù, Andrea Pala, Giulio Paulis, Giovanni Strinna, Alberto Virdis, Maurizio Virdis, and Corrado Zedda.