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Dreams and visions have always been important in Islamic societies. Yet, their pervasive impact on Muslim communities and on the lives of individual Muslims remains largely unknown and rather surprising to Westerners. This book addresses this gap in understanding with a fascinating and diverse account, taking readers from premodern Islam to the present day. Dreams and visions are shown to have been, and to be, significant in a range of social, educational, and cultural roles. The book includes a wealth of examples detailing the Sufi experience. Contributors use Arabic, Persian, Indian, Central Asian, and Ottoman sources and employ approaches grounded in history, sociology, psychology, anthropology, religious studies, and literary analysis. This is an illuminating work, showing how ordinary Muslims, Muslim notables, Sufis, legal scholars, and rulers have perceived both themselves and the world around them through the prism of dreams and visions.
People in Western societies have long been interested in their dreams and what they mean. However, few non-Muslims in the West are likely to seek interpretation of those dreams to help them make life-changing decisions. In the Islamic world the situation is quite different. Dreaming and the import of visions are here of enormous significance, to the degree that many Muslims believe that in their dreams they are receiving divine guidance: for example, on whether or not to accept a marriage proposal, or a new job opportunity. In her authoritative new book, Elizabeth Sirriyeh offers the first concerted history of the rise of dream interpretation in Islamic culture, from medieval times to the present. Central to the book is the figure of the Prophet Muhammad - seen to represent for Muslims the perfect dreamer, visionary and interpreter of dreams. Less benignly, dreams have been exploited in the propaganda of Islamic militants in Afghanistan, and in apocalyptic visions relating to the 9/11 attacks. This timely volume gives an important, fascinating and overlooked subject the exploration it has long deserved.
Dreams and Visions is a remarkable collection of stories directly from the world of Islam. Doyle answers the questions: Why would God use dreams to reach the Muslim world? Can dreams be trusted? What happens after these dreams or visions occur? Meet new believers in the Middle East who have truly been touched by Jesus in the most miraculous way.
Throughout history to the present day, religion has ideologically fueled wars, conquests, and persecutions. Christianity and Islam, the world's largest and geopolitically powerful faiths, are often positioned as mortal enemies locked in an apocalyptic clash of civilizations. Rarely are similarities addressed. Dreaming in Christianity and Islam, the first book to explore dreaming in these religions through original essays, fills this void. The editors reach a plateau by focusing on how studying dreams reveals new aspects of social and political reality. International scholars document the impact of dreams on sacred texts, mystical experiences, therapeutic practices, and doctrinal controversies.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1966.
2007 CHOICE Outstanding Academic Title After the death of the Prophet Muhammad, different religious factions within the Muslim community laid claim to the Prophet's legacy. Drawing on research from Sunni and Shi>ite literature, Liyakat N. Takim explores how these various groups, including the caliphs, scholars, Sufi holy men, and the Shi>ite imams and their disciples, competed to be the Prophetic heirs. The book also illustrates how the tradition of the "heirs of the Prophet" was often a polemical tool used by its bearers to demand obedience and loyalty from the Muslim community by imposing an authoritative rendition of texts, beliefs, and religious practices. Those who did not obey were marginalized and demonized. While examining the competition for Muhammad's charismatic authority, Takim investigates the Shi>ite self-understanding of authority and argues that this was an important factor in the formation of a distinct Shi>ite leadership. The Heirs of the Prophet also provides a new understanding of textual authority in Islam by examining authority construction and the struggle for legitimacy evidenced in Islamic biographical dictionaries.
Those who practice the Muslim faith have resisted examinations of their religion. They are extremely guarded about their religion, and what they consider blasphemous acts by skeptical Muslims and non-Muslims alike has only served to pique the world's curiosity. This critical examination reveals an unflattering picture of the faith and its practitioners. Nevertheless, it is the truth, something that has either been deliberately concealed by modern scholars or buried in obscure journals accessible only to a select few.
Media coverage of the Danish cartoon crisis and the destruction of the Buddhas of Bamiyan left Westerners with a strong impression that Islam does not countenance depiction of religious imagery. Jamal J. Elias corrects this view by revealing the complexity of Islamic attitudes toward representational religious art. Aisha’s Cushion emphasizes Islam’s perceptual and intellectual modes and in so doing offers the reader both insight into Islamic visual culture and a unique way of seeing the world. Aisha’s Cushion evaluates the controversies surrounding blasphemy and iconoclasm by exploring Islamic societies at the time of Muhammad and the birth of Islam; during early contact between Arab Muslims and Byzantine Christians; in medieval Anatolia and India; and in modern times. Elias’s inquiry then goes further, to situate Islamic religious art in a global context. His comparisons with Christian, Jewish, Buddhist, and Hindu attitudes toward religious art show them to be as contradictory as those of Islam. Contemporary theories about art’s place in society inform Elias’s investigation of how religious objects have been understood across time and in different cultures. Elias contends that Islamic perspectives on representation and perception should be sought not only in theological writings or aesthetic treatises but in a range of Islamic works in areas as diverse as optics, alchemy, dreaming, calligraphy, literature, vehicle and home decoration, and Sufi metaphysics. Unearthing shades of meaning in Islamic thought throughout history, Elias offers fresh insight into the relations among religion, art, and perception across a broad range of cultures.
"This brilliant study presents contemporary anthropology at its best. Whether one's goal is understanding the permeability of traditions and modernities or the changing shape of religious imagination and thought in one of the most pivotal countries of the Middle East, this book is an outstanding point of departure."—Dale F. Eickelman, author of The Middle East and Central Asia: An Anthropological Approach, 4th ed. "Dreams That Matter is an insightful and well-crafted study of the practice of dreaming in contemporary Egypt. Mittermaier provides a superb analysis of the imaginative repertoires of Islamic traditions and shows how the dream has remained not only a site of Muslim scholarly interest, but an important part of the way ordinary Muslims encounter and engage with the divine."—Charles Hirschkind, author of Powers of the Secular Modern: Talal Asad and His Interlocutors "Amira Mittermaier has given us the most complete anthropological study of dream culture in the Middle East—perhaps in any culture. It is a sensitive, intellectually challenging, indeed a courageous, investigation of the psychological, ontological, and ethical assumptions that lie behind dreams, visions, and dream-visitations in contemporary Egypt—where the dream is a vibrant site of political, religious, and interpretive contest. Dreams That Matter will rank among the most important contributions to the anthropology of the imagination for years to come."—Vincent Crapanzano, author of The Harkis: The Wound That Never Heals