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This volume explores the relationship between oneiric and historical episodes of atrocity as depicted in transnational twentieth- and twenty-first-century art, film, literature and theatre. Examining the political and aesthetic power harnessed by dreams in increasingly ‘dark times’, it takes as its starting point the overlooked significance granted to the oneiric beyond Freudian psychoanalysis. By reading the oneiric within variously known cultural texts – including Holocaust fiction, world cinema, Bronx theatre, surrealist art and two collections of wartime dream transcriptions – the volume also offers a renewed perspective on modern and contemporary trauma. In so doing, it demonstrates the relevance of the oneiric, beyond the interpretative framework of psychoanalysis, as an aesthetic and political tool with which to alert us and respond to the violence of our contemporary world.
From Simon & Schuster, Dreams is Orion's bedside guide to dream interpretation—including the hidden meanings and secrets. From abacus to zoo, Dreams is a concise dictionary of dreams and is your guide to understanding the knowledge that comes through to you in your dreams form the innermost depths of your being.
Finally, this volume concludes with a look at the potential "traumas of normal life," such as divorce, bereavement, and life-threatening illness, and the role of dreams in working through normal grief and loss
First published in 1970 and widely regarded as a prophetic masterpiece, this is a groundbreaking experimental novel by the acclaimed author of ‘Crash’ and ‘Super-Cannes’.
A unique contribution to America's encounter with Holocaust memory that links the use of Nazi imagery to liberal politics
Screenwriter and acclaimed film critic C. Robert Cargill makes his fiction debut with Dreams and Shadows, taking beloved fantasy tropes, giving them a twist, and turning out a wonderful, witty, and wry take on clash between the fairy world and our own. Something is missing from Ewan and Colby’s lives. Residing in the corners of their memories is their time in Limestone Kingdom, a realm filled with magic and mystery, a world where only some may travel amongst the menagerie of mystical souls and sinister demons. Cargill offers well-crafted characters and an absorbing, intricate plot that will appeal to fans of Neil Gaiman and Lev Grossman. Dreams and Shadows pulls you into an extraordinary universe of darkness that exposes the magic and monsters in our world, and in ourselves.
From the Pulitzer Prize–winning journalist and bestselling author of Backlash—an unflinching dissection of the mind of America after 9/11. In this most original examination of America’s post-9/11 culture, Susan Faludi shines a light on the country’s psychological response to the attacks on that terrible day. Turning her acute observational powers on the media, popular culture, and political life, Faludi unearths a barely acknowledged but bedrock societal drama shot through with baffling contradictions. Why, she asks, did our culture respond to an assault against American global dominance with a frenzied summons to restore “traditional” manhood, marriage, and maternity? Why did we react as if the hijackers had targeted not a commercial and military edifice but the family home and nursery? Why did an attack fueled by hatred of Western emancipation lead us to a regressive fixation on Doris Day womanhood and John Wayne masculinity, with trembling “security moms,” swaggering presidential gunslingers, and the “rescue” of a female soldier cast as a “helpless little girl?” The answer, Faludi finds, lies in a historical anomaly unique to the American experience: the nation that in recent memory has been least vulnerable to domestic attack was forged in traumatizing assaults by nonwhite “barbarians” on town and village. That humiliation lies concealed under a myth of cowboy bluster and feminine frailty, which is reanimated whenever threat and shame looms. In The Terror Dream, “Faludi provides stunning and depressing evidence of a concerted effort to silence women and roll back women’s rights in the wake of 9/11 . . . She brings in a Mack truck’s worth of testimony and proof” (Amy Wilentz, Los Angeles Times).
The author's starting point is the interweaving of forgiveness and resentment in the works of Jewish writers after the Holocaust, most especially Hannah Arendt and Jean Améry, to make sense of the catastrophe and to point to a way forward for both victims and perpetrators. The insights of these two writers and of several Jewish novelists and poets, including Bruno Schulz, Paul Celan, and Aharon Appelfeld, are used to develop accounts of forgiveness and resentment in other cases of mass atrocity around the world. The author offers a critical rereading of primary sources that aim to separate resentment from nonviolent resistance, and forgiveness from reconciliation. Forgiveness and resentment are not, as they might first appear, mutually exclusive. Together with Arendt, Améry, and Walter Benjamin, it is argued that it is through the interaction between them that victims of mass atrocity become agents of personal and cultural change. Together, forgiveness and resentment interrupt the present, reframe the past, and shape the future. They can reduce the chasm that separates memory and trust by fashioning new connections between identity and alterity, which can open paths to truly ethical coexistence for victims and perpetrators, and their descendants.
Jensen's furthest-reaching book yet, Dreams challenges the "destructive nihilism" of writers like Richard Dawkins and Sam Harris who believe that there is no reality outside what can be measured using the tools of science. He introduces the mythologies of ancient cultures and modern indigenous peoples as evidence of alternative ways of understanding reality, informed by thinkers such as American Indian writer Jack Forbes, theologian and American Indian rights activist Vine Deloria, Shaman Martin Prechtel, Dakota activist and scholar Waziyatawin, and Okanagan Indian writer Jeannette Armstrong. He draws on the wisdom of Dr. Paul Staments, author of Mycelium Running: How Mushrooms Can Help Save the World, sociologist Stanley Aronowitz, who discusses science's lack of accountability to the earth, and many more. As in his other books, Jensen draws heavily from his own life experience living alongside the frogs, redwoods, snails, birds and bears of the upper northwest, about which he writes with exquisite tenderness. Having taken on the daunting task of understanding one's dreams as a source of knowledge, Jensen achieves the near-impossible in this breathtakingly brave and ambitious new work.