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Boldly depicting a sometimes shocking reality, Dreaming of Palestine underscores the importance of balancing thought with feeling, and loyalty with sympathy, making it clear that in the interest of those people directly involved, we must not forget the necessity of compromise."--Jacket.
The citrus industry of Palestine has often been associated with the myths and ideals of the Labor Movement and its Zionist-Socialist ideology. The Jaffa orange, like the young pioneer and the collective kibbutz, was emblematic of a colonizing meta-narrative that marginalized or even denounced the private entrepreneurs—both Arabs and Jews—who were the true founders and proponents of the flourishing citrus industry in Palestine. California Dreaming reveals that these private entrepreneurs regarded the California citrus industry as their primary model of emulation. Utilizing an innovative multidisciplinary approach, Nahum Karlinsky vividly reconstructs the social fabric, economic structure, and ideological tenets of the Jewish citrus industry of Palestine in the early twentieth century. Also accentuated is the role of Palestinian-Arab citrus growers, whose industry predated that of their Jewish counterparts, and the complex relationship between the two national sectors that operated side by side.
"Dreaming of Freedom" presents poignant firsthand accounts of Palestinian minors held in Israeli detention facilities in the occupied West Bank.
As Middle-East Bureau Chief of the French Public television network and a resident of Jerusalem since 1968, Charles Enderlin has had unequaled access to leaders and negotiators on all sides. Here he takes the reader step-by-step along the path that began with the hope of agreement but led only to the ultimate collapse of the peace process. The dramatic account moves between the occupied territories and the negotiation tables as it follows the emotional shifts in the conflict from the 1995 assassination of Yitzhak Rabin to the years when Benjamin Netenyahu was in power. In a definitive account of the meetings at Camp David in July 2000, Enderlin details what was said between Israeli and Palestinian negotiators brought together by Bill Clinton in the presence of Yasir Arafat, President of the Palestinian Authority, and Israeli Prime Minister Ehud Barak.
The war in the Middle East is marked by a lack of cultural knowledge on the part of the western forces, and this book deals with another, widely ignored element of Islam—the role of dreams in everyday life. The practice of using night dreams to make important life decisions can be traced to Middle Eastern dream traditions and practices that preceded the emergence of Islam. In this study, the author explores some key aspects of Islamic dream theory and interpretation as well as the role and significance of night dreams for contemporary Muslims. In his analysis of the Islamic debates surrounding the role of “true” dreams in historical and contemporary Islamic prophecy, the author specifically addresses the significance of Al-Qaeda and Taliban dream practices and ideology. Dreams of “heaven,” for example, are often instrumental in determining Jihadist suicidal action, and “heavenly” dreams are also evidenced within other contemporary human conflicts such as Israel–Palestine and Kosovo–Serbia. By exploring patterns of dreams within this context, a cross-cultural, psychological, and experiential understanding of the role and significance of such contemporary critical political and personal imagery can be achieved.
Over the last quarter-century, Palestinian cinema has emerged as a major artistic force on the global scene. Deeply rooted in the historic struggles for national self-determination, this cinema is the single most important artistic expression of a much-maligned people. In Dreams of a Nation, filmmakers, critics and scholars discuss the extraordinary social and artistic significance of Palestinian film. It is the only volume of its kind in any language.
"In these engaging, challenging and beguiling dialogues, Pamela Cohn expertly draws from her subjects, personal biography and conceptual intent, process and nearly subconscious motivation, personal revelation and political mission. The result is a work that not only provides a road map to the furthest regions of cinematic possibility in the early 21st century but one whose spirited back-and-forth inspires the reader to think anew about artistic possibility." —Scott Macaulay, editor-in-chief of Filmmaker Magazine “Pamela Cohn has curated and conducted a series of interviews that simultaneously invite you to turn the page, and pause for a moment of reverie. Her interviews furrow the grounds where sensibilities become cinema, and attitudes become forms." —Luke Moody Lucid Dreaming is an unprecedented global collection of discussions with documentary and experimental filmmakers, giving film and video its rightful place alongside the written word as an essential medium for conveying the most urgent concerns in contemporary arts and politics. In these long-form conversations, film curator and arts journalist Cohn draws out the thinking of some of the most intriguing creators behind the rapidly developing movement of moving-image nonfiction. The collection features individuals from a variety of backgrounds who encounter the world, as Cohn says, “through a creative lens based in documentary practice.” Their inspirations encompass queer politics, racism, identity politics, and activism. The featured artists come from a multiplicity of countries and cultures including the U.S., Finland, Serbia, Syria, Kosovo, China, Iran, and Australia. Among those Cohn profiles and converses with are Karim Aïnouz, Khalik Allah, Maja Borg, Ramona Diaz, Samira Elagoz, Sara Fattahi, Dónal Foreman, Ja’Tovia Gary, Ognjen Glavonic, Barbara Hammer, Sky Hopinka, Gürcan Keltek, Adam and Zack Khalil, Khavn, Kaltrina Krasniqi, Roberto Minervini, Terence Nance, Orwa Nyrabia, Chico Pereira, Michael Robinson, J. P. Sniadecki, Brett Story, Deborah Stratman, Maryam Tafakory, Mila Turajlic, Lynette Wallworth, Travis Wilkerson, and Shengze Zhu. Can nonfiction film be defined? How close to reality can or should documentary storytelling be, and is film and video in its less restrictive iterations “truer” than traditional narratives? How can a story be effectively conveyed? As they consider these and many other questions, these passionate, highly articulate filmmakers will inspire not only cinema enthusiasts, but activists and artists of all stripes.
"Wright has long been one of the best-informed American journalists covering the Middle East, and her reputation is born out here....Her book will be essential reading for anybody who wants to know where it is heading." -The New York Times Book Review The transformation of the Middle East is an issue that will absorb-and challenge-the world for generations to come. Dreams and Shadows is the book to read to understand the sweeping political and cultural changes that have occurred in recent decades. Drawing on thirty-five years of reporting in two dozen countries, including Israel, Palestine, Iran, Egypt, and Syria, through wars, revolutions, and uprisings as well as the birth of new democracy movements and a new generation of activists, award-winning journalist and Middle East expert Robin Wright has created a masterpiece of the reporter's art and a work of profound and enduring insight into one of the most confounding areas of the world.
Imagine a dreamland where roasted pigs wander about with knives in their backs to make carving easy, where grilled geese fly directly into one's mouth, where cooked fish jump out of the water and land at one's feet. The weather is always mild, the wine flows freely, sex is readily available, and all people enjoy eternal youth. Such is Cockaigne. Portrayed in legend, oral history, and art, this imaginary land became the most pervasive collective dream of medieval times-an earthly paradise that served to counter the suffering and frustration of daily existence and to allay anxieties about an increasingly elusive heavenly paradise. Illustrated with extraordinary artwork from the Middle Ages, Herman Pleij's Dreaming of Cockaigne is a spirited account of this lost paradise and the world that brought it to life. Pleij takes three important texts as his starting points for an inspired of the panorama of ideas, dreams, popular religion, and literary and artistic creation present in the late Middle Ages. What emerges is a well-defined picture of the era, furnished with a wealth of detail from all of Europe, as well as Asia and America. Pleij draws upon his thorough knowledge of medieval European literature, art, history, and folklore to describe the fantasies that fed the tales of Cockaigne and their connections to the central obsessions of medieval life.