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The film Brokeback Mountain has affected thousands of lives. Affecting even one life is no easy task, so when a film comes along that seems to change many people, society might pause for a moment and consider the repercussions. Dreamfilm: Brokeback Mountain Explored excogitates many of the concepts that the film brings to the forefront of consciousness: love, meaning, sexuality, individualism, happiness. The introduction to the idea of a dreamfilm explores the various ways in which the medium of film can affect even the smallest portion of self identity.
Traces Kopple's entire career to date, including her deft navigations of independent documentary production, ethical relationships between filmmaker and subject, and the shifting digital media landscape. Provides cultural contexts for Kopple's films, including representations of class, gender, sexuality and race . Assesses the contours of Kopple's critical reputation and popularity, including her influence on contemporary filmmakers.
The second book in the internationally bestselling fantasy series, Day Watch begins where Night Watch left off, set in a modern-day Moscow where the 1,000-year-old treaty between Light and Dark maintains its uneasy balance through careful vigilance from the Others. The forces of darkness keep an eye during the day, the Day Watch, while the agents of Light monitor the nighttime. Very senior Others called the Inquisitors are the impartial judges insisting on the essential compact. When a very potent artifact is stolen from them, the consequences are dire and drastic for all sides.Day Watch introduces the perspective of the Dark Ones, as it is told in part by a young witch who bolsters her evil power by leeching fear from children's nightmares as a counselor at a girls' summer camp. When she falls in love with a handsome young Light One, the balance is threatened and a death must be avenged. Day Watch is replete with the thrilling action and intricate plotting of the first tale, fuelled by cunning, cruelty, violence, and magic. It is a fast paced, darkly humorous, haunting world that will take root in the shadows of your mind and live there forever.
Always strong and fearless, Germaine Greer strikes right at the heart of the matter--be it John F. Kennedy and vaginal deodorants, rape and artificial insemination, cosmetic surgery, the death of Jimi Hendrix, or the famine in Ethiopia. This collection represents a mosaic of essays, long and short, some of which are appearing for the first time in print and all of which chafe the conventional and are bristling with argument. From the youthful liveliness of her sixties pieces, which "got up everybody's nose," to the depth and complexity of her later work, The Madwoman's Underclothes is a reflection both of an era and of the changing ideas and styles of Germaine Greer: "The essays on Brazil, Cuba, and Ethiopia represent my coming of age. Something like a coherent system of values is beginning to emerge after my years of wandering, although I have certainly not arrived at a set of articles of faith, and never will, I hope." Greer's opinions on social, political, and sexual trends and mores are tendered in her unique fashion--outspoken, with rapier wit and no tolerance for narrow-mindedness. But as explosive, angry, and often funny as these essays are, they also reveal tenderness and sadness and that emotion that underlies all of Greer's work--passionate commitment.
Robert T. Eberwein uses a hypothesis from psychoanalytic theory to explore the frequently noticed similarity between dreaming and watching a film. His comprehensive study of the relationship between films and dreams explains the film screen as a psychic structure. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In this New York Times bestseller, streetwise and boy-crazy teenager Tracy Ellison of Flyy Girl fame makes her grand return—now on the brink of superstardom as a screenwriter and actress—in a captivating novel exploring love, friendship, and the price of fame. At twenty-eight, Tracy still captivates with her stunning looks and fiery spirit. After achieving success in Hollywood on her own terms, she returns to her East Coast roots to reconnect with family and friends—but Philadelphia doesn’t provide the joyful homecoming she expected. As she decides what she truly wants from life, she faces tough questions about her past and present involving family, friends, and an ex-boyfriend. An inspiring story of hard work and determination, For the Love of Money brings to life the intelligent and ambitious Tracy as she evolves from a “flyy girl” to a strong, independent woman. With a fresh new look, this bold series is as fun to read now as it was back in the day, and invites new fans to experience the unforgettable adventures of one of urban fiction’s most original and beloved heroines.
This fascinating reference covers the major topics concerning dreaming and sleep, based on the latest empirical evidence from sleep research as well as drawn from a broad range of dream-related interdisciplinary contexts, including history and anthropology. While many books have been written on the subject of sleep and dreams, no other resource has provided the depth of empirical evidence concerning sleep and dream phenomena nor revealed the latest scientific breakthroughs in the field. Encyclopedia of Sleep and Dreams: The Evolution, Function, Nature, and Mysteries of Slumber explores the evolution, nature, and functions of sleep and dreams. The encyclopedia is divided into two volumes and is arranged alphabetically by entry. Topics include nightmares and their treatment, how sleep and dreams change across the lifetime, and the new field of evolution of sleep and dream. While this book includes ample material on the science of sleep and dreams, content is drawn from a broad range of disciplinary contexts, including history and anthropology.
The Dream Discourse Today offers an unrivalled synoptic view of key American, British and French papers on dream analysis in clinical practice. The purpose of the book is to show the reader different, well articulated perspectives, place them in historical context, and invite comparative reading. The cumulative effect of both papers and introductions is to leave the reader with an informed sense of the range of perspectives and a confidence in the continued relevance of dream analysis to practice, as some striking convergences in the implications of thinking drawn from very different approaches becomes clear. The Dream Discourse Today is the first historical and theoretical survey of its subject and the classic nature of the papers it includes will make it a first-class work of reference for psychoanalysts and psychotherapists of all schools, whether in practice or still training. It should be of especial interest to those who teach courses on the theory of technique, since the place of dream analysis is almost certain to be one of the central topics in such courses.
August Strindberg and Visual Culture addresses the multiplicity of Strindberg's artistic and literary output. The book charts the vital intersections between theatre, aesthetic theory, and visual elements in his work that have been left largely unexplored. Rather than following traditional genre-bound critical approaches, this book focuses on the intermediality of individual works, the corpus as a whole, and their connections to a wide array of historical and contemporary artists, writers, photographers, film, theatre and museum practitioners. The book is beautifully illustrated, with many never-before-seen images from Strindberg's work, and includes contributions from actress Liv Ullmann, director Robert Wilson, and curator and museum director Daniel Birnbaum.