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A truly unique visual delight offering insight into the development of animation classics like Bambi, Beauty and the Beast, The Lion King, Lilo and Stitch as well as a tantalizing examination of unfinished Disney projects.
In Dream Worlds, Rosalind Williams examines the origins and moral implications of consumer society, providing a cultural history of its emergence in late nineteenth-century France.
Dream Worlds traces the idea of architecture as entertainment from its early incarnations to the late twentieth century and architainment's dramatic expansion. It examines our desire for escapism and explores places like Las Vegas, Disney World, and the Mall of America that reflect our hopes and dreams for a better life. Architecture built for pure pleasure develops at a breathtaking pace-and there seems to be no end to this trend. Book jacket.
In Dream Worlds, Rosalind Williams examines the origins and moral implications of consumer society, providing a cultural history of its emergence in late nineteenth-century France.
These provocative essays take a modern look at the 17th-century thinker's dream, examining the influences of mathematics on society, particularly in light of technological advances. They survey the conditions that elicit the application of mathematic principles; the applications' effectiveness; and how applied mathematics transform perceptions of reality. 1987 edition.
Dreaming humanity's future. There is nothing like the dream to create the future. Victor Hugo. Dream lofty dreams, and as you dream, so you shall become. Your vision is the promise of what you shall one day be; your ideal is the prophecy of what you shall at last unveil. James Allen. What is it we, as a human race, desire in the world? What dreams do we have to shape our future? Over 100 artists, activists, authors, educators, speakers, environmentalists, scientists, young entrepreneurs, visionaries, and Elders were asked for the following: A written description of your perfect world, or your dream world. This can be one sentence or many pages; a poem or researched essay. Your dream world can be as fantastic and marvelous as you want it to be. There are no rules, no right or wrong descriptions, only the world of your imagination and the world of your dreams.
How transatlantic thinkers in the late nineteenth and early twentieth centuries promoted the unification of Britain and the United States Between the late nineteenth century and the First World War an ocean-spanning network of prominent individuals advocated the unification of Britain and the United States. They dreamt of the final consolidation of the Angloworld. Scholars, journalists, politicians, businessmen, and science fiction writers invested the “Anglo-Saxons” with extraordinary power. The most ambitious hailed them as a people destined to bring peace and justice to the earth. More modest visions still imagined them as likely to shape the twentieth century. Dreamworlds of Race explores this remarkable moment in the intellectual history of racial domination, political utopianism, and world order. Focusing on a quartet of extraordinary figures—Andrew Carnegie, W. T. Stead, Cecil J. Rhodes, and H. G. Wells—Duncan Bell shows how unionists on both sides of the Atlantic reimagined citizenship, empire, patriotism, race, war, and peace in their quest to secure global supremacy. Yet even as they dreamt of an Anglo-dominated world, the unionists disagreed over the meaning of race, the legitimacy of imperialism, the nature of political belonging, and the ultimate form and purpose of unification. The racial dreamworld was an object of competing claims and fantasies. Exploring speculative fiction as well as more conventional forms of political writing, Bell reads unionist arguments as expressions of the utopianism circulating through fin-de-siècle Anglo-American culture, and juxtaposes them with pan-Africanist critiques of racial domination and late twentieth-century fictional narratives of Anglo-American empire. Tracing how intellectual elites promoted an ambitious project of political and racial unification between Britain and the United States, Dreamworlds of Race analyzes ideas of empire and world order that reverberate to this day.
The British author shares the “strange . . . inner layers of his playful, guilty imagination” in this glimpse into a brilliant novelist’s subconscious (The New York Times). Culled from nearly eight hundred pages of the author’s “dream diaries” kept between 1965 and 1989, this singular journal reveals “the feverish inner life of an intensely private man, providing an uncanny mirror-image of [his] novelistic obsessions, insecurities, and moral preoccupations” (Publishers Weekly). In what Greene calls My Own World—as opposed to the Common World of shared reality—he accompanies Henry James on a disagreeable riverboat trip to Bogota, is caught in a guerilla crossfire with Evelyn Waugh and W. H. Auden, strolls in the Vatican garden with Pope John Paul II who’s doling out Perugina chocolates like hosts, offers refuge to a suicidal Charlie Chaplin, and stages a disastrous play in blank verse for Elizabeth Taylor and Richard Burton. He also shares his headspace with Goebbels, Castro, Cocteau, Queen Elizabeth, D. H. Lawrence, and talking kittens. And the landscape is just as wide: from Nazi Germany to Haiti to West Africa to Bethlehem 1 AD and to Sweden where he seeks treatment for leprosy. Greene is a criminal, spy, lover, assassin, witness, and writer. Encompassing life, death, war, feuds, and career, and alternately absurdist, frightening, funny, and revealing, these fertile imaginings—many of which found their way into Greene’s fiction—comprise nothing less than “an alternate autobiography . . . a uniquely candid self-portrait” of one of the giants of English literature (Kirkus Reviews).
Heroes and heroines have always helped kids make their dreams good. Multicultural and mythological, this tale features comic book art and a bilingual Spanish translation. From time immemorial, children like Julio have had bad dreams! But at Julio's bedside, his dad comforts him: anyone can summon the help of brave avengers to conquer their fears. Every culture has its own legendary champions who can vanquish scary monsters or villains. So Julio learns one's powerful imagination can turn any dreams into good ones. Take a trip through time and across the continents! From mythology and legend, superheroes and superheroines help children who deserve a sound night’s sleep! Together they confront the crowd of creatures that go bump in the night. The story labels nearly 100 characters so readers can learn more about them! Kids and parents deserve a super bedtime story! Leaping from history and fable onto spectacular spreads, courageous defenders are on your side. Families will marvel at guardians such as Artemis from Greece, Thor from Scandinavia, The Monkey King from Asia, and more specials guests too! Illustrating the world's superheroes in a vibrant comic book style, this adventure has universal appeal with its bilingual Spanish translation. Teachers and librarians will see this sensational storybook will fly off the shelves as students admire the fantastic action in this Junior Library Guild pick! - - - “Good Dream, Bad Dream has a powerful message about inspiration, hope, and facing one's fears, and is highly recommended for personal and public library bilingual children's collections.” - Midwest Book Review "a visual feast for anyone who loves action-packed pages, graphic novel-style illustration, and a message that will help your grade school kids sleep a little sounder at night... it is a bilingual treat for those who can read in both languages, or would like to learn...As a parent of two girls, I appreciate seeing strong female characters defeating the bad guys, as shown above in the fierce Archer who holds back the pack of scowling Cyclops. Those who love details can peer closely at the pictures and see the names of mythical and storybook creatures worked into the illustrations. The underlying message in Good Dream, Bad Dream is that imagination is strong enough to fight back their fears–so comforting for kids who worry about bad dreams. And while I can’t guarantee a night free of worries, it’s a great message for kids to hear as often as possible." - Cool Mom Picks "This book could not have come at a better time. Lately, Diego has been struggling with bad dreams... Well now we can turn it around! Good Dream, Bad Dream is a perfect book for Hubby and me to read with Diego. We always turn to books to help us start conversations with our boys. Our seven year old loved it too because he really is into comics, can read in English and Spanish, and is going through the exact same situation as the main character, Julio... If you are looking for a good bedtime story, Good Dream, Bad Dream is perfect. Here at Mommy Maestra we really believe that books are great conversations starters for lots of important topics. Dreams shouldn't just be brushed off! Bravo to Juan Calle and Serena Valentino for understanding children and showing just how important and powerful their dreams can be!" - Mommy Maestra
When Huston Diehl began teaching a fourth-grade class in a "Negro" elementary school in rural Louisa County, Virginia, the school’s white superintendent assured her that he didn't expect her to teach "those children" anything. She soon discovered how these low expectations, widely shared by the white community, impeded her students' ability to learn. With its overcrowded classrooms, poorly trained teachers, empty bookshelves, and meager supplies, her segregated school was vastly inferior to the county's white elementary schools, and the message it sent her students was clear: "dream not of other worlds." In her often lyrical memoir, Diehl reveals how, in the intimacy of the classroom, her students reached out to her, a young white northerner, and shared their fears, anxieties, and personal beliefs. Repeatedly surprised and challenged by her students, Diehl questions her long-standing middle-class assumptions and confronts her own prejudices. In doing so, she eloquently reflects on what the students taught her about the hurt of bigotry and the humiliation of poverty as well as dignity, courage, and resiliency. Set in the waning days of the Jim Crow South, Dream Not of Other Worlds chronicles an important moment in American history. Diehl examines the history of black education in the South and narrates the dramatic struggle to integrate Virginia's public schools. Meeting with some of her former students and colleagues and visiting the school where she once taught, she considers what has--and has not--changed after more than thirty years of integrated schooling. This provocative book raises many issues that are of urgent concern today: the continuing social consequences of segregated schools, the role of public education in American society, and the challenges of educating minority and poor children.