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Originally published: Lawrence, Kansas: University Press of Kansas, 1992.
The Industrialization of the American economy between 1862 and 1893 provided pioneer farm families with the means to realize their dreams on the Midwestern prairie. Now the last of their original farmhouses are disappearing. "There was no way to save them, " writes author William Gabler, "but their great homeliness and variety could be recorded in photographs."
The Public Broadcasting Service (PBS) presents information on the show "Death of the Dream: Farmhouses in the Heartland." PBS highlights early settlement in the heartland, emigration and immigration to the area, crops farmed, the balloon-frame house, the L-shaped farmhouse, and farm attritions. PBS also includes a virtual farmhouse, which allows one to see and hear about the floor plans of a typical farmhouse.
This anthology explores how theatre and performance use home as the prism through which we reconcile shifts in national, cultural, and personal identity. Whether examining parlor dramas and kitchen sink realism, site-specific theatre, travelling tent shows, domestic labor, border performances, fences, or front yards, these essays demonstrate how dreams of home are enmeshed with notions of neighborhood, community, politics, and memory. Recognizing the family home as a symbolic space that extends far beyond its walls, the nine contributors to this collection study diverse English-language performances from the US, Ireland, and Canada. These scholars of theatre history, dramaturgy, performance, cultural studies, feminist and gender studies, and critical race studies also consider the value of home at a time increasingly defined by crises of homelessness — a moment when major cities face affordable housing shortages, when debates about homeland and citizenship have dominated international elections, and when conflicts and natural disasters have displaced millions. Global struggles over immigration, sanctuary, refugee status and migrant labor make the stakes of home and homelessness ever more urgent and visible, as this timely collection reveals.
Huron, Ontario, Michigan, Erie, Superior: HOMES. Moheb Soliman traces the coast of the Great Lakes with postmodern poems, exploring the natural world, the experience of belonging, and the formation of identity along borders. Moheb Soliman’s HOMES maps the shoreline of the Great Lakes from the rocky North Shore of Minnesota to the Thousand Islands of eastern Ontario. This poetic travelogue offers an intimate perspective on an immigrant experience as Soliman drives his Corolla past exquisite vistas and abandoned mines, through tourist towns and midwestern suburbs, seeking to inhabit an entire region as home. Against the backdrop of environmental destruction and a history of colonial oppression, the vitality of Soliman’s language brings a bold ecopoetic lens to bear on the relationship between transience and belonging in the world’s largest, most porous borderland.
An item brought to Show and Tell no one will ever forget. A car that journeys to two epic destinations. An evil hideout set deep into the woods. A watchtower officer gone berserk. A bank robbery for the ages. A disgusting form of abortion. A gorgeous hitchhiker. A preacher provoked. A Ouija Board. An ocean. A train. Zombies. Witches. Devils. And plain formidable terror are just some of the things you will encounter in this latest edition of Aaron Rayburn's vivid imagination.
*Finalist for the National Book Award* *Finalist for the Kirkus Prize* *Instant New York Times Bestseller* *Named a Best Book of the Year by NPR, New York Post, BuzzFeed, Shelf Awareness, Bustle, and Publishers Weekly* An essential read for our times: an eye-opening memoir of working-class poverty in America that will deepen our understanding of the ways in which class shapes our country and “a deeply humane memoir that crackles with clarifying insight”.* Sarah Smarsh was born a fifth generation Kansas wheat farmer on her paternal side, and the product of generations of teen mothers on her maternal side. Through her experiences growing up on a farm thirty miles west of Wichita, we are given a unique and essential look into the lives of poor and working class Americans living in the heartland. During Sarah’s turbulent childhood in Kansas in the 1980s and 1990s, she enjoyed the freedom of a country childhood, but observed the painful challenges of the poverty around her; untreated medical conditions for lack of insurance or consistent care, unsafe job conditions, abusive relationships, and limited resources and information that would provide for the upward mobility that is the American Dream. By telling the story of her life and the lives of the people she loves with clarity and precision but without judgement, Smarsh challenges us to look more closely at the class divide in our country. Beautifully written, in a distinctive voice, Heartland combines personal narrative with powerful analysis and cultural commentary, challenging the myths about people thought to be less because they earn less. “Heartland is one of a growing number of important works—including Matthew Desmond’s Evicted and Amy Goldstein’s Janesville—that together merit their own section in nonfiction aisles across the country: America’s postindustrial decline...Smarsh shows how the false promise of the ‘American dream’ was used to subjugate the poor. It’s a powerful mantra” *(The New York Times Book Review).
Dan Davidson is a horror novelist, who just signed a three-book, $30 million contract. But it wasn't his talent alone that got him the deal. It was JR, the demon spirit, which had been living dormant inside him for the past thirty-two years. Until now. JR seeks restitution for helping kill Dan's abusive father all those years ago. Now he wants Dan to write the ultimate horror novel, coupled with his rising popularity, that will coerce people into selling their souls to the Devil; a fresh start to a new and enticing world. But with Dan's life turning upside down, he finds it difficult to concentrate on the new novel. Though the less work he does, the more JR threatens to take full control of him. Adam, Dan's only child, recognizes the signs of demonic possession in his father and begs the help of Father Levin, who was almost killed in his first and only exorcism, twenty years prior. Reluctantly, he agrees to see Dan. And when priest and demon meet, a spiritual calamity breaks loose, shattering the serenity of a cabin by the lake and the small town nestled beside it.
Log Home Living is the oldest, largest and most widely distributed and read publication reaching log home enthusiasts. For 21 years Log Home Living has presented the log home lifestyle through striking editorial, photographic features and informative resources. For more than two decades Log Home Living has offered so much more than a magazine through additional resources–shows, seminars, mail-order bookstore, Web site, and membership organization. That's why the most serious log home buyers choose Log Home Living.
Democracy ‘binds us as one,’ but who’ll blow the whistle on myths and rorts of the lucky country – our fair-go hard-yakka dreamtime multiculture of aspirational lifters and bogan leaners in a hearty-grim hot utopia built on sand, we affable understated competitive Aussie nuts? Not to mention the new totalitarian yellow peril… It’s election time and the silos square off – Superbia heartland high rollers, shadowy media influencers, and coming leftie (female) heroes – in a fight between selfism and mutuality for the soul of the nation.