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The author of Time Windows “has crafted a fine tale of psychological time travel . . . this well-executed story transports readers into the plot” (School Library Journal, starred review). Seventeen-year-old Molly’s recurrent nightmares become waking visions after she nearly drowns at a party. Soon she’s witnessing events through the eyes of a girl who lived in her father’s house nearly a century before. In Dreadful Sorry “Reiss slips between past and present with a callous alacrity that is wondrously effective; readers will buy into the unfolding revelations while gaining a true sense of Molly’s tenuous grip on events . . . another fine spellbinder from the author of Time Windows” (Kirkus Reviews). “Spooky and satisfying.”—The Bulletin “With its skillful plot twists, the book will have readers anxious to solve the mystery.”—School Library Journal (starred review) “Suspenseful and difficult to put down.”—VOYA
A new collection of essays exploring class, whiteness, family, and nostalgia, for better and for worse. I have a nostalgia problem, and I'm not the only American who does. So writes Jennifer Niesslein in the introduction to Dreadful Sorry. But what, exactly, is the problem? Having grown up hand-to-mouth in small-town Pennsylvania and suburban Virginia, Niesslein is keenly aware of both past challenges and relative privilege. In this set of engaging, personal stories, Niesslein digs into how her own sense of self is rooted in nostalgic narratives of her upbringing and of American history writ large. With often wry candor, she address thorny questions of family trauma and the problematic calculus of respectability politics--as well as the lighter nostalgias offered by high school reunions and the plain fact of a long and enduring marriage. In an era of widespread re-evaluation of Confederate monuments and the apparatus of white supremacy, Niesslein aims to diligently scrub out nostalgia that casts the past in a rosy glow, while remaining open-hearted and hopeful that nostalgia--our shared longing for a lost time--can help illuminate our understanding of the present and point the way toward a better future. Charming and frank, this suite of personal essays digs deep, offering truths that will resonate with readers across the spectrum curious about the persistence of memory and our collective longing for days gone by.
Candid essays on personal and cultural American nostalgia, focusing on the author's working-class, Rust Belt family history. What does it mean to be nostalgic for the American past? The feeling has been co-opted by the far
From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction. Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and asserted their presence in the public domain. An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press. A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.
Something is terribly wrong with Connor's mom—she keeps slipping into bizarre trances. Connor suspects that the key to his mom's strange behavior is an old art book filled with paintings of a woman who looks exactly like her. But the artist who created those paintings died before his mom was evenborn. Connor gets his chance to break the evil link between the past and the present when he is mysteriously whisked back in time to the 1920s. But can he save his mom—and himself—before it's too late?
Jonathan York has led a boring life – a pointless degree from the community college, a lackluster job at the General Store, and never any desire for something more exciting. But when fate leaves him stranded in a sinister land, he finds himself seeking an adventure of his own. Along the way he encounters ghoulish thieves, ravenous swamp monsters, a dastardly ice cream conspiracy, and a necromancer bent on human sacrifice. In this beautifully illustrated, four-color novel, Jonathan York's life takes a decidedly spooky turn!
Combining romance and humor with elements of the paranormal, this is a profound novel about one teenage girl’s decision to redefine her life in the wake of supernatural events. Teddi Alder is just trying to figure out her life. When she joins SUMMERTEENS, a library writing group, she’s only looking to keep herself busy, not go digging around in her subconscious. But as she writes, disturbing memories of her lost childhood friend Corey bubble to the surface, and Teddi begins to question everything: her friendship with her BFF Willa, how much her mom really knows, and even her own memories. Teddi fears she’s losing her grip on reality—as evidenced by that mysterious ghost-girl who emerges from the park pool one night, the one who won’t leave Teddi alone. To top it all off, she finds herself juggling two guys with potential, a quirky new boy named Joy and her handsome barista crush Aidan, who has some issues of his own. As the summer unfolds, Teddi is determined to get to the bottom of everything—her feelings, the mysterious ghost-girl, and the memories of Corey that refuse to be ignored.
My name is not actually Penny Dreadful. It is Penelope Jones. The 'Dreadful' bit is my dad's JOKE. But it is not even true that I am dreadful... honest. You see, the DISASTER with Rooney, our class rat, might not have been such a DISASTER if it wasn't for Cosmo Moon Webster and his Amazing Maze. AND it is utterly not my fault that the Patented Burglar Trap accidentally tripped Gran over, so her bone went snap. ALSO, I only took Barry the cat to the hospital so he could revive Gran with The Power Of Pets. How was I to know it would be a Complete CATastrophe? Be prepared for three more hilarious tales of mishap, mayhem and misadventure... Penny Dreadful is back! The first book in the Penny Dreadful series, ‘Penny Dreadful is a Magnet for Disaster’, was shortlisted for the Roald Dahl Funny Prize
When Lester's mysterious cousin Clara comes to stay with his family she insists on knitting him ugly sweaters and Lester must figure out how to accept the unwanted gifts without hurting his cousin's feelings.