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35 Horror Skulls Coloring Pages! CAN BE PERFECT COLORING BOOK FOR HALLOWEEN - Coloring book for teens and adults, with 35 DRAWINGS images of SCARY SKULLS Book contains scary evil looking skulls, it is NOT FOR YOUNG KIDS. SEE INSIDE & BACK COVER. One per page so you can color them with pencil, pen, gel markers as you wish. EASY & COMPLEX coloring level. Relaxing coloring book will keep you calm, as you create artistic pictures of DEADLY SKULLS - biker skulls, traditional skulls, evil skulls, rocker skulls, skulls of demons, hell skulls, devils and gnarly skulls - 35 HORROR PICTURES. SKULLS coloring book with unique line drawings for men and women alike. Coloring Books for Grown-Ups, who enjoy coloring and look for new types of art to color.
Get that red crayon ready! With this coloring book for adults channeling The Walking Dead meets The Secret Garden, comics creator/rock star Alan Robert (Crawl to Me, Killogy, Wire Hangers) invites fans of horror to discover their inner-colorist. Through intricate pen and ink illustrations to complete, color, and embellish, readers will meet an onslaught of severed heads, monsters, deadly weapons, and skeletal remains. Visit burial grounds, the zombie apocalypse, serial killer lairs, and gruesome torture chambers. Horror fans and newcomers alike will welcome this GOREgeous and creative journey into a blood-soaked new world.
Get that red crayon ready! Rock-star-turned-comics-creator Alan Robert has created a follow-up to his smash-hit, horror-themed adult coloring book! The color-crazed carnage continues! Follow everyone's favorite undead girl, Ghouliana, as she mischievously attempts to trick budding colorists into unleashing a deadly spell. Try and find the ingredients she's sprinkled throughout Robert's intricate pen and ink illustrations before it's too late!
Enter a world of myth and monsters with this haunting collection of over 60 artworks to colour. Terrifying deities, unspeakable demons and grotesque beasts fill these pages. Inspired by Lovecraftian fantasy, mythology and classic horror movies, these designs will transport you to the gothic worlds of horror stories. Once you have finished colouring, you will have your own selection of fantasy artwork to display. A perfect pastime for fantasy and horror fans.
The darkness holds many surprises. In this collection of thirty stories of horror and the bizarre, we shall explore some of those surprises. Even though I’ve been extolling the virtues of darkness, I do encourage you to read this book with the lights on. Light does have its practical applications, you know. You have to see the words.
Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.
From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films, including mainstream Hollywood fare, art-house films, Blaxploitation films, and U.S. hip-hop culture-inspired Nollywood films. This new edition also explores the resurgence of the Black horror genre in the last decade, examining the success of Jordan Peele’s films Get Out (2017) and Us (2019), smaller independent films such as The House Invictus (2018), and Nia DaCosta’s sequel to Candyman (2021). Means Coleman argues that horror offers a unique representational space for Black people to challenge negative or racist portrayals, and to portray greater diversity within the concept of Blackness itself. This book is essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
A celebration of the most obscure, bizarre, and brain-busting movies ever made, this film guide features 250 in-depth reviews that have escaped the radar of people with taste and the tolerance of critics ― Goregasm! I Was a Teenage Serial Killer! Satan Claus!Die Hard Dracula! Curated by the enthusiastic minds behind BleedingSkull.com, this book gets deep into gutter-level, no-budget horror, from shot-on-VHS revelations (Eyes of the Werewolf) to forgotten outsider art hallucinations (Alien Beasts). Jam-packed with rare photographs, advertisements, and VHS sleeves (most of which have never been seen before), Bleeding Skull is an edifying, laugh-out-loud guide to the dusty inventory of the greatest video store that never existed.