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First ancient Greek guys put on masks and acted out top tales. Next Shakespeare and his pals had some huge hits. Now the world's a stage to all sorts - from plays with no words to actors with no clothes!
A broad treatment of the cultural, social, political, and literary under-pinnings of an entire period and movement in American letters The Vast and Terrible Drama is a critical study of the context in which authors such as Oliver Wendell Holmes, Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London created their most significant work. In 1896 Frank Norris wrote: "Terrible things must happen to the characters of the naturalistic tale. They must be twisted from the ordinary . . . and flung into the throes of a vast and terrible drama." There could be "no teacup tragedies here." This volume broadens our understanding of literary naturalism as a response to these and other aesthetic concerns of the 19th century. Themes addressed include the traditionally close connection between French naturalism and American literary naturalism; relationships between the movement and the romance tradition in American literature, as well as with utopian fictions of the 19th century; narrative strategies employed by the key writers; the dominant naturalist theme of determinism; and textual readings that provide broad examples of the role of the reader. By examining these and other aspects of American literary naturalism, Link counters a century of criticism that has perhaps viewed literary naturalism too narrowly, as a subset of realism, bound by the conventions of realistic narration.
The author of Time Windows “has crafted a fine tale of psychological time travel . . . this well-executed story transports readers into the plot” (School Library Journal, starred review). Seventeen-year-old Molly’s recurrent nightmares become waking visions after she nearly drowns at a party. Soon she’s witnessing events through the eyes of a girl who lived in her father’s house nearly a century before. In Dreadful Sorry “Reiss slips between past and present with a callous alacrity that is wondrously effective; readers will buy into the unfolding revelations while gaining a true sense of Molly’s tenuous grip on events . . . another fine spellbinder from the author of Time Windows” (Kirkus Reviews). “Spooky and satisfying.”—The Bulletin “With its skillful plot twists, the book will have readers anxious to solve the mystery.”—School Library Journal (starred review) “Suspenseful and difficult to put down.”—VOYA
Les Rougon-Macquart is the collective title given to a cycle of twenty novels by French writer Émile Zola. Subtitled "Natural and social history of a family under the Second Empire", it follows the life of one family during the Second French Empire (1852–1870). In this tremendous work Zola first and foremost examines the impact of social environment on men and women, by varying the social, economic, political and professional milieu in which each novel takes place. It provides us with a close look at everyday life, gives us a deep insight into important social changes and it shows us the true people's history of the Second Empire. Table of Contents: The Fortune of the Rougons (La Fortune des Rougon) The Kill (La Curée) The Belly of Paris (Le Ventre de Paris) The Conquest of Plassans (La Conquête de Plassans) The Sin of Father Mouret (La Faute de l'Abbé Mouret) His Excellency Eugène Rougon (Son Excellence Eugène Rougon) The Drinking Den (L'Assommoir) One Page of Love (Une Page d'amour) Nana Piping Hot (Pot-Bouille) The Ladies' Paradise (Au Bonheur des Dames) The Joy of Life (La Joie de vivre) Germinal The Masterpiece (L'Œuvre) The Earth (La Terre) The Dream (Le Rêve) The Beast in Man (La Bête humaine) Money (L'Argent) The Downfall (La Débâcle) Doctor Pascal (Le Docteur Pascal) Émile Zola (1840-1902), French novelist, critic, and political activist who was the most prominent French novelist of the late 19th century. He was noted for his theories of naturalism, which underlie his monumental 20-novel series Les Rougon-Macquart, and for his intervention in the Dreyfus Affair through his famous open letter, "J'accuse."
This book focuses on the significantly under-explored relationship between televisual culture and adaptation studies in what is now commonly regarded as the ‘Golden Age’ of contemporary TV drama. Adaptable TV: Rewiring the Text does not simply concentrate on traditional types of adaptation, such as reboots, remakes and sequels, but broadens the scope of enquiry to examine a diverse range of experimental adaptive types that are emerging within an ever-changing TV landscape. With a particular focus on the serial narrative form, and with case studies that include Penny Dreadful, Fargo, The Night Of and Orange is the New Black, this study is essential reading for anyone who is interested in the complex interplay between television studies and adaptation studies.
Previously published as Leonard Maltin’s 2015 Movie Guide, this capstone edition includes a new Introduction by the author. (Note: No new reviews have been added to this edition) Now that streaming services like Netflix and Hulu can deliver thousands of movies at the touch of a button, the only question is: What should I watch? Summer blockbusters and independent sleepers; the masterworks of Alfred Hitchcock, Billy Wilder, and Martin Scorsese; the timeless comedy of the Marx Brothers and Woody Allen; animated classics from Walt Disney and Pixar; the finest foreign films ever made. This capstone edition covers the modern era while including all the great older films you can’t afford to miss—and those you can—from box-office smashes to cult classics to forgotten gems to forgettable bombs, listed alphabetically, and complete with all the essential information you could ask for. With nearly 16,000 entries and more than 13,000 DVD listings, Leonard Maltin's Movie Guide remains “head and shoulders above the rest.” (The New York Times) Also included are a list of mail-order and online sources for buying and renting DVDs and videos, official motion picture code ratings from G to NC-17, and Leonard's list of recommended films.
Prosper Redding is the only unexceptional member of his very successful family, that is, until he discovers a demon living inside him. Turns out, Prosper's great-great-great-great-great-something grandfather made, and then broke - a contract with a malefactor, a demon who exchanges fortune for eternal servitude. Now Alastor, the malefactor, has reawakened and is intent on destroying the Redding fortune, unless they can kill him in the body he inhabits, which, oh, wait, that's Prosper, and why is his grandmother coming at him with a silver blade? In danger from both the demon trying to take over his soul and the family that would rather protect their fortune than their own kin, Prosper narrowly escapes with the help of his long lost Uncle Barnabas and Barnabas's daughter, Nell, a witch in training. According to Barnabas and Nell, they have only days to break the family curse and find a way to banish Alastor back to the demon realm. Until then, Prosper has to deal with Alastor's vengeful mutterings inside his head (not to mention his nasty habit of snacking on spiders). And, every night, Alastor's control over his body grows stronger. . . As the deadline to the curse draws nearer, Prosper and Nell realize there's more at stake than just the Redding family fortune. . . that there might be something else out there, something worse than Alastor, that could destroy the balance between the human and demon realms and change the world as they know it forever.