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The brand new must-read middle-grade novel from the author of super-spookyCrater Lake. Perfect for 9+ fans of R.L.Stine’s Goosebumps
Dread Locks is the first entry in the Dark Fusion series from master storyteller Neal Shusterman. He cleverly weaves together familiar parts of fairy tales and Greek mythology to tell the story of fourteen-year-old Parker Bear, rich and utterly bored with life—until a new girl arrives in town. Tara's eyes are always hidden behind designer sunglasses, and her hair, blond with glimmering spirals, seems almost alive. Parker watches, fascinated, as one by one Tara chooses high school students to befriend; he even helps her by making the necessary introductions. Over time, her “friends” develop strange quirks, such as drinking gallons of milk, eating dirt, and becoming lethargic. By the time Parker realizes what Tara is doing, he is too embroiled to stop her. In fact, she has endowed him with certain cravings of his own. . . .To say more would spoil the spooky fun of this wild thriller—let the twist speak for itself and leave you still as a statue.
It's five months since the nightmare Year Six School trip to Crater Lake, and something has gone very wrong in Lance's home town of Straybridge. There's been an explosion at the University, a mysterious test creature is missing and no one is allowed in or out of the town. On top of this Lance has lost touch with his friends since starting at his new school. And now his mum has been acting strangely since they started decorating the Christmas tree... As he goes door to door trying to reunite his team, Lance realises how bad things have got. Now he, Katja, Max, Chets and Ade, plus new friend Karim, must think bigger and bolder if they are to save their families. But there's something else out there too - something straight out of their nightmares...
Exhuming the dreadful powers of the Underworld, Charnel Whispers explores the Maergzjiran Cabal's path of necromancy in a pathworking format designed to guide the Disciple through his or her rites from the basic composition of the death essence fully into becoming a Leiche (Lich); masterfully weaving aspects of death and undeath with ease, controlling the most intimate and destructive of energies known to mankind. Such topics covered are: what it means to be a Necromancer, sylvan necromancy, conjuring various agents of the Underworld, reanimating the dead, controlling the death essence, death curses, grave familiars, Spirits of Keraktes, construction and animation of the golem, and undead apotheosis. Written by the Master of the Tower of Atrophy, Charnel Whispers enlightens the soul in various means. Of these, the most potent and crucial is that of using "whispers." The Cabal's utilization of whispers almost fully removes the need for ritual components in all manner of rites. Using the most carnal and spiritually powerful parts of the Disciple's soul, all arts of necromancy are manifested before you.
YOU'RE NOT AFRAID TO COME PLAY IN THE WOODS ARE YOU...? IT'S THE SUMMER OF '77 A group of boyhood friends in an idyllic rural neighborhood. An annual rite of passage in a dark and alluring Pennsylvania wood. The invocation of an ancient Presence. And a childhood game gone terribly wrong.... EIGHTEEN YEARS LATER Two brothers haunted by the unspeakable memory they would do anything to forget. An appealing tavern proprietress & psychic intuitive from New Orleans with an enigmatic past. An ancient apocryphal prophesy fulfilled. And a journey into a harrowing new reality haunted by something far more dangerous than a memory.... A thought-provoking, emotionally charged tapestry, the suspense builds to near unbearable levels as each story simultaneously unfolds in alternating chapters between the chilling events of 1977 and 1995. When Light and Dark converge in a spiritually charged climax of biblical proportions, the result is a taut and twisted supernatural thriller certain to leave you as satisfyingly on edge as you are shocked. Sweetly Nostalgic & Brutally Terrifying, THE LITTLE WOODS is a Grainy and Riveting Supernatural Suspense to the Very Last Page!
"Wood's usual Lady Luckless is poor little rich girl Eve Klein, whose millions can't buy her relief from her other inheritance: the clairvoyant powers that have recently frightened off her husband, Sam. Hoping to confront him, Eve drives from her Connecticut estate to Sam's new house in Raven Lake, New York, where she's instantly felled by a vision of a woman mutilated and dying - the handiwork of local sociopath Adam Fuller, M.D., whose eyes ("empty ... dead ... glassy. Like a doll's eyes"') give away his utter inability to feel for others, the product of a buried childhood trauma: Fuller kills in the barren hope of feeling pity for his victims. Eve's call to the cops snares homicide legend Dave Latovsky, who takes her to see psychiatrist Terrence Bunner, who happens to have Fuller as a patient. When, at a party, Bunner lets on to Fuller that Eve - whom he won't identify - saw the killer in her vision, the mad M.D. tracks a gory path to the psychic, torturing and shooting Bunner, then a local newsman and his wife, to get Eve's name and address. Meanwhile, at Bunner's funeral, Latovsky notes Fuller's Ken-doll eyes and fingers him for the killer but can't nab him before Fuller snatches Eve, hauling her to his childhood home. There, Eve flashes on the child abuse that turned Fuller into a maniac ... A lurid, loose-jointed tale whose frantic action and emotionalism nearly obscure the familiarity (Koontz, King, etc.) of Wood's themes."--Kirkus
"I was pulled into The Memory Wood from the very first page—it grabs you by the throat and doesn't let you go" —Shari Lapena, #1 bestselling author of The Couple Next Door A heart-stopping, chilling thriller about an abducted girl, the boy who can save her and the terrifying cat-and-mouse game of deception and betrayal that they are playing. "If you've only just arrived . . . then why do you want to leave?" Elissa arrived in Memory Wood on the most important day of her life. The thirteen-year-old chess prodigy was competing at the English Youth Grand Prix when she was snatched, and then woke up in a makeshift cell underground. Elijah has lived beside Memory Wood for as long as he can remember. He's only twelve but he's spent his life so far exploring every inch of it, and that's how he finds Elissa. When he appears in her cell, Elissa assumes Elijah will help her; that he'll go to the police and give them the answers they desperately need. But Elijah doesn't want her to leave. As her abductor's behaviour becomes increasingly erratic, Elijah's company is soon her only source of relief and Elissa realizes that this strange, lonely boy is her one hope for survival. Drawing on all her resilience and powers of logic to outwit him, their deadly game of cat and mouse, of deception and betrayal, but also their bond of friendship, will determine both their fates. . . .
New from bestselling author Stephanie Perkins, and the perfect companion to her New York Times bestseller There's Someone Inside Your House, available now on Netflix! “The scares here are authentic, and the details meticulous, driven by a smart, distinct narrative voice. Hand this to fans of the film Midsommar who will delight in the eerie world building, the disintegration and rebuilding of interpersonal relationships, and the unseen forces of evil that threaten to break two friends apart.” –Booklist Bears aren’t the only predators in these woods. Best friends Neena and Josie spent high school as outsiders, but at least they had each other. Now, with college and a two-thousand-mile separation looming on the horizon, they have one last chance to be together—a three-day hike deep into the woods of the Pisgah National Forest. Simmering tensions lead to a detour off the trail and straight into a waking nightmare … and then into something far worse. Something that will test them in horrifying ways. Stephanie Perkins, the bestselling author of There’s Someone Inside Your House, returns with a heart-stopping, gut-wrenching novel about friendship, survival, and navigating unmarked paths even as evil watches from the shadows.
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
He claimed to be “the plainest kind of fellow you can find. There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work. Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”