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The annual comics anthology of emerging cartoonists The Drawn & Quarterly Showcase new talent series stands out among other anthologies on the shelf, as it is the only anthology to have the focused editorial vision of D+Q editor in chief Chris Oliveros, who is responsible for launching the careers of Adrian Tomine, Seth, Julie Doucet, and more. Five years ago, Oliveros was impressed by the talent and vitality of the new generation of cartoonists. Each volume has been lauded for its short stories, and by selecting the best cartoonists every year, Oliveros gives each artist more than twenty-five pages in the Showcase to spotlight their storytelling and artistic abilities. The D+Q Showcase is where you find tomorrow's critically acclaimed graphic novelists today. Book Four features three North American cartoonists: Dan Zettwoch (The Ghost of Dragon Canoe) of St. Louis, Gabrielle Bell (When I'm Old) of Brooklyn, and Martin Cendreda (Dang!) of Los Angeles. Zettwoch and Bell have both contributed to the award-winning anthology Kramer's Ergot. Cendreda is a frequent contributor to Giant Robot magazine.
The annual comics anthology of emerging cartoonists Drawn & Quarterly Showcase is a new-talent anthology and the only annual collection to have the focused visual acumen of the D+Q editor in chief, Chris Oliveros, who scours the globe for three cartoonists to spotlight and introduce to North American readers. More often than not, it is the first time the cartoonists have had the chance to work in full color with twenty-five pages, and on such a wide-reaching visual platform. The series is hailed for its consistent quality and for the superior editorial vision of its short stories, volume after volume. Book Five features Anneli Furmark (Sweden), Amanda Vähämäki (Finland), and T. Edward Bak (United States), with cover art by Vähämäki. Previous Showcases have featured Kevin Huizenga, Jeffrey Brown,Geneviève Castrée, Gabrielle Bell, and Nicolas Robel.
A dark, bizarre comedy where teachers push boundaries into preposterous places The Follies of Richard Wadsworth showcases Nick Maandag’s signature blend of deadpan satire and exceedingly unexpected plot twists. In “Night School,” a Modern Managerial Business Administration and Operational Leadership class goes awry when a fire alarm brings the Chief to school and he decides to stick around to teach the students a thing or two about leadership—and discipline. “The Follies of Richard Wadsworth” follows the title character, a professor of philosophy, as he begins work as a contract instructor at yet another university. When Wadsworth finds himself smoking reefer at his student’s party and discovers she works at a rub ’n’ tug, an off-kilter plan is hatched. And in “The Disciple,” a yarn about a coed Buddhist monastery, Brother Bananas, the resident gorilla, isn’t the only one having difficulty keeping his lust tucked safely under his robe. In Maandag’s hands—hands that love to toy with morally ambiguous characters and flirt with absurdity—troubled men make poor decisions, unlikable characters gain our sympathies through their very haplessness, and riotous laughs ensue. Maandag has achieved cult acclaim through his self-published and micro-published comics, and The Follies of Richard Wadsworth is his debut book. His mechanical, affectless characters and economical artwork efficiently deliver cringes, heightening the awkward silence and stillness of his hilarious comics.
Yoshiharu Tsuge is one of the most influential and acclaimed practitioners of literary comics in Japan. The Swamp collects work from his early years, showing a major talent coming into his own. Bucking the tradition of mystery and adventure stories, Tsuge’s fiction focused on the lives of the citizens of Japan. These mesmerizing comics, like those of his contemporary Yoshihiro Tatsumi, reveal a gritty, at times desperate postwar Japan, while displaying Tsuge’s unique sense of humor and point of view. “Chirpy” is a simple domestic drama about expectations, fidelity, and escape. A couple purchase a beautiful white bird with a red beak. It is said that the bird will grow attached to its owners and never fly away. While the girlfriend is working as a hostess, flirting with men for money, the boyfriend decides to draw a portrait of the new family member, and disaster strikes. In “The Swamp,” a simple rural encounter is charged with sexual tension that is alluring but also fraught with danger. When a young woman happens upon a wing-shot goose, she tries to calm it then suddenly snaps its neck. Later, she befriends a young hunter and offers him shelter, but her motivations remain unclear, especially when the hunter notices a snake in the room where they’ll both be sleeping. The Swamp is a landmark in English manga-publishing history and the first in a series of Tsuge books Drawn & Quarterly will be publishing.
Two of Canada’s most famous visual artists take on the book medium in their own hilarious way Library is a collection of paintings by two of Canada’s most influential contemporary artists, Michael Dumontier and Neil Farber. From the simple premise of the book title comes a series of images that are laugh-out-loud funny. A collection of book covers adorned with titles painted in simple handwritten fonts are displayed on brightly colored hardboard. Each book forms part of an ongoing series Dumontier and Farber started in 2009. In Dumontier and Farber’s Library, titles like I Lost the Human Race, Change Your Relationship to Your Unchangeable Past, and I Have a Medical Condition That Makes It So I Don’t Have to Talk to You offer surprising and astute observations, all in the duo’s characteristic deadpan style. The simplicity of the shapes and text evokes an immediate but lasting profundity, with each piece causing one to wonder about the thoughts that roam their consciousness, and the books that take up residence on their—and our—shelves. Dumontier and Farber are founding members of the influential art collective the Royal Art Lodge, and have been collaborating on art projects for more than fifteen years, exhibiting internationally. Library is playful and insightful as it pokes and prods at the human condition.
Suddenly, comics are everywhere: a newly matured art form, filling bookshelves with brilliant, innovative work and shaping the ideas and images of the rest of contemporary culture. In Reading Comics, critic Douglas Wolk shows us why this is and how it came to be. Wolk illuminates the most dazzling creators of modern comics-from Alan Moore to Alison Bechdel to Dave Sim to Chris Ware -- and introduces a critical theory that explains where each fits into the pantheon of art. Reading Comics is accessible to the hardcore fan and the curious newcomer; it is the first book for people who want to know not just what comics are worth reading, but also the ways to think and talk and argue about them.
In the two decades since Curses first hit the shelves, River at Night cartoonist Kevin Huizenga has taken his rightful place on a short A-list of comics experimentalists. Deep research and loopy cartooning serve up philosophical musings while maintaining a classic comic-strip devotion to “the gag.” Huizenga remains one of the funniest and smartest cartoonists working today, and now, the very book that heralded his arrival as a talent to watch is available once more in deluxe paperback as the early work of a now true genius. The short stories collected herewith confront the textures of mortality in unique and peculiar ways. Central character Glenn Ganges is a seemingly middle-class, suburbanite whose blank-eyed wonderment at the everyday brings together diverse aspects of our world—like golf, theology, late-night diners, parenthood, politics, Sudanese refugees, and hallucinatory vision—into a complete experience as multifaceted as each of our own lives.
It’s not easy to label an artist like Geneviève Castrée—cartoonist, illustrator, musician, sculptor, stamp collector, activist, correspondent—a person with busy hands and a mind too creative and wild to stop doing. Those familiar with Castrée’s seminal memoir about her childhood, Susceptible (included fully within), will know that she, to a large degree, raised herself. It was in those unattended, semi-feral childhood years that Geneviève used art to pull herself out of what could have otherwise been a bleak existence. Instead, she found beauty and depth around her and blended it gorgeously with the harsh, devastating realities of this world, creating a body of work that is so stunning, heartbreaking, and magical that it leaves you aching. From rarely- or never-seen illustrations and comics, to album covers and photographs, to studio scraps, Geneviève Castrée: Complete Works 1981-2016 is a breathtaking collection of Castrée’s work and soul. A remarkable woman who made remarkable art, her love and spirit weep and shine from the pages. With an introduction from Castrée’s widower Phil Elverum, who devoted himself to designing and curating the book, we gain further insight into the details of her life. Translations are lovingly and expertly provided by Elverum and Aleshia Jensen.
The essential guide for freelance writers, now completely updated and revised. The Canadian Writer's Market is the authority on who publishes what and how best to bring your work to their attention. It offers practical advice on everything from manuscript preparation to copyright law, from information on pay rates to writers' workshops. This useful guide also includes comprehensive and up-to-date listings for: consumer magazines; literary and scholarly journals; trade, business, and professional publications; daily newspapers; book publishers; literary agents; awards, competitions, and grants; writers' organizations and support agencies; writers' workshops, courses, and retreats.