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Artistic traditions of indigenous North America are explored in a study that draws on the testimonies of oral tradition, Native American history, and North American archaeology, focusing on the artists themselves and their cultural identities. Original.
This text is a comprehensive examination of Native American art, containing introductions for each of the eight culture areas as well as 34 regional sections. The majority of works covered in the book are from the historic period - some as early as 500 BC - but contemporary pieces are also covered.
This landmark publication reevaluates historical Native American art as a crucial but under-examined component of American art history. The Charles and Valerie Diker Collection, a transformative promised gift to The Metropolitan Museum of Art, includes masterworks from more than fifty cultures across North America. The works highlighted in this volume span centuries, from before contact with European settlers to the early twentieth century. In this beautifully illustrated volume, featuring all new photography, the innovative visions of known and unknown makers are presented in a wide variety of forms, from painting, sculpture, and drawing to regalia, ceramics, and baskets. The book provides key insights into the art, culture, and daily life of culturally distinct Indigenous peoples along with critical and popular perceptions over time, revealing that to engage Native art is to reconsider the very meaning of America. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Over 360 authentic royalty-free designs adapted from Navajo blankets and rugs, painted wooden masks, decorated moccasins, Hopi pottery, Sioux buffalo hides, more. Geometrics, symbolic figures, plant and animal motifs, much more.
This is the stirring, epic story of the hundreds of Indian nations that have inhabited North America for more than 15,000 years and of their centuries-long struggle with the Europeans. It is a story of friendship, treachery, courage and war, beginning when Columbus disembarked at Hispaniola among the Arawaks in 1492, and comes to a climax when the last groups of Sioux were moved onto a reservation following the massacre at Wounded Knee in 1890.We meet men and women, heroes and villains through their own words, their lives recreated from memory, memoir, and ancient documents: Massasoit, whose greeting to the Mayflower pilgrims - 'Welcome, Englishmen' - was given in their own language; Pocahontas, whose father's intervention on behalf of John Smith ironically changed the course of her life; Deganawida, known as the Peace Maker, whose Great Law laid the foundation for the confederacy among the five nations of the Iroquois, which in turn may have influenced the colonists' fledging efforts at confederation; Sequoyah, inventor of the Cherokee alphabet; Tecumseh, the charismatic Shawnee leader; Satanta, who led the Kiowa resistance; Chief Joseph of the Nez Perce; Cochise and Geronimo of the Apaches; Red Cloud, Sitting Bull and Crazy Horse of the Sioux...Written by the celebrated historian Alvin M. Josephy, Jr., lavishly illustrated with nearly 500 paintings, woodcuts, drawings, photographs, and Indian artifacts, this thrilling and beautiful book shows us the many worlds of North America's Indians, as we have never seen them before.
Encompasses all major tribal areas: the Southwest, California, the Pacific Northwest, the Eskimos of Canada and Alaska, the Plains and the Eastern Woodlands. Numerous colour photographs.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The magnificent art and decorative craftsmanship of the Indian tribes of North America appear in all of their colonial variety and complexity in this superb volume. Examples are included of the work of every major region in the areas now comprising the United States and Canada, of most of the numerically important or artistically pre-eminent tribes, and all of the major techniques employed by Indian artists. No reader of this book can long continue in a misapprehension of the stereotyped image of 'the Indian.' The varying cultures which developed on the North American continent - from the Eskimo hunters of the Arctic to the woodland League of the Iroquois, and from the Pueblo agriculturalists to the nomads of the Great Plains - are all represented. Each found its own ways of using available natural resources for utilitarian objects, for religious and ritual purposes, or for sheer aesthetic pleasure. The book abounds in beautiful examples of characteristics shell and quill work, pottery and weaving, deer and buffalo hide painting, carved stone pipes and tomahawks so commonly associated with Indian cultures. Less familiar are illustrations of mysterious stone effigy sculptures from the death-cults of the ancient Southeast; sophisticated carvings in stone and ivory from the Midwest; elaborate horse-trappings and costuming from the Great Plains; and a fascinating variety of masks. Dr. Dockstader draws upon a thorough knowledge of Indian life, custom and artistic tradition to relate this material to its sources in his introduction and in the extensive background comments accompanying each of the illustrations. He sees the art of the American Indian not as a subject for static sociological research, but as a living and continuing expression of a vital people, and he has included in this book a number of examples of recent and contemporary work by Indian artists. -- from dust jacket.
This catalogue includes 139 Native North American works of art that represent many peoples and a variety of materials and functions, presented here for their aesthetic value.-- Metropolitan Museum of Art website.
Drawing on his travels throughout North America, James Buchanan provides a detailed and sensitive portrait of the indigenous cultures he encountered. He also offers a plan for improving the lives of Native Americans, which was influential in shaping Indian policy in the years that followed. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.