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The teaching program of Frank J. Reilly consisted of communicating an accumulation of knowledge and skills beginning with the elementary and building to the complex. He primarily taught the craft of drawing and then painting the nude figure. Each step in his teaching followed logically upon the step that had been previously taught. This is an honest account of the substance of his teaching as experienced by the author, Doug Higgins, during the four years or so that he was his student and monitor during the 1960s.
This comprehensive handbook for drawing the human figure is by a veteran instructor of the Art Students League of New York. Both a guide and a reference, it is suitable for all: novices, students, and professionals. Numerous illustrations with commentary cover the basic structure of the head and body, light and shade, the proper use of line, conveying action, depicting drapery, and much more.
Pure, Frank Reilly method of painting by Reilly's student/class monitor Ralph Garafola. The Canvas Awaits - Fill It"Frank J. Reilly - The Elements of Painting" presents the principles and concepts of the craftsmanship involved in the graphic arts. The guidelines presented here will help students, art teachers and professional painters and designers discover and/or further develop their craft.The book is a must read for both the aspiring painter and accomplished artist - and everyone in between. It also assists art teachers and art schools in the instruction of their students and serves well as a college text book of art.◊◊◊Frank J. Reilly was an American painter, illustrator, muralist and teacher. Reilly served as the Commissioner of Art for New York City. Ralph Garafola studied at the Art Students League of New York for seven years with Reilly. Reilly was married with no children and considered his students family. He became both mentor and father-figure for Garafola."To succeed in the realm of graphic arts, like dancing and music, one must acquire knowledge. By practicing and applying that knowledge, one becomes skillful. It was Reilly's logical application which was the basis for developing my craft. After 65 successful years I have never found reason to change the drawing or painting methodology Reilly taught to me. Now through this book I share it with you."Ralph Garafola, author
A how-to handbook that makes drawing easy. Offers simplified techniques and scores of brand-new hints and helps. Step by step procedures. Hundreds of illustrations.
Transform simple pencil sketches into jaw-dropping, photorealistic masterpieces with The Art of 3D Drawing. World-famous 3D artist Stefan Pabst shows you how to take your drawing and painting skills to the next level with techniques for creating lifelike three-dimensional art. Begin with an overview of tools and materials, color theory and color mixing, and drawing and painting techniques. Then follow along with 12 stunning, step-by-step demonstrations that teach fundamental principles of 3D art, such as perspective, shading, rendering textures, and building dimension. Also find tips on adding color with oil paints to add even greater dimension and realism to your artwork and complete your three-dimensional masterpieces. An inspiration gallery at the back offers even more ideas for creating 3D art. Whatever your skill level, you will learn something new as you draw and paint a range of subjects in realistic detail. The projects are: A cube that appears to pop up from the paper A floating sphere A hole that seems to dip below the surface of the paper A group of LEGO® blocks An airplane “flying” over the paper Planet Earth A glass of water A ladybug that looks like it might crawl off the page A shiny classic car The Mayan ruin of Chichen Itza The Leaning Tower of Pisa A child “jumping” off the page With The Art of 3D Drawing, friends and family won’t believe their eyes as they admire your amazing photorealistic artwork.
"Unique and fragile objects, old master drawings are kept in storage, their access limited to knowing scholars, other artists, and dedicated collectors. Now, through the sponsorship of the Midwest Art History Society and the commendable efforts of Burton Dunbar and Edward Olszewski, the drawings will be readily accessible to everyone. This first volume of Drawings in Midwestern Collections offers a full listing of old master drawings from collections throughout the Midwest. Thoroughly researched, this important reference book introduces a corpus of the rarest of European drawings through the year 1500, a time when artists had just begun to value drawings as works of art, and from which only a limited number of drawings have survived. Each of the thirty entries in this volume is written by a scholar who has immediate access to the artwork itself and who is a specialist in the art of that period. In addition to basic information about the work, the authors have commented on each drawing's artistic significance and on problems surrounding it. Included also are reproductions of the drawings as well as numerous illustrations of comparable works from other American and European collections. Drawings in Midwestern Collections presents previously unpublished technical information on many of the drawings, argues for the new attribution of several of them, provides an up-to- date summary of scholarship on each work, and, taken as a whole, provides insight into the diversity of the holdings of midwestern museums. The first in a series of books that will include all drawings in more than seventy midwestern collections, Drawings in Midwestern Collections: Volume I, Early Works is certain to enrich the lives of students, scholars, museum personnel, and the general public."--Publishers website.
The first three books in the CSI Reilly Steel series in one great value box set. TABOO For fans of Patricia Cornwell, Tess Gerritsen, Karin Slaughter and Kathy Reichs Forensic investigator Reilly Steel, Quantico-trained and California-born and bred, imagined Dublin to be a far cry from bustling San Francisco, a sleepy backwater where she can lay past ghosts to rest and start anew. She's arrived in Ireland to drag the Garda forensics team into the 21st-century plus keep tabs on her Irish-born father who's increasingly seeking solace in the bottle after a past tragedy. But a brutal serial killer soon puts paid to that. A young man and woman are found dead in a hotel room, the gunshot wounds on their naked bodies suggesting a suicide pact. But as Reilly and the team dig deeper, and more bodies are discovered, they soon realise that a twisted murderer is at work, one who seeks to upset society's norms in the most sickening way imaginable… INFERNO Read the clues. Decode the science. Reveal the murderer. That's Reilly Steel's mantra. Find the answers, solve the crime. But the Quantico-trained forensic investigator is finding her skills aren't enough when a ferociously intelligent killer strikes Dublin. The modus operandi is as perplexing as it is macabre. What connects two seemingly disparate, high-profile victims? Their corpses refuse to give up their secrets and the crime scenes prove a forensic investigator's worst nightmare. Reilly soon suspects that she may be dealing with a killer - or killers - who know all about crime scene investigation. It's only when a third murder occurs - equally graphic and elaborate in its execution - that they discover that this particular killer is using a very specific blueprint for his crimes. Who is the killer's next victim, the real target? And what's his endgame? HIDDEN A Fallen Angel. A Devil on the Loose. When a young girl is discovered dead on an isolated Irish country road, it seems at first glance to be a simple hit and run. Then the cops see the tattoo on her back - a pair of beautifully wrought angel wings that lend the victim a sense of ethereal innocence. Forensic investigator Reilly Steel is soon on the scene and her highly tuned sixth sense tells her there is more to this case than a straightforward murder. But with almost zero evidence and no way to trace the girl's origin, Reilly and the police are at a loss. Then the angel tattoo is traced to other children - both dead and alive - who are similarly marked, and Reilly starts to suspect they have all been abducted by the same person. But why? And will Reilly get to the bottom of the mystery and uncover what links these children together before tragedy strikes again?
Paintings, sculpture, and classical antiquities are the most valuable resources of any museum, and are the first objects to be published in each museum's own collection catalogue or online inventory. Collection catalogues, however, have customarily included only a small sample of the riches to be found in Midwestern collections of master drawings. This volume of sixteenth-century drawings has been largely the work of Burton L. Dunbar (University of Missouri-Kansas City), director of the project and a specialist in the arts of northern Europe, and Edward J. Olszewski (Case Western Reserve University), co-editor for the series, a well-known authority on drawings of the Italian Renaissance. This volume covers the sixteenth century, including artists born as a rule between 1480 and 1580, with the exception of Giovanni Baglione (ca. 1573-1644) and the Carracci. This study represents a gathering of drawings from forty institutions between Ohio and Oklahoma based on a census of seventy-five museums and art centers. Jacob Burckhardt's contention that the Renaissance was, in many respects, an age of paganism is readily belied here by the 471 Italian drawings, the great majority of which are religious subjects. Antiquity provided a veneer beneath which sixteenth century artists could cloak their Christianity to make it seem fresh, reminding believers of the origins of their faith, and reviving the purity of Christian doctrine in its early years. It is no surprise, then, to find numerous drawings of antiquities, and mythologies among the many subjects. A corpus this large can be representative in many ways, offering a cross-section of media, subjects, drawing types, and collectors. Of the 471 Italian drawings scattered across Midwestern America, here we reassemble many that were at one time in one or more prominent collections. Every drawing was examined for the following information: Artist, place of birth and death with dates, biography, title of drawing, date of drawing, dimensions in mm (and in inches), media, institutional credit line, accession number, technical condition, inscriptions, collectors' marks, watermark, provenance, exhibitions, bibliography, comments
A landmark publication that sheds new light on the work of Jaques-Louis David, the most celebrated artist of his time