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The author whose signature style of art introduction has sold nearly a million books now applies his highly regarded techniques to humorous art with a drawing guide guaranteed to bring laughter within everyone's reach. Featuring 1200 illustrations with thorough instructions.
"Hart analyzes joke construction and phrasing, and explains how to best set up a joke. He discusses humorous illustrating techniques and also advises readers on what methods to avoid. Rounding out the book is a section on selling your work and getting published that lists addresses for all the major comic strip syndicates in the country and their basic guidelines for strip submission." --Cover.
Simple, clear instructions for drawing animals with more than a thousand step-by-step illustrations. Basic fundamentals for the beginner, new principles and techniques for the professional. A detailed guide for everyone who enjoys—or wants to enjoy—drawing.
An instructional guide for drawing cartoon animals.
Draw stupid, succeed big! • Edgy art instruction plus savvy insider advice • Award-winning author, well known in cartooning, comics, and animation • Funny and irreverent-perfect for Adult Swim fans Okay, dumdum. This one is pretty much idiot-proof. Even you should be able to figure outHow to Draw, Stupid, and Other-what? No commas? Whoops, sorry. ButHow to Draw Stupid and Other Essentials of Cartooningis simple enough for even the simplest readers. Author Kyle Baker, who only acts stupid, is in fact “the greatest cartoonist of all time,” or so he tells us. Here he presents a hard-working instruction book that provides artists with the essential skills needed for success. From the principles of drawing to turning those principles on their ear (or their rear), from conveying movement to creating a step-by-step sequence, from idea sketch to finished drawing,How to Draw Stupid and Other Essentials of Cartooningis the smartest purchase any aspiring artist can make, regardless of mental acuity.
It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine.
"Joe Dator makes me laugh. Everybody loves to look behind the scenes and his new book shows the secrets, inspirations, heartaches, and triumphs of a life in cartoons. Christopher Guest and I have a collection of original cartoons, and we love our Joe Dator!" —Jamie Lee Curtis From inspiration to conception and all the trials in-between. Inked is a collection of cartoons from one of the New Yorker’s most beloved cartoonists. Filled with more than 150 of Dator’s single-panel cartoons, this lively, quick-witted book betrays a deadpan sense of humor. But Inked is more than a book of cartoons. Dator also dives into the creative process, offering bonus commentary on how ideas have come to fruition, how one idea has led to another, and the various attempts to get an idea right. Along the way, he shows how a spark of imagination has turned into a laugh-out-loud moment with only a single image and caption, and how other attempts have found themselves on the cutting-room floor.
A pair of married New Yorker cartoonists expose the hilarious complexities and eccentricities of love and matrimony in a collection of more than two hundred cartoons and original graphic narratives that explore such topics as "I Do," "Play with Me," "Gifting and Getting," Ex-Whatevers," "Come Hither," "Is It Worth It," and "In Bed." 30,000 first printing.
If you struggle to turn sticks into figures, then perhaps it is time to seek out a Trained Professional Artist! Illustrator Elwood H. Smith consults his expert funny bone as he leads budding artists through a tutorial on how to draw tricycle- riding pigs, silly-grinning cars, and jousting ketchup bottles. Emphasizing that subjects can be based on everyday materials and that artists have unique styles, this is a workbook that will encourage readers to experiment with their own types of visual expression.