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Dramatic Theory takes readers on a comprehensive journey through the rich and varied landscape of dramatic theory. Organized by key topics and presented chronologically, this book connects writers and theorists across different eras, revealing how their discussions have evolved and intertwined. Six fundamental questions are explored, ranging from the nature and purpose of theatre to the implications of performance on society. Each chapter delves into these essential questions, offering insights into how theoretical discourse has influenced theatrical styles and practices over time. From Aristotle's foundational Poetics to avant-garde movements of the twentieth century, Dramatic Theory covers a wide array of perspectives and debates. Issues of identity, the political implications of performance, and the subjective nature of theatrical quality are thoroughly examined. The book also investigates how meaning is constructed on stage and explores modern performance theory's redefinition of theatre. By engaging with the vibrant, never-ending conversations of dramatic theory, this text inspires a deeper understanding and appreciation of the performing arts.
This book makes available major theoretical writings on drama from the Greeks to the late seventeenth century for students of dramatic theory who require more than representative snippets. All the texts included here have been newly annotated and many have been specially translated for this volume.
An annotated collection of important writings about the drama.