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The bond between love and death has long been recognised as a defining characteristic of the elegies of Propertius, but scholars have rarely clarified how or to what degree Propertius differed from other love poets in associating these themes. In this book, Dr Papanghelis traces the radical way in which Propertius dealt with amorous and morbid fantasies in his poems. He argues that the modes of erotic expression used in the elegies are fundamentally unconventional, to the point that the definitions of love and death are interdependent. This book offers a detailed reading of some of the most stimulating and problematic of Propertius' elegies, offering fresh insight on the question of the poet's sensuous temperament and the significance of the love-death relationship in his works.
Brings the Amores into the forefront of scholarly discussion
This book explores the ways in which Latin poets of the late Republic and the Augustan Age participate in a new cultural preoccupation with the dramatically expanding geographical space of empire.
This volume on the Roman poet Ovid (43 BCE – 17 CE) comprises articles by an international group of fourteen scholars. Their contributions cover a wide range of topics, including a biographical essay, a survey of the major manuscripts and textual traditions, and a comprehensive discussion of Ovid’s style. The remaining chapters are devoted to focused studies of each of Ovid’s major works, with emphasis given where appropriate to the poet’s interest in genre and narrative techniques, his engagement with the poetry that preceded his oeuvre, his response to the political, religious, and social realities of Augustan Rome, and his enduring legacy in the European literary traditions of the first 1300 years after his death. Brill's Companion to Ovid combines close analysis of each of Ovid’s major works with a comprehensive overview of scholarly trends in the study of Latin poetry and Roman literary culture. It will be a valuable resource for students and scholars of Latin literature alike.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
This volume brings together eleven chapters on the genre of Latin elegy by leading scholars in the field. Latin elegy is typically thought to have flourished for a brief period at Rome between c. 40 BC and the early decades of the first century AD; it was the pre-eminent vehicle for writing about amatory matters in this period and among its principal exponents were Propertius and Ovid, whose works constitute the focus of this volume. Their poems and poetic collections were, however, by no means restricted to the themes of love, even if amatory concerns often surface at unexpected moments in texts that are not ostensibly concerned with love. Both poets were alive to their precursors' writings in elegiacs, and so aetiological themes and reflection on contemporary political circumstances form an integral part of their poetry. Such concerns are explored in some of the chapters on Propertius, on Ovid's Fasti and exile poetry, and also in a Renaissance elegy that looks closely to its literary heritage as it comments on the concerns of its day. Some contributions to this volume also shed new light on the typically elegiac conceit of separation, notably in amatory and exilic texts, while others look to conceptions of Roman identity and the relationship between the natural world and the cultural, political and literary spheres. All of the chapters share an interest in the close-reading of texts as the basis for drawing broader conclusions about these fascinating authors, their poetry, and their worlds.
Augustan love elegy represents one of the most important and most distinctive Roman contributions to European and world literature. This volume presents the first detailed commentary in any language on Ovid's Amores Book 3, the last collection of love poems composed in the Augustan age. Aimed at both students and scholars, the commentary has been written to be as accessible to as many readers as possible, with all quotations from ancient Greek and modern languages being translated. It includes an Introduction for the general reader which pays particular attention not only to the book's poetic design and the distinctive features of Ovid's style, but the relationship of the whole three-book collection to earlier love elegy and its handling of political and social questions. It offers an edition of the text of Book 3 based on printed editions together with a translation designed to clarify the surface meaning of the Latin. P. J. Davis's commentary focuses on topics including Ovid's engagement with the works of earlier poets, his use of rhetoric and wit, his employment of verbal and metrical patterns, textual difficulties, and, of course, the elucidation of linguistic problems. Amores Book 3 takes love elegy in new directions giving us, for example, a dream-vision poem, a dutiful husband's account of a religious pilgrimage, and the speech of a pickup artist trying to seduce a girl at the races. Perhaps its most striking feature is its shift away from obsession with a single mistress to reflection on the poet's place in the tradition of Latin love poetry, with poems explicitly devoted to issues raised by Catullus, Tibullus, and Propertius.
This volume brings together eleven chapters on the genre of Latin elegy by leading scholars in the field. Latin elegy is typically thought to have flourished for a brief period at Rome between c. 40 BC and the early decades of the first century AD; it was the pre-eminent vehicle for writing about amatory matters in this period and among its principal exponents were Propertius and Ovid, whose works constitute the focus of this volume. Their poems and poetic collections were, however, by no means restricted to the themes of love, even if amatory concerns often surface at unexpected moments in texts that are not ostensibly concerned with love. Both poets were alive to their precursors' writings in elegiacs, and so aetiological themes and reflection on contemporary political circumstances form an integral part of their poetry. Such concerns are explored in some of the chapters on Propertius, on Ovid's Fasti and exile poetry, and also in a Renaissance elegy that looks closely to its literary heritage as it comments on the concerns of its day. Some contributions to this volume also shed new light on the typically elegiac conceit of separation, notably in amatory and exilic texts, while others look to conceptions of Roman identity and the relationship between the natural world and the cultural, political and literary spheres. All of the chapters share an interest in the close-reading of texts as the basis for drawing broader conclusions about these fascinating authors, their poetry, and their worlds.
In Poetic Autonomy in Ancient Rome, Luke Roman offers a major new approach to the study of ancient Roman poetry. A key term in the modern interpretation of art and literature, 'aesthetic autonomy' refers to the idea that the work of art belongs to a realm of its own, separate from ordinary activities and detached from quotidian interests. While scholars have often insisted that aesthetic autonomy is an exclusively modern concept and cannot be applied to other historical periods, the book argues that poets in ancient Rome employed a 'rhetoric of autonomy' to define their position within Roman society and establish the distinctive value of their work. This study of the Roman rhetoric of poetic autonomy includes an examination of poetic self-representation in first-person genres from the late republic to the early empire. Looking closely at the works of Lucilius, Catullus, Propertius, Horace, Virgil, Tibullus, Ovid, Statius, Martial, and Juvenal, Poetic Autonomy in Ancient Rome affords fresh insight into ancient literary texts and reinvigorates the dialogue between ancient and modern aesthetics.