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What do stories of nature tell us about the social or ethical purposes of solitude? And what do stories of solitude reveal of the "character" of nonhuman nature? Dramas of Solitude brings the insights of narrative theory to bear upon the genre of nature writing, to explore the social or ethical purposes of solitude in stories of retreat in nature. Through discussions of texts by Henry D. Thoreau, John C. Van Dyke, Wendell Berry, and student writers, among others, this book complicates social views of literacy with depictions of a solitude held in dynamic relation to a not-only-human community. It will inform the efforts of literary critics and writing teachers alike who hope to reintegrate English studies upon ecological terms.
“Both a mystery and a survival story, here is a novel written with a naturalist’s eye for detail and an unrelenting pace. It reminded me of the best of Nevada Barr." —James Rollins, #1 New York Times bestselling author of The Last Odyssey The first book in a thrilling series featuring an intrepid wildlife biologist who's dedicated to saving endangered species...and relies on her superior survival skills to thwart those who aim to stop her. While studying wolverines on a wildlife sanctuary in Montana, biologist Alex Carter is run off the road and threatened by locals determined to force her off the land. Undeterred in her mission to help save this threatened species, Alex tracks wolverines on foot and by cameras positioned in remote regions of the preserve. But when she reviews the photos, she discovers disturbing images of an animal of a different kind: a severely injured man seemingly lost and wandering in the wilds. After searches for the unknown man come up empty, local law enforcement is strangely set on dismissing the case altogether, raising Alex’s suspicions. Then another invasive predator trespasses onto the preserve. The hunter turns out to be another human—and the prey is the wildlife biologist herself. Alex realizes too late that she has seen too much—she's stumbled onto a far-reaching illegal operation and now has become the biggest threat. In this wild and dangerous landscape, Alex’s life depends on staying one step ahead—using all she knows about the animal world and what it takes to win the brutal battle for survival.
“What does it mean to be lonely?” Thomas Dumm asks. His inquiry, documented in this book, takes us beyond social circumstances and into the deeper forces that shape our very existence as modern individuals. The modern individual, Dumm suggests, is fundamentally a lonely self. Through reflections on philosophy, political theory, literature, and tragic drama, he proceeds to illuminate a hidden dimension of the human condition. His book shows how loneliness shapes the contemporary division between public and private, our inability to live with each other honestly and in comity, the estranged forms that our intimate relationships assume, and the weakness of our common bonds. A reading of the relationship between Cordelia and her father in Shakespeare’s King Lear points to the most basic dynamic of modern loneliness—how it is a response to the problem of the “missing mother.” Dumm goes on to explore the most important dimensions of lonely experience—Being, Having, Loving, and Grieving. As the book unfolds, he juxtaposes new interpretations of iconic cultural texts—Moby-Dick, Death of a Salesman, the film Paris, Texas, Emerson’s “Experience,” to name a few—with his own experiences of loneliness, as a son, as a father, and as a grieving husband and widower. Written with deceptive simplicity, Loneliness as a Way of Life is something rare—an intellectual study that is passionately personal. It challenges us, not to overcome our loneliness, but to learn how to re-inhabit it in a better way. To fail to do so, this book reveals, will only intensify the power that it holds over us.
I was born a fighter. Abandoned by my parents, I spent my life forging my own path-one guided by my fists and paved with pain. Untouchable in the ring, I destroyed everyone who faced me, but that's where my victories ended. Outside the ropes, I repeatedly failed the few people who loved me. Including my best friend, Liv James-the one person I'd die to protect. Even though I didn't deserve her, Liv never stopped believing in me. Never gave up. Never let go. After all, she understood what I'd lost, because she'd lost it too. Liv was everything to me, but she was never truly mine. That was going to change. I lost my first love, but I refused to lose my soulmate. Now, I'm on the ropes during the toughest battles of my life. Fighting to be the man she deserves. Fighting the solitude of our pasts. Fighting for her.
Netflix’s series adaptation of One Hundred Years of Solitude premieres December 11, 2024! One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility, the variety of life, the endlessness of death, the search for peace and truth—these universal themes dominate the novel. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an account of the history of the human race.
A new translation of this classic play by the greatest French playwright of the 80s Two men pass on the street. "Tell me what you want and I'll get you it" asks one. "Tell me what you've got and I'll tell you what I want" replies the other. What follows is a thrilling cat-and-mouse game of desire and rejection, power and humiliation as the two men negotiate a deal that will never be struck. Koltès's mesmerising play for two actors premiered in France in 1987 and was immediately hailed as a contemporary masterpiece, playing successfully throughout Europe. Koltès's plays have been phenomenally successful, not just in Europe but worldwide. They present a vision of the harsh realities of late twentieth-century life, influenced by Genet and Fugard, combined with a formal approach to dramatic dialogue in the French classical tradition. The play is published to coincide with the première of this new translation at Aldwych Tube station London and touring throughout the UK (including the The Other Place, Stratford) directed by League of Gentlemen's co-creator Gordon Anderson.Published to tie in with the new production by ATC directed by League of Gentleman co-creator Gordon Anderson. Koltès was "a creator of a mythology of the underworld, a champion of the underdog and the lone wolf, and a pioneer of a wholly new style of dramatic writing" The Times Koltès is "a classic of our time, who, since 1990, is the French author most performed abroad" Le Monde.
When Charlie and her father head off for a holiday her life seems to be at an all-time low - She is not to know that her experiences over the next few weeks will give her a new perspective on life and new-found confidence in herself as a person.
Nature Prose seeks to explain the popularity and appeal of contemporary writing about nature. This book intervenes in key areas of contemporary debate about literature and the environment and explores the enduring appeal of writing about nature during an ecological crisis. Using a range of international examples, with a focus on late twentieth- and early twenty-first-century writing from Britain and the US, Dominic Head argues that nature writing contains formal effects which encapsulate our current ecological dilemma and offer a fresh resource for critical thinking. The environmental crisis has injected a fresh urgency into nature writing, along with a new piquancy for those readers seeking solace in the nonhuman, or for those looking to change their habits in the face of ecological catastrophe. However, behind this apparently strong match between the aims of nature writers and the desires of their readers, there is also a shared mood of radical uncertainty and insecurity. The treatment and construction of 'nature' in contemporary imaginative prose reveals some significant paradoxes beneath its dominant moods, moods which are usually earnest, sometimes celebratory, sometimes prophetic or cautionary. It is in these paradoxical moments that the contemporary ecological crisis is formally encoded, in a progressive development of ecological consciousness from the late 1950s onwards. Nature prose, fiction and nonfiction, is now contemporaneous with a defining time of crisis, while also being formally fashioned by that context. This is a mode of writing that emerges in a world in crisis, but which is also, in some ways, in crisis itself. With chapters on remoteness, exclusivity, abundance, and rarity, this book marks a turning point in how literary criticism engages with nature writing.