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When a fundraising event for the local Buddhist temple goes awry, Ten Norbu finds himself mired in a web of crime that only a former monk turned private investigator can solve Be mindful, both making and keeping commitments, that they be springboards to liberation, instead of suffering. —The Fifth Rule of Ten Ten and his fiancée, Julie, excitedly await the arrival of Ten’s best friends, Lama Yeshe and Lama Lobsang. Ten’s boyhood friends are now the Head Abbots at Tenzing’s former monastic home in India. Ten has helped Yeshe and Lobsang organize a fundraising event sponsored by the Los Angeles Buddhist temple where Tenzing first taught years ago, before shedding his robes to attend the police academy. The big feature of the event will be the unveiling of a sacred sand-painted mandala that the monks will construct in the center of the temple. At the premiere, however, a group of hooligans commit an outrageous act that catapults the story into action. To complicate matters, one of the novice lamas—a brilliant protégé of Lobsang’s—goes missing. Soon a series of strange crimes beset the city, some physical, some cyber. Each crime is unique, but all are mysteriously interconnected. Ten’s attempts to solve those crimes pull him into a dark mirror-world of his sacred Tibetan Buddhist tradition; soon he is engaged in a life-and-death battle with a powerful shadow presence. He joins forces with Yeshe, Lobsang, his ex-partner, Bill, and his hack-tivist buddy, Mike, to track down the Patient Zero of this epidemic of criminal chaos. Finally, he must face the truth: the source of the evil, and the solution, are a lot closer to home than he first thought.
This book offers a new mythic perspective on the secret of the allure and survival of a current-archaic institution—the Western theatre—in an era of diverse technological media. Central to the theory is the spectaculum—a stage “world” that mirrors a monotheistic cosmic order. Tova Gamliel here not only alerts the reader to the possibility of the spectaculum’s existence, but also illuminates its various structural dimensions: the cosmological, ritual, and sociological. Its cosmo-logical meaning is a Judeo-Christian monotheistic consciousness of non-randomness, an exemplary order of the world that the senses perceive. The ritual meaning denotes the centrality of the spectaculum, as the theatre repeatedly reenacts the mythical and paradigmatic event of Biblical revelation. Its social meaning concerns any charismatic social theory that is anchored in the epitomic structure of social sovereignty—stage and audience—that the Western theatre advances in an era characterized by hypermedia.
This book provides the most complete and definitive study of Roman comedy. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.