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Drama of Color is a book for teachers who wish to use folk literature and informal classroom drama to promote multiethnic awareness among elementary students.
The Woman of Colour is a unique literary account of a black heiress’ life immediately after the abolition of the British slave trade. Olivia Fairfield, the biracial heroine and orphaned daughter of a slaveholder, must travel from Jamaica to England, and as a condition of her father’s will either marry her Caucasian first cousin or become dependent on his mercenary elder brother and sister-in-law. As Olivia decides between these two conflicting possibilities, her letters recount her impressions of Britain and its inhabitants as only a black woman could record them. She gives scathing descriptions of London, Bristol, and the British, as well as progressive critiques of race, racism, and slavery. The narrative follows her life from the heights of her arranged marriage to its swift descent into annulment and destitution, only to culminate in her resurrection as a self-proclaimed “widow” who flouts the conventional marriage plot. The appendices, which include contemporary reviews of the novel, historical documents on race and inheritance in Jamaica, and examples of other women of colour in early British prose fiction, will further inspire readers to rethink issues of race, gender, class, and empire from an African woman’s perspective.
The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
McAllister offers a history of black theater pioneer William Brown's career and places his productions within the broader context of U.S. social, political, and cultural history.
"Catanese's beautifully written and cogently argued book addresses one of the most persistent sociopolitical questions in contemporary culture. She suggests that it is performance and the difference it makes that complicates the terms by which we can even understand 'multicultural' and 'colorblind' concepts. A tremendously illuminating study that promises to break new ground in the fields of theatre and performance studies, African American studies, feminist theory, cultural studies, and film and television studies." ---Daphne Brooks, Princeton University "Adds immeasurably to the ways in which we can understand the contradictory aspects of racial discourse and performance as they have emerged during the last two decades. An ambitious, smart, and fascinating book." ---Jennifer DeVere Brody, Duke University Are we a multicultural nation, or a colorblind one? The Problem of the Color[blind] examines this vexed question in American culture by focusing on black performance in theater, film, and television. The practice of colorblind casting---choosing actors without regard to race---assumes a performing body that is somehow race neutral. But where, exactly, is race neutrality located---in the eyes of the spectator, in the body of the performer, in the medium of the performance? In analyzing and theorizing such questions, Brandi Wilkins Catanese explores a range of engaging and provocative subjects, including the infamous debate between playwright August Wilson and drama critic Robert Brustein, the film career of Denzel Washington, Suzan-Lori Parks's play Venus, the phenomenon of postblackness (as represented in the Studio Museum in Harlem's "Freestyle" exhibition), the performer Ice Cube's transformation from icon of gangsta rap to family movie star, and the controversial reality television series Black. White. Concluding that ideologies of transcendence are ahistorical and therefore unenforceable, Catanese advances the concept of racial transgression---a process of acknowledging rather than ignoring the racialized histories of performance---as her chapters move between readings of dramatic texts, films, popular culture, and debates in critical race theory and the culture wars.
In her first book, Elle Decor A-List decorator Ashley Whittaker shares the secrets of her colorful, pattern-filled classic rooms. Ashley Whittaker’s work is distinctively classic and sophisticated, but also inviting and warm. Dubbed a neo-traditionalist, she fearlessly marries adventurous colors and patterns in rooms yet still manages to retain a sense of elegance and restraint. In The Well-Loved House, she shares a selection of dwellings, from gracious Connecticut estates to chic Manhattan pieds-à-terre to waterfront beach houses on the Florida coast, most exclusively photographed for this book, including her own house never before seen. Whittaker believes houses are meant to be beautiful, but also lived in and enjoyed, and she shares her knowledge and strategies for achieving this interplay. Within each house, Whittaker offers guidance on furniture plans, complementing the architecture of a space, playing with color, and mixing pattern. She explains why it is important to have consistent threads throughout a home, but also contrast and juxtaposition. The results are stunning: Bohemian patterns mix with classic palettes; rich, saturated color mingles with highly polished finishes. Lacquered blue walls show off a collection of blue-and-white porcelain. An inviting L-shaped sofa and games table reinvent an unused library into a favorite space for socializing. Whittaker’s houses all share both a sense of drama and a sense of comfort—they are homes that welcome you at the end of a long day, homes for living, homes to love.
Winner, 2019 Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research Honorable Mention, 2021 Errol Hill Award, given by the American Society for Theatre Research Argues for a conception of black cultural life that exceeds post-blackness and conditions of loss In Afro-Fabulations: The Queer Drama of Black Life, cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the era of post-blackness. Moving fluidly between the insurgent art of the 1960’s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure. If black survival in an anti-black world often feels like a race against time, Afro-Fabulations looks to the modes of memory and imagination through which a queer and black polytemporality is invented and sustained. Moving past the antirelational debates in queer theory, Nyong’o posits queerness as “angular sociality,” drawing upon queer of color critique in order to name the gate and rhythm of black social life as it moves in and out of step with itself. He takes up a broad range of sites of analysis, from speculative fiction to performance art, from artificial intelligence to Blaxploitation cinema. Reading the archive of violence and trauma against the grain, Afro-Fabulations summons the poetic powers of queer world-making that have always been immanent to the fight and play of black life.
"A box of tissues should be included in the purchase price of this book.... I finished THE COLOR OF HEAVEN in a matter of hours, but I've no doubt the read and the lessons imparted through Sophie's story will stay with me... probably forever. THE COLOR OF HEAVEN is an incredibly poignant and unbelievably gripping novel, deserving Romance Junkies' highest rating."FIVE BLUE RIBBONS - Chris at Romance JunkiesA deeply emotional tale about Sophie Duncan, a successful columnist whose world falls apart after her daughter’s unexpected illness and her husband’s shocking affair. When it seems nothing else could possibly go wrong, her car skids off an icy road and plunges into a frozen lake. There, in the cold dark depths of the water, a profound and extraordinary experience unlocks the surprising secrets from Sophie’s past, and teaches her what it means to truly live...and love.Full of surprising twists and turns and a near-death experience that will leave you breathless, this story is not to be missed."A gripping, emotional tale you'll want to read in one sitting." - New York Times bestselling author, Julia London"Brilliantly poignant mainstream tale." – 4 ½ starred review, Romantic TimesAbout the AuthorE.V. Mitchell is the pseudonym for Julianne MacLean - an award-winning, USA Today bestselling author of 15 historical romance novels. This is E.V. Mitchell's first mainstream contemporary fiction novel.
Locating a persistent black nationalist desire - yearning for home and community - in the shows produced in the 1980s and 1990s, Zook shows how the Fox hip-hop sitcom both reinforced and rebelled against earlier black sitcoms from the 1960s and 1970s.