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A profound and in-depth dialog of Spirit-guided insights describing the nature of the soul essence and presenting imaginative, practical tools to transform human dramas.Addressing commonly asked questions, Opening a Window to the Soul presents a unique way to understand how the world operates, heal painful emotions, get along with difficult people, and clear unhealthy patterns. With potent examples from the authorâs personal journey as well as client sessions, the messages are compassionate, enlightening and universally applicable.Topics include: the nature of the soul essence; whatâs between lives; soul memories, emotions, ego, and creative thought as aspects of the âEarth Suit;â how past life experiences impact present time; the soul family as relating to childhood and karmic agreements; love relationships and soul mates; working with the Spirit team (soul family guides) and soul purpose.
'The Soul of Tragedy' brings together scholars to offer perspectives on the Greek tragedy. The collection pays homage to this genre by offering an exploration into the oldest form of dramatic expression.
Drama for the Soul is a compilation of plays by playwright Lisa Johnson and is the author’s first published work. As the director of her church’s drama ministry, her talents are greatly utilized. This collection consists of plays and vignettes on the subjects of the resurrection, Christmas, and African-American pioneers. Some of the sketches also serve as teaching tools or infomercials for different areas of ministry. The collection is well-suited for churches desiring to include drama in their services, school productions, or just as a great read. Mrs. Johnson writes about real-life situations that everyone can relate to, whether it is traumatic, humorous, or simply a life lesson. In her play, A Resurrected Life, a young woman experiences devastating trauma that causes her to withdraw from society and shut down. But her Aunt Callie, a feisty, devout Christian and fervent prayer warrior, refuses to let her niece go out like that. The events that take place will draw you in and send you on an emotional roller coaster! Several of the plays make use of videos as a part of the storytelling but can also be adapted for the stage. Drama for the Soul is truly that, as it inspires and gives hope to all who read it!
Rudolf Steiner said of his mystery dramas--written between 1910 and 1913--that they contain the whole essence of Anthroposophy and that if, through some unlikely chance, only these dramas were to survive, the essential content of Anthroposophy would nevertheless be preserved. Steiner's dramas powerfully portray the complex processes of reincarnation and karma. In them, we are led to inhabit the living landscape of the human soul and spirit, where suprasensory beings weave destinies. Here we find a connection with the spiritual reality of human life itself by following the dramatic interplay of the joy and sorrow, struggle and striving of a group of individuals attempting to apply spiritual knowledge to their practical lives and relationships. To read, watch, or act in these plays is an initiation experience. In The Souls' Awakening--Steiner's fourth mystery drama--an enlightened entrepreneur appoints a scientist, a historian, and an artist to use their spiritual perceptions to transform his business into one that serves spiritual as well as practical needs. A long-standing colleague objects, and a series of conflicts and crises develops. As the plot unfolds, we follow the characters on a journey that moves from business meetings through various states of consciousness, into worlds known before birth and previous lives in Egypt. This classic translation by Ruth and Hans Pusch was revised for this volume by Ruth Pusch. Included is Hans Pusch's "Thoughts on the Seal," in which he discusses the Rosicrucian meaning of the seal represented on the cover. This book is a translation of "Der Seelen Erwachen," published as part four of Vier Mysteriendramen The Four Mystery Dramas), which includes "The Portal of Initiation"; "The Soul's Probation"; "The Guardian of the Threshold"; and "The Souls' Awakening."
The world is reeling from a great earthquake. As Nicolae Carpathia begins a worldwide rebuilding campaign, his rage is fueled by an evangelistic effort resulting in the greatest harvest of souls the world has ever seen. Meanwhile, Rayford Steele and Buck Williams search for their loved ones who haven’t been seen since before the earthquake. A repackage of the fourth book in the New York Times best-selling Left Behind series.
No detailed description available for "Milton and the drama of the soul".
Plato's most magisterial dialogue, the Republic, takes up the question "what is justice," and its central image is an imaginary city constructed in speech designed to aid in this inquiry. In Book V of the Republic, Socrates tells his interlocutors that they have completed the "Male Drama," of the city in speech and that it is now time for them to take up the "Female." The "Female Drama" is Socrates name for the action of the central books of the Republic: V-VII. Much has been made of what this transition in the Republic signifies for political questions. The Republic is not only concerned with politics or political justice, however. Like all of the images and arguments in the Republic, the Female Drama of the city in speech has meaning both for political and individual justice, but there has been no systematic inquiry into the central books of the Republic for their meaning for individual justice. That is the ambition of this book. On the level of moral psychology, Thomas argues that while the Male Drama of Books II-IV presents images of fully formed versions of the psychological activities that come together to define justice in a human life, the Female Drama explores the modes of potentiality and becoming necessary for those psychological activities to come into being. More specifically, Books V-VII explore the three modes of potentiality necessary for the development of justice: genesis, trophe, and paideia. Book jacket.
A deep dive into human thought and how thought controls your life, relationships and aspirations. By the end, you’ll understand the journey of life is to find unconditional love for yourself and to spread that love, your soul is your value and how all hardships, betrayals, broken hearts and the loss of loved ones is a path to your purpose. To let go and forgive no matter what and to love no matter what, to set boundaries and build relationship foundations. Life is an inner journey and happiness comes from within, not from the external world. You’ll learn how blessed you are to be alive and how many events had to come together since the beginning of time for you to even exist, that the only thing you can control are your emotions, thoughts and joy and the overall meaning of life is about love, people and the love of people.
Secrets of My Soul is a series of scenes for the stage that explore inner thoughts, struggles and love. Actors can play multiple roles. At least 8 actors are needed for the production with at least 2 females and 2 males. The cast can be as large as 40. *********** INDEX The play includes the following scenes: "The Fire" for 8 actors (page 2) "The Not So Perfect Child" monologue (page 11) "Confession" for 2 actors (page 12) "Dear God" monologue (page 15) "Death Takes the Train" for 4 actors (page 18) "Ghosts I've Known" monologue (page 26) "Sirens at Sea" for 4 actors (page 31) "Demons" monologue (page 40) "Grace" for 3 actors (page 42) "Breaking Heart" monologue (page 51) "Falling Away from You" for 2 actors (page 53) "Dummy" monologue (page 59) "The Food of Love" for 2 actors (page 61) "Before You Punch Me" monologue (page 69) "Heart Attack" for 4 actors (page 69) "Pearls of Wisdom" monologue (page 78) "The Last Can" for 2 actors (page 82) "End the Hurting" monologue (page 98)
The fourth drama enters new terrain based on what has been achieved in the first three dramas. The end of those brought about the unifying of the various main characters in a Temple ceremony whereby they consecrated themselves to take over the work of the traditional Mystics for modern times. Up until this point, the dramas had been concerned with personal development, the achieving of spiritual vision, the beholding and integrating of a correct view of Karma. But now the step has to be taken to bring all this into a concrete relationship with the modern world. The task of the Mystics had been to preserve in secret the mysteries of humanity. The task of the new Temple servants is to bring those mysteries to humanity again and make them fruitful in the modern world. This requires, on the one hand, a willingness to approach the elements of the world and interact with them, and on the other, the cultivating of an inner knowledge which will give one the new faculties and strength to do that. The essential question thus arising for all of them, illustrated by the greatly increased role Benedictus plays in this fourth drama, is the question of spiritual help and from where and under what conditions it can come to us. Not only Lucifer and Ahriman are here operating for their own intersts, good human beings and good spiritual beings are working, too, and who these are, where these are, and what relation we can have to them is a matter of the greatest urgency for humanity at this time.