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A Man for All Seasons dramatises the conflict between King Henry VIII and Sir Thomas More. It depicts the confrontation between church and state, theology and politics, absolute power and individual freedom. Throughout the play Sir Thomas More's eloquence and endurance, his purity, saintliness and tenacity in the face of ever-growing threats to his beliefs and family, earn him status as one of modern drama's greatest tragic heroes. The play was first staged in 1960 at the Globe Theatre in London and was voted New York's Best Foreign Play in 1962. In 1966 it was made into an Academy Award-winning film by Fred Zinneman starring Paul Scofield."A Man for All Seasons is a stark play, sparse in its narrative, sinewy in its writing, which confirms Mr Bolt as a genuine and solid playwright, a force in our awakening theatre." (Daily Mail)
A handsome apprentice falls in love with his master's breathtaking daughter, a young woman promised to another. The conflict between honor, duty and undeniable love slices with a razor's edge, bringing them ever closer to disaster, and bringing the reader back for more.
Each production of one season is used as the basis for an examination of one aspect of the Broadway theater
Examines Ibsen's life and work, the ideas that shaped his art, and the influence he had on modern literature and thought
Remembering Wolsey seeks to contribute to our understanding of historical memory and memorialization by examining in detail the commemoration and representation of the life of Thomas Wolsey, the sixteenth-century cardinal, papal legate, and lord chancellor of England. Hornbeck surveys a wide range of representations of Cardinal Wolsey, from those contemporary with his death to recent mass-market appearances on television and historical fiction, to go beyond previous scholarship that has examined Wolsey only in an early modern context. Remembering Wolsey contributes significantly to the ongoing reimagining of English church history in the years prior to the Reformation. Surveying chronicle accounts, pamphlets, plays, poems, historical fictions, works of historical scholarship, civic pageants and monuments, films, and television programs, the book shows how an extended sequence of authors have told widely varying stories about Wolsey’s life, often through the lens of their own religious and ideological commitments and/or in response to the pressing concerns of their times.