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Vietnam created the most sophisticated ceramics in Southeast Asia. Though they borrowed from China, Vietnamese potters explored their own indigenous tastes and developed their own production techniques. Blessed with the smooth gray-white clays of the Red River Valley, they created pieces that are amazingly light and thin-walled, with skillfully painted, incised, and carved decoration. Two particularly popular decorative themes were dragons (from whom the Vietnamese believed they were descended) and lotuses (considered archetypal symbols of Buddhist purity, because the flower emerges unsullied from the mud). Through a series of judicious purchases that began in the 1970s, the Birmingham Museum of Art, Alabama, has created an extraordinary collection of Vietnamese ceramic art. Essays by three noted experts introduce the collection. John Stevenson, co-author of Vietnamese Ceramics: A Separate Tradition, describes the evolution of Vietnamese ceramics and the contexts in which they were produced, and analyzes their aesthetic attraction. The Museum's senior curator, Donald A. Wood, explains the rich symbolism of decorative motifs found on Vietnamese ceramics. Independent scholar Philippe Truong, of Paris and Saigon, assesses the current state of the field.
This beautifully illustrated volume introduces a little-known but outstanding collection of Asian textiles in the Spencer Museum of Art at teh University of Kansas.

Catalogue

University of Pennsylvania. University Museum Section of Oriental Art

Published: 1917

Total Pages: 280


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The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.