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Contemporary short stories, translated into English from various Indian languages.
Stories and excerpts of novels from India since the country attained its independence in 1947. The subjects range from religious strife, to the assault on the senses of the many people one is surrounded by.
An alphabetized volume on women writers, major titles, movements, genres from medieval times to the present.
The fifty-eight writers included in this new sourcebook have roots in India--or, less frequently, in Pakistan, Bangladesh, or Sri Lanka--but represent diverse geographical areas of the Indian Diaspora: from the South Pacific to South America, from the Indian Ocean islands of Mauritius and Singapore to the cities and suburbs of London, New York, Johannesburg, and Toronto. Their lives, works, themes, and critical receptions are examined individually but with attention to two central assumptions: that people of the Indian diaspora share a diasporic consciousness generated by a complex network of historical connections, spiritual affinities, and unifying racial memories, and that this shared sensibility is manifested in the cultural productions of the Indian diasporic communities around the world. These concepts, developed by Professor Nelson in a previous study, Reworlding: The Literature of the Indian Diaspora, are here applied to a larger canvas of writers, including major international figures such as V.S. Naipaul, and Salman Rushdie and talented emerging writers. The writers practice a variety of literary forms and represent a extraordinary diversity of ethnicities, languages, and religious traditions. The women among them contribute the perspective of gender along with the themes of ethnicity, migrancy, and post-coloniality shared with the male writers. Each entry begins with relevant biographical information on the writer, offers an interpretive summary of the major works, provides an overview of the critical reception accorded the corpus and individual productions, and concludes with detailed primary and secondary bibliographies. A brief appendix lists each writer with place of birth and places of domicile. The introduction to the volume, by Professor Nalini Natarajan, discusses several theoretical issues pertinent to Indian diasporic studies. Of value to all literary collections and scholars, this reference work will be of special interest for post-colonial and Commonwealth studies.
This reference volume serves as a companion to Third World women's literatures in English and in English translation by presenting entries on works, writers, and themes. Entries are chosen to present a balance of well-known writers and emerging ones, contemporary as well as historical writers, and representative selections of genres, literary styles, and themes. What plays have been written by women in the developing world? What books have been written by Sri Lankan or Brazilian women? Which works address themes of feminism or exile or politics in the Third World? These are the types of questions that can now be answered through Fister's companion to Third World women's literatures in English and English translation. Organized alphabetically, this reference volume presents entries on works, writers, and themes. Entries are chosen to present a balance of well-known writers and emerging ones, contemporary as well as historical writers, and representative selections of genres, literary styles, and themes. By providing information about and leads to works by and about Third World women, an important and largely marginalized literature, Fister has created a unique reference tool that will help teachers, scholars, and librarians, both public and academic, expand their definitions of the literary, making the voices of Third World women available in the same format in which many companions to Western literature do. An important book for all public and college-level libraries.
"This is a remarkable collection of information on Indian women's writing written originally in English. Beginning from the 19th century, it introduces 444 writers of poetry and fiction. Now, it has been a part of common critical parlance to say that the Indian English women's writing is in ascendance. One aim of this bibliography is to illustrate this phenomenon and to emphasise the variety of writing. Writers included in the bibliography come from all over India and from the Indian diaspora all over the world. Another aim of this bibliography is to make us aware of the constructed nature of writerhood. A given writer's texts do not exist and circulate in a vacuum but in a context. We can see that Indian English women's writing is taking place. But, what we do not see is the critical establishment, that is, literary scholars and critics, taking much note of it."
The Indian subcontinent has produced some of the world's greatest writers, and a body of literature unsurpassed in its sustained imagination, impassioned lyricism and sparkling tragi-comedy. Now Salman Rushdie and Elizabeth West have collected together the finest Indian writing of the last fifty years. Published to coincide with the anniversary of India's independence, it is an anthology of extraordinary range and vigour, as exciting and varied as the land that inspired it. Including works by: Mulk Raj Anand Gita Mehta Anjana Appachana Ved Mehta Vikram Chandra Rohinton Mistry Upamanyu Chatterjee R. K. Narayan Amit Chaudhuri Jawaharlal Nehru Nirad C. Chaudhuri Padma Perera Anita Desai Satyajit Ray Kiran Desai Arundhati Roy G. V. Desani Salman Rushdie Amitav Ghosh Nayantara Sahgal Githa Hariharan I. Allan Sealy Ruth Prawer Jhabvala Vikram Seth Firdaus Kanga Bapsi Sidhwa Mukul Kesavan Sara Suleri Saadat Hasan Manto Shashi Tharoor Kamala Markandaya Ardashir Vakil