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Brown details Dr. Dre's life, times, and history, in a way no other work has, brilliantly capturing the history of this music legend.
It is almost impossible to listen to a current hip-hop song that does not bear Dr. Dre's influence. With innovations in style that started with the hip-hop group N.W.A., and, later, as a solo rapper and producer, Dre's influence and lasting impact on hip-hop music and culture is undeniable. He pioneered a new style of music that in the early 1990s would come to be known as gangsta rap, and his proteges - Snoop and Eminem - are both considered some of the top rappers to emerge since rap was born on the streets of New York three decades ago. This biography traces Dre's rise to fame, a story that parallels the rise of hip-hop as one of the most dominant cultural forces in America. Dre came of age at the time when hip-hop culture (rapping, breakdancing, Deejaying, and Graffiti art) began an underground trend in urban America. Chapters take the reader from Dre's childhood in Los Angeles through his friendships, early influences, and the birth of his music career. Also discussed is the tragic tale of Death Row Records, which culminates in the high-profile murders of rap artists Tupac Shakur and the Notorious B.I.G. and serves as a lesson on what can go wrong when people in the rap business believe their own gangsta hype. Dre's ability to survive in the rough-and-tumble rap industry is a testament to the power of artistic vision and the payoff of sheer persistence.
There is no greater enigma than Rick Rubin working in record production today. As mysterious personally as the Buddhist religion he practices, Rubin has made one thing crystal clear: the records he produces are sonically and stylistically beyond reproach. MTV has called Rubin the most important producer of the last 20 years, while Rolling...
Journalist Soren Baker’sThe History of Gangster Rap takes a deep dive into this fascinating music subgenre. Foreword by Xzibit Sixteen detailed chapters, organized chronologically, examine the evolution of gangster rap, its main players, and the culture that created this revolutionary music. From still-swirling conspiracy theories about the murders of Biggie and Tupac to the release of the film Straight Outta Compton, the era of gangster rap is one that fascinates music junkies and remains at the forefront of pop culture. Filled with interviews with key players such as Snoop Dogg, Ice-T, and dozens more, as well as sidebars, breakout bios of notorious characters, lists, charts, and beyond, The History of Gangster Rap is the be-all-end-all book that contextualizes the importance of gangster rap as a cultural phenomenon. “History has so often been written by the victors, that you very rarely ever get the real story behind anything. So it’s really important to hear from the people that were there, which is exactly what Soren Baker shares in this book. He writes about it and he’s honest about it.” —The D.O.C.
Explores the career of Kanye West, focusing on the years between 2000 and 2006 and discussing his influence as a producer, rapper, and performer. Includes photographs and discography.
Founder, sole constant member, vocalist, bassist, songwriter, and living legend Lemmy Kilmister has given author Jake Brown unprecedented behind-the-scenes access into the writing and recording of the band's 26 albums Motörhead has always been a band whose reputation for the rock 'n' roll lifestyle precedes them, but along the way they have also accumulated an impressive, Grammy-winning catalog of classic songs--and for the first time their creation is explored via exclusive interviews in this authorized account of the band in the studio. From unpromising beginnings, voted one of the worst bands in the world and close to giving up, Motörhead proved themselves to be endlessly creative and have gone to enjoy phenomenal success. Well into their fourth decade, they showing no sign of slowing down, and they have inspired generations of multiplatinum metal offspring with a sound as instantly recognizable as it is uncompromising. Fans of Motörhead can even live out their own hard-rocking fantasies by playing as Lemmy in Guitar Hero. Together with insight from fellow band members, crew, and producers, here are all the stories behind such classic albums as Ace of Spades, Bomber, and Overkill.
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker. This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
Be more efficient, Learn easier, Start producing today This is a beginner book on how to make beats using Fl Studio. If you're new to music production and are seeking ways to better understand the process on making beats, then this book is meant for you. You'll learn how to navigate the Fl Studio interface, learn how to import files into Fl Studio, understand how to program the drums, understand how to Mix your beat, understand how to Master your beat, and how to Export/Exporting settings (along with a few Tips & Tricks). What knowledge can you gain from this book? * Understand the overall process of making a beat. *Understand the interface and know where specific things need to go. *Know how to load all files into Fl Studio/know how to export different file types. *More! Why did I make this book? I made this book because I remember when I first began using Fl Studio (last week of 2016) I was absolutely clueless on where to begin and had zero musical training. I eventually learned on my own through YouTube and Google but it took some years until I fully mastered my own process of making beats. With time I noticed you do not need musical training or even the fancy hardware to begin making beats, all you need is the DAW (laptop/computer), some headphones, and preferably also an audio interface . I also noticed that musical training is not a necessity, sometimes just having the passion for music and the dedication for making beats is all you need.
Part intimate profile, part detailed discography, this music compilation explores the life and work of Tori Amos, one of the most prolific alternative rock artists of the past few decades. Known for her piano-driven music and emotional, intense lyrics that delve into such topics as sexuality, religion, and personal tragedy, Amos has sold more than 12 million albums worldwide. The artistic process behind the creation of these albums is revealed through exclusive interviews with people who worked alongside her in the studioone of her producers, sound engineers, and backing band membersand included is an analysis of her choice to break away from the traditional rules of the recording industry and forge her own path and musical identity. From her days as a young piano prodigy and her first band to her many years as a solo artist and her extensive touring and recording, the in-depth research into the personal influence behind Amoss music complements the chronicle of her professional career.
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 2 investigates the ramifications of mobile music technologies on musical/sonic performance and aesthetics. Two core arguments are that "mobility" is not the same thing as actual "movement" and that artistic production cannot be absolutely sundered from the performances of quotidian life. The volume's chapters investigate the mobilization of frequency range by sirens and miniature speakers; sound vehicles such as boom cars, ice cream trucks, and trains; the gestural choreographies of soundwalk pieces and mundane interactions with digital media; dance music practices in laptop and iPod DJing; the imagery of iPod commercials; production practices in Turkish political music and black popular music; the aesthetics of handheld video games and chiptune music; and the mobile device as a new musical instrument and resource for musical ensembles.