Download Free Dr Dre In The Studio Book in PDF and EPUB Free Download. You can read online Dr Dre In The Studio and write the review.

Brown details Dr. Dre's life, times, and history, in a way no other work has, brilliantly capturing the history of this music legend.
Dr. Dre: A Legend in the Studio chronicles the remarkable journey of Andre Romelle Young, better known as Dr. Dre, from his early days as a DJ in Compton to his status as one of the greatest producers in hip-hop history. This biography delves into Dre's groundbreaking work with N.W.A., his iconic solo albums like "The Chronic," and his role in shaping the careers of artists like Eminem, Snoop Dogg, and 50 Cent.Through insightful analysis and firsthand accounts, this book explores Dre's innovative production style, characterized by its smooth melodies, deep bass lines, and crisp drum patterns, which revolutionized the sound of hip-hop. Readers will discover the stories behind Dre's most famous tracks, from "Nuthin' but a 'G' Thang" to "Still D.R.E.," and learn about the collaborations and controversies that have defined his career. But "Dr. Dre: A Legend in the Studio" goes beyond the music, offering a glimpse into Dre's personal life and the challenges he has faced along the way. From his struggles with fame and fortune to his triumphs as a businessman and mentor, this biography paints a vivid portrait of a man who has left an indelible mark on the world of music and culture. Whether you're a longtime fan of Dr. Dre or new to his music, "Dr. Dre: A Legend in the Studio" is a must-read for anyone interested in the history of hip-hop and the life of one of its most iconic figures.
Journalist Soren Baker’sThe History of Gangster Rap takes a deep dive into this fascinating music subgenre. Foreword by Xzibit Sixteen detailed chapters, organized chronologically, examine the evolution of gangster rap, its main players, and the culture that created this revolutionary music. From still-swirling conspiracy theories about the murders of Biggie and Tupac to the release of the film Straight Outta Compton, the era of gangster rap is one that fascinates music junkies and remains at the forefront of pop culture. Filled with interviews with key players such as Snoop Dogg, Ice-T, and dozens more, as well as sidebars, breakout bios of notorious characters, lists, charts, and beyond, The History of Gangster Rap is the be-all-end-all book that contextualizes the importance of gangster rap as a cultural phenomenon. “History has so often been written by the victors, that you very rarely ever get the real story behind anything. So it’s really important to hear from the people that were there, which is exactly what Soren Baker shares in this book. He writes about it and he’s honest about it.” —The D.O.C.
"Born on February 18, 1965 to a sixteen-year-old single mom, Andre Young,AKA Dr. Dre, co-founded the notorious rap group N.W.A. The group was one of the most successful hip-hop groups of the late 1980s and, most importantly, started what the media quickly dubbed Gangsta Rap. His departure from N.W.A. was a story right out of a pulp fiction novel. His new mentor, Suge Knight, allegedly used guns, baseball bats and a kidnap threat to get Dr. Dre released from his contract. Dre and Knight went on to build Death Row Records and turned it into a multi-billlion dollar company. Yet despite its unprecedented success with stars such as Snoop Doggy Dogg and Tupac Shakur, the company quickly unrivaled in a firesom of rivalries, greed, violence and scrutiny by the government and the media as Suge Knight's unconventional business practices increasingly mirrored the violent, hard-edged themes of its music. Dr. Dre bailed out, losing his company, his copyrights, his master tapes and all his money in the process. Back in the ghetto, he had to figure out how to get back on top. He decided to start his own record company called Aftermath Entertainment. As CEO of Aftermath, Dr. Dre then discovered and created new stars. He managed, produced, launched and is still in charge of luminaries such as Eminem, Fifty Cent, The Game and Eve. All of the luminaries owe their phenomenal success to Andre Young. The rise, fall and rise of Dr. Dre is what this book is about."
There is no greater enigma than Rick Rubin working in record production today. As mysterious personally as the Buddhist religion he practices, Rubin has made one thing crystal clear: the records he produces are sonically and stylistically beyond reproach. MTV has called Rubin the most important producer of the last 20 years, while Rolling...
Founder, sole constant member, vocalist, bassist, songwriter, and living legend Lemmy Kilmister has given author Jake Brown unprecedented behind-the-scenes access into the writing and recording of the band's 26 albums Motörhead has always been a band whose reputation for the rock 'n' roll lifestyle precedes them, but along the way they have also accumulated an impressive, Grammy-winning catalog of classic songs--and for the first time their creation is explored via exclusive interviews in this authorized account of the band in the studio. From unpromising beginnings, voted one of the worst bands in the world and close to giving up, Motörhead proved themselves to be endlessly creative and have gone to enjoy phenomenal success. Well into their fourth decade, they showing no sign of slowing down, and they have inspired generations of multiplatinum metal offspring with a sound as instantly recognizable as it is uncompromising. Fans of Motörhead can even live out their own hard-rocking fantasies by playing as Lemmy in Guitar Hero. Together with insight from fellow band members, crew, and producers, here are all the stories behind such classic albums as Ace of Spades, Bomber, and Overkill.
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker. This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
Be more efficient, Learn easier, Start producing today This is a beginner book on how to make beats using Fl Studio. If you're new to music production and are seeking ways to better understand the process on making beats, then this book is meant for you. You'll learn how to navigate the Fl Studio interface, learn how to import files into Fl Studio, understand how to program the drums, understand how to Mix your beat, understand how to Master your beat, and how to Export/Exporting settings (along with a few Tips & Tricks). What knowledge can you gain from this book? * Understand the overall process of making a beat. *Understand the interface and know where specific things need to go. *Know how to load all files into Fl Studio/know how to export different file types. *More! Why did I make this book? I made this book because I remember when I first began using Fl Studio (last week of 2016) I was absolutely clueless on where to begin and had zero musical training. I eventually learned on my own through YouTube and Google but it took some years until I fully mastered my own process of making beats. With time I noticed you do not need musical training or even the fancy hardware to begin making beats, all you need is the DAW (laptop/computer), some headphones, and preferably also an audio interface . I also noticed that musical training is not a necessity, sometimes just having the passion for music and the dedication for making beats is all you need.
The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 2 investigates the ramifications of mobile music technologies on musical/sonic performance and aesthetics. Two core arguments are that "mobility" is not the same thing as actual "movement" and that artistic production cannot be absolutely sundered from the performances of quotidian life. The volume's chapters investigate the mobilization of frequency range by sirens and miniature speakers; sound vehicles such as boom cars, ice cream trucks, and trains; the gestural choreographies of soundwalk pieces and mundane interactions with digital media; dance music practices in laptop and iPod DJing; the imagery of iPod commercials; production practices in Turkish political music and black popular music; the aesthetics of handheld video games and chiptune music; and the mobile device as a new musical instrument and resource for musical ensembles.
Explores the career of Kanye West, focusing on the years between 2000 and 2006 and discussing his influence as a producer, rapper, and performer. Includes photographs and discography.