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There are a number of noteworthy articles in this issue of The Magazine. We are fortunate to feature some of the correspondence between two legends of crime fiction, Walter Satterthwait and Bill Crider, both of whom recently passed away. For those who knew Walter and Bill, or were just fans of their work, there is a touch of their personalities that comes through in these exchanges and, at least for a moment, gives us an opportunity to experience their unique voices just a little bit, just one more time. Jeff Vorzimmer, editor of last year’s The Best of Manhunt collection, tells us about Stephen Marlowe’s career in the piece leading into his story The Blonde at the Wheel. Jeff also contributed a story of his own and we’re happy to have this opportunity to showcase his many skills. We also have a couple of repeat appearances by writers who have appeared in previous issues. Arthur Klepchukov is back, as is John M. Floyd and John Shepphird. And with original stories by veterans like Josh Pachter and James O. Born, and newer offerings by Michael Cahlin, Steven Nester and Ken Luer, we’re showing the art of the crime fiction short story is still going strong. May it ever be so.
In this issue, pioneering TV writer and producer April Kelly opens with a wicked story that may remind you to pay attention to what you eat. Brendan DuBois appears with the story of an assassination and its aftermath—from the killer’s point of view. Ray Daniel & Kellye Garrett team up with a story that brings together characters from their own series. Our feature is by Walter Satterthwait, who comes at us with his first new story in a while. The lead character, Fallon, helps—in his own way—solve a murder at a monastery. Edgar Award-winning author Sylvia Maultash Warsh brings us a piece about deception in the world of art, and we welcome Benjamin Boulden back with his second story for us. Robb T. White returns following his Best Mystery Stories of 2019 entry in our pages, and Dane F. Baylis, Richard Prosch and Richard Risemberg debut in our magazine with some of the most entertaining crime fiction you’ll find.
This third issue of Down & Out: The Magazine features a new Jim Brodie story by Barry Lancet, whose novel Japantown has been optioned by J.J. Abrams and Warner Brothers for the Hollywood treatment. Here we have Brodie on a trip to his home in Japan and a quest to find out what’s going on with the yakuza and a perplexing kidnapping. But first up is a story by Canadian favorite Peter Sellers; he delivers a nasty little crime story of love and loyalty in the workplace in his own unique style. Patti Abbott gives us a searing story proving once again how nothing torches the human soul like that of another person’s expectations. Art Taylor, one of the best and most prolific short story artists working today, makes his first appearance here with a relatively short tale reminiscent of the late great Richard Matheson. Speaking of legends, Robert J. Randisi shares a story from his “Rat Pack” series. Next a writer who makes words look as though they fit together far more easily than they actually do is S.A. Solomon with her tale of corporate Big Business and other vices. Writing partners Frank Zafiro and Jim Wilsky debut separate stories from their Ania series, actual prequels to the novels, the first of which, Blood on Blood, will be released in April by Down & Out Books. A fine noir tale by prolific author Michael Bracken helps round us out. As usual we have another fantastic column by J. Kingston Pierce on the novels of the late Stanley Ellin, and for our “A Few Cents a Word” feature we present a discussion and a story by one of the hard-boiled school’s originators, Raoul Whitfield.
The Anthony-nominated collection of crime stories without guns—the collection we didn't want to be necessary—is back for Volume 2. Two dozen more crime writers have come together to raise their voices and take pen in hand to call for a sensible and reasoned debate about guns in America. As the mass shootings continue, the avoidable accidents, the suicides, the gun violence that consumes our country rolls on unabated and unaddressed by our leadership other than to say, “Now is not the time to discuss it,” these crime writers have chosen to start the dialogue. In stories of crime, mystery and suspense these authors have left the guns out to show for a short while that we can do without them and the plot doesn’t fall apart. Maybe, in a small way, we can show that the American way of life doesn’t cease to be, either. Not anti-gun, Unloaded Vol. 2 is pro-reason. These authors comprise gun owners and non-owners, voters on both sides of the political aisle. The cause that unites us all is the desire to see the senseless killing stop and to be able to have the discussion without the divisive language, vitriol and name calling that too often accompanies this debate. The top priority in these stories is to entertain with thrilling action and suspense that readers know and love about a crime story. To do so without guns leads to some creative leaps from writers who spin tales of simians on the loose, androids with buried secrets, punk rock shows and tattoo shops. Bestselling authors like Chris Holm, Lori Rader-Day, Bill Crider, Laura McHugh, James Ziskin and John Rector along with many more join together to call for an end to the needless violence and a start to a reasoned debate. With a forward by legendary Sara Paretsky, Unloaded Vol. 2 is a book we wish wasn’t needed. But staying silent is no longer an option. Proceeds go to the non-profit States United To Prevent Gun Violence. Praise for UNLOADED VOLUME 2: “[A collection of] entertaining and often thought-provoking stories.” —Publishers Weekly
Speculative fiction trending in a dark direction. Each issue centres around a theme central to a horror / suspense / distopic space in which the magazine dwells. We feature graphic and traditional short stories, poetry, illustration... or any interesting mash-up. We are based in Vancouver, Canada and many of our contributors are up-and-coming artists from its East Side. The magazine is published bi-monthly as a labour of love by its co-producers.
Corey Barker, Executive Producer of PlanetPhotoshop.com and one of the Photoshop Guys of Photoshop User TV, brings you this handy and inspiring volume in the Down & Dirty Tricks series. Yes, this book is an insane collection of some of the most mind-blowing Photoshop effects you’ve ever seen in one place. Ever wonder how that movie poster was created, or how they created that cool magazine ad, or maybe even how to take a seemingly mundane photo and give it the Hollywood treatment? Or maybe you just want to know how to do some really awesome stuff in Photoshop. Well, then, this book is for you! Whether you’re a designer, artist, or even a photographer, there’s something here for everyone. Moving through these projects, you’ll start to see the potential of Photoshop’s most powerful features and how, with a little experimentation, you can open up a whole new world of dazzling effects. You’ll learn how to: • Create custom brush effects from scratch • See type as a design element • Create Hollywood-style effects that actually look like Hollywood-style effects • Take mundane photos and turn them into something mind-blowing • Create eye-popping commercial effects that clients will drool over • Get creative with 3D in Photoshop CS5 Extended • Create popular advertising effects you’ve seen in movies, on TV, and on the Web • Master dazzling photo effects for designers and photographers alike Plus, there are so many other things throughout the book that you’ll be bursting with new ideas!
Corey Barker–Executive Producer of PlanetPhotoshop.com and one of the Photoshop Guys of Photoshop User TV–brings you this completely new set of techniques, tricks, and tutorials in this second volume of the Down & Dirty Tricks for Designers series. Ever wonder how that movie poster was created, or how they created that cool ad in the magazine, or maybe even how to take a seemingly mundane photo and give it the Hollywood treatment? This is the book for you. Whether you are a designer, artist, or even a photographer, there is something here for everyone. Corey starts out discussing the common techniques and resources you'll use over and over again, such as extracting elements from backgrounds, creating and using brushes, and incorporating textures into your work. He then dives deep into dedicated chapters on typography, design effects, special effects, photography and design, and 3D. As you work through these exercises, you will start to see the potential of some of Photoshop's most powerful features and how, with a little experimentation, you can open up a whole new world of dazzling effects.
Issue #2 of Ares Magazine, featuring 70 pages of new fantasy and science fiction, an interview with Dino Andrade, and a feature article by Dr. Charles Adler.
Synopsis Song of Silver Lake, vol. 2, book 2 Fiddle Girl Demonstrating a giftedness in violin, Grace discussed with her Harvard educated friend, blind Derry London, the feasibility of attending an elite institution like Julliard School of Music in New York. Derry promised to make a few phone calls, which put her in contact with Mr. Carlton Astor, founder of Astor Plastics in Seattle, also a member of the Julliard board of regents. To Derry's surprise, Mr. Astor seemed more interested in the blind woman's 7 year old niece, Ruth, than he was in Grace, the prospective Julliard student. He even insisted on flying to Silver Lake in his private aircraft to take Derry and Ruth to dinner. What could possibly be Carlton Astor's interest in little Ruth? While Derry researched Julliard School of Music, Grace was invited to tour with the McCoy family, a local amateur bluegrass group. The Real McCoy's annually closed up their Silver Lake mechanics shop to make a month long circuit to county fairs across several states. Grace, first chair in her high school orchestra, but a novice to the Bluegrass fiddle, was shocked when Pop McCoy entered her in the Lexington, Kentucky Bluegrass competition. Loyalties between the fiddle girl and The Real McCoy's were tested as bizarre events unfolded during this month long trip.