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Bobby Braddock, one of the most successful country songwriters of all time, is a living legend. His smash hit He Stopped Loving Her Today won the Country Music Association's Song of the Year Award in two consecutive years and was voted Song of the Century in a poll conducted by Radio & Records magazine and greatest country song of all time in a poll conducted by the BBC. In this captivating narrative, Braddock demonstrates that he is as much at home writing the story of his life as crafting an award-winning country tune. Warm, candid, intimate, and laugh-out-loud funny, Down in OrburndaleOCothe title plays on the Southern pronunciation of Braddock's hometown of Auburndale, FloridaOCorecounts his colorful saga up to age twenty-four, when he decides to move to Nashville and pursue a career as a professional songwriter. Braddock retains enormous affection for his Florida upbringing, back in the mid-twentieth century when Florida was still Southern, oranges were more essential than tourists to the state's economy, and every small town seemed to be populated with actual eccentric characters right out of a Southern novelOColike Bobby's father, twenty-four years older than his mother, with a voice that was a cross between Foghorn Leghorn and W. C. Fields. Braddock's sensory memory of his childhood infuses his storytelling with the sights, sounds, smells, and significance of everyday living. When he tells tales of playing rock 'n' roll music in the Deep South of the early 1960s, readers experience some of the decade's most significant moments from a different perspective (for example, his band was in Birmingham, Alabama, when the Ku Klux Klan murdered four little girls). Along the way, he battles depression, hypochondria, and panic disorder, marries, and finally finds his true calling. Rednecks, religion, Florida, oranges, swamps, politics, racism, love, sex, illness, family, murder, and dreamsOCoall fill the pages of Braddock's compulsively readable ode to his youth. But it is music, above all else, that drives the story, providing a soundtrack for a life lived large."
If you know country music, you know Bobby Braddock. Even if you don't know his name, you know the man's work. "He Stopped Loving Her Today." "D-I-V-O-R-C-E." "Golden Ring." "Time Marches On." "I Wanna Talk About Me." "People Are Crazy." These songs and numerous other chart-topping hits sprang from the mind of Bobby Braddock. A working songwriter and musician, Braddock has prowled the streets of Nashville's legendary Music Row since the mid-1960s, plying his trade and selling his songs. These decades of writing songs for legendary singers like George Jones, Tammy Wynette, and Toby Keith are recounted in Bobby Braddock: A Life on Nashville's Music Row, providing the reader with a stunning look at the beating heart of Nashville country music that cannot be matched. If you're looking for insight into Nashville, the life of music in this town, and the story of a force of nature on the Row to this day, Bobby Braddock will take you there.
Marshall Chapman knows Nashville. A musician, songwriter, and author with nearly a dozen albums and a bestselling memoir under her belt, Chapman has lived and breathed Music City for over forty years. Her friendships with those who helped make Nashville one of the major forces in American music culture is unsurpassed. And in her new book, They Came to Nashville, the reader is invited to see Marshall Chapman as never before--as music journalist extraordinaire. In They Came to Nashville, Chapman records the personal stories of musicians shaping the modern history of music in Nashville, from the mouths of the musicians themselves. The trials, tribulations, and evolution of Music City are on display, as she sits down with influential figures like Kris Kristofferson, Emmylou Harris, and Miranda Lambert, and a dozen other top names, to record what brought each of them to Nashville and what inspired them to persevere. The book culminates in a hilarious and heroic attempt to find enough free time with Willie Nelson to get a proper interview. Instead, she's brought along on his raucous 2008 tour and winds up onstage in Beaumont, Texas singing "Good-Hearted Woman" with Willie. They Came to Nashville reveals the daily struggle facing newcomers to the music business, and the promise awaiting those willing to fight for the dream. Co-published with the Country Music Foundation Press
Tanner's book begins with his formative years in Missouri and Georgia during the 1920s and 1930s. As a young man, Tanner begins college in Virginia and then leaves for the island of Saipan during World War II. Upon his return, his medical career began in earnest as he is accepted to the Medical College of Virginia in Richmond. His internship in Saint Petersburg, Florida landed him in family practice in Auburndale, Florida in 1955 where he spent his career with a number of various patients and their problems.Tanner's memories are gathered from scribbling notes and patients' comments on bits.
On September 19, 1973, Gram Parsons became yet another rock-and-roll casualty in an era of excess, a time when young men wore their dangerous habits like badges of honor. Unfortunately, his many musical accomplishments have been overshadowed by a morbid fascination with his drug overdose in the Joshua Tree desert at the age of twenty-six. Known as the father of country rock, Parsons played with the International Submarine Band, The Byrds, and the Flying Burrito Brothers. In the late 1960s and early 70s, he was a key confidante of Keith Richards. In 1972, he gave Emmylou Harris her first big break. When Tom Petty re-formed his Florida garage band Mudcrutch, he invoked the name of Gram Parsons as an inspiration. Musicians as diverse as Elvis Costello, Dwight Yoakam, Ryan Adams, Patty Griffin, and Steve Earle have also paid homage to alt-country's patron saint. In Calling Me Home, Kealing traces the entire arc of Parsons's career, emphasizing his Southern roots. Drawing on dozens of new interviews as well as rare letters and photographs provided by Parsons's family and legendary photojournalist Ted Polumbaum, Kealing has uncovered facts that even the most stalwart Parsons fans will find revealing. Travelling from Parsons' boyhood home in Waycross, Georgia, to the southern folk mecca of Coconut Grove, Florida, from the birthplace of outlaw country in Austin, Texas, to the Ryman auditorium in Nashville, Tennessee Kealing celebrates Parsons's timeless and transformative musical legacy.
Auburndale was carved out of the central Florida wilderness in 1884 when the South Florida Railroad selected the location to build a depot. Surrounded by clear, sand-bottomed lakes, the site was located almost equally between the ocean and gulf and was 14 miles from Bartow, the county seat. The new depot was named after Auburndale, Massachusetts, which was the hometown of one of the owners. When completed, the depot was the only building in sight. Settlers quickly realized the advantage of being close to the railroad, and by 1889 Auburndale had 30 homes and a population of 270. One church, seven stores, a livery stable, two hotels, and a sawmill lined the sandy streets. The young community survived fires that destroyed Main Street twice, a tornado that demolished their schools, and devastating freezes that killed citrus trees.
Nothing tells a story better than the story-songs of country music. A Guitar and A Pen presents, for the first time, the literary work of some of the best storytellers in the world: the songwriters who cut and polish tales down to sparkling three-minute gems. A blend of humor and poignancy, these tales range from Kris Kristofferson's charming tale of how an explicit natural rock formation causes chaos in a small farming town, to the domestic drama of a Kentucky family with six daughters, to Charlie Daniels' character-driven fable of money and unhappiness, to Gary Nicholson's riveting tale of an albino African American singer/songwriter who inspired him to be a musician. A celebration of music and storytelling, other contributors include Hal Ketchum, Janis Ian, Mark D. Sanders, Tom T. Hall, Marshall Chapman, and Robert Hicks, among many other notable Nashville luminaries.
The first full-scale biography of the enduring first lady of country music The twentieth century had three great female singers who plumbed the darkest corners of their hearts and transformed private grief into public dramas. In opera, there was the unsurpassed Maria Callas. In jazz, the tormented Billie Holiday. And in country music, there was Tammy Wynette. "Stand by Your Man," "D-I-V-O-R-C-E," "Take Me to Your World" are but a few highlights of Tammy's staggering musical legacy, all sung with a voice that became the touchtone for women's vulnerability, disillusionment, strength, and endurance. In Tammy Wynette, bestselling biographer Jimmy McDonough tells the story of the small-town girl who grew up to be the woman behind the microphone, whose meteoric rise led to a decades-long career full of tragedy and triumph. Through a high-profile marriage and divorce, her dreadful battle with addiction and illness, and the struggle to compete in a rapidly evolving Nashville, Tammy turned a brave smile toward the world and churned out masterful hit songs though her life resembled the most heartbreaking among them. Tammy Wynette is an intimate portrait of a music icon, the Queen of Heartbreak, whose powerful voice simultaneously evoked universal pain and longing even as it belied her own.
“One of country music’s greatest songwriters has given us his own private tour of the collective genius of his profession.” —Malcolm Gladwell, bestselling author and host of the Revisionist History podcast Bobby Braddock, the only living songwriter to have written number-one country songs in five consecutive decades, celebrates standout lines in more than eighty country masterpieces. Unique stories give the reader a behind-the-scenes look at classics from Hank Williams, Bill Anderson, Roger Miller and Merle Haggard, as well as twenty-first-century icons like Alan Jackson, Taylor Swift and Eric Church. Artist Carmen Beecher brings these tales to vivid life with strikingly realistic illustrations of seldom-seen songwriters, easily recognizable superstars and unforgettable song characters. From late 1940s jukebox hits to present-day chart toppers, Braddock and Beecher offer a magical journey from the songwriter’s pen to the singer’s lips to the listener’s ear. “Country Music’s Greatest Lines works as an insider’s take on the business of country, and it also sent me to a dozen records I wanted to hear immediately. Braddock and Beecher evoke the mythology of country without sentimentalizing the music or its creators. It’s a remarkable achievement.” —Nashville Scene “We see how stand-alone powerful and effective a few well-crafted lines can be, even when removed from the context of the entire song.” —Sounds Like Nashville “Country songs, from Hank Williams till today, remain faithful to their tradition of reminding their listeners about the life they live. Braddock, a 60-year creator of songs, remembered that when he decided to write this book.” —American Songwriter