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Down on the Bayou By: Morgan Mitchel Lally Morgan Mitchel Lally, a native of Louisiana, desired to share her state’s Cajun-French heritage and wildlife in her book, Down on the Bayou. She hopes she can be a part of preserving Louisiana’s rich culture while educating all with colors in French.
Suffering from memory loss, Mason finds himself hesitantly welcomed into a new family on a farm in the outskirts of Saint Louis, Missouri. After proving himself to be a capable member and protector of the family, the bond between them, especially with their daughter Lacey, continues to grow as they allow him to stay as long as he pleases. As the family comes under attack by mysterious men, it is revealed that Terrance, the father, had been hiding secrets about his past in hopes they would never resurface. With the family and his newfound love for Lacey in danger, Mason takes the place of the aging Terrance, and steps up to save them all from the inevitable return of the past. In the midst of chaos begs the question... how far is he willing to go to save the only thing he has left in his lonely world?
Take a trip DOWN ON THE BAYOU to South Louisiana and cajun Country! More than jambayaya and gumbo, DOWN ON THE BAYOU showcases true Cajun recipes and stories of the Cajun way of life. Taste the bountiful goodness with world famous cajun recipes mixed with local delicacies such as Alligator Sauce Piquante, Oysters, Larose, Crawfish Pie or Dip White Pralines and Primos Bread Pudding with Brandy Sauce. Experience the legend, romance and lifestyle of DOWN ON THE BAYOU
In the tradition of the modern classics The Tender Bar and The Liars’ Club, Blaine Lourd writes a powerful Gothic memoir set in the bayous and oil towns of 1970s Louisiana. In this rags-to-riches memoir of finding your way and becoming a man, Blaine Lourd renders his childhood in rural Louisiana­ with his larger-than-life father, Harvey “Puffer” Lourd, Jr., a charismatic salesman during the exploding 1980s awl bidness. From cleaning a duck to drinking a beer, Puffer guides Blaine through the twists and turns of growing up, ultimately pointing him to a poignant truth: sometimes those you love the most can inflict the most pain. Set against a lush landscape of magnolia trees and majestic old homes, haunted swamps and swimming holes filled with wildlife, Lourd gets to the heart of being a Southerner with rawness and grace, beautifully detailing what it means to have a place so ingrained in your being. Just as the timeless memoirs All Over but the Shoutin’ and The Liar’s Club evoke the muggy air of a Southern summer and barrels of steaming crawfish, so does Blaine’s contemporary exploration of what it means to find yourself among the bayous and back roads. Charting his journey from his rural home to working the star-studded streets of Los Angeles as a financial advisor to the rich and famous, Blaine’s story is about the complicated path to success and identity. With witty grace and candid prose, he pays homage to family bonds, unwavering loyalty, and deep roots that cannot be severed, no matter how hard you try.
In the clubs, ballrooms, and barbecue joints of neighborhoods such as Third Ward, Frenchtown, Sunnyside, and Double Bayou, Houston's African American community birthed a vibrant and unique slice of the blues. Ranging from the down-home sounds of Lightnin' Hopkins to the more refined orchestrations of the Duke-Peacock recording empire and beyond, Houston blues was and is the voice of a working-class community, an ongoing conversation about good times and hard times, smokin' Saturday nights and Blue Mondays. Since 1995, Roger Wood and James Fraher have been gathering the story of the blues in Houston. In this book, they draw on dozens of interviews with blues musicians, club owners, audience members, and music producers, as well as dramatic black-and-white photographs of performers and venues, to present a lovingly detailed portrait of the Houston blues scene, past and present. Going back to the early days with Lightnin' Hopkins, they follow the blues from the streets of Houston's Third and Fifth Wards to its impact on the wider American blues scene. Along the way, they remember the vigorous blues community that sprang up after World War II, mourn its decline in the Civil Rights era, and celebrate the lively, if sometimes overlooked, blues culture that still calls Houston home. Wood and Fraher conclude the book with an unforgettable reunion of Houston blues legends that they held on January 3, 1998.
Louisiana is our most exotic state. It is religious and roguish, a place populated by Cajuns, Creoles, Rednecks, and Bible-thumpers. It is a state that loves good food, good music, and good times. Laissez les bons temps rouler -- let the good times roll -- is the unofficial motto. Louisiana is also excessively corrupt. In the 1990s, it plunged headlong into legalized gambling, authorizing more games of chance than any other state. Leading the charge was Governor Edwin Edwards, who for years had flaunted his fondness for cold cash and high-stakes gambling, and who had used his razor-sharp mind and catlike reflexes to stay one step ahead of the law. Gambling, Edwin Edwards, and Louisiana's political culture would prove to be a combustible mix. Bad Bet on the Bayou tells the story of what happened when the most corrupt industry came to our most corrupt state. It is a sweeping morality tale about commerce, politics, and what happens when the law catches up to our most basic human desires and frailties.
Official records produced by the armies of the United States and the Confederacy, and the executive branches of their respective governments, concerning the military operations of the Civil War, and prisoners of war or prisoners of state. Also annual reports of military departments, calls for troops, correspondence between national and state governments, correspondence between Union and Confederate officials. The final volume includes a synopsis, general index, special index for various military divisions, and background information on how these documents were collected and published. Accompanied by an atlas.