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Claude Debussy's Douze Études (Twelve Studies) for piano were written during the summer of 1915, a period in the composer's life filled with intense creativity. This scholarly edition, edited by Dr. Stewart Gordon, has been carefully researched from autographs and first editions. Discrepancies between sources are mentioned in footnotes. In prefatory matter, Dr. Gordon discusses Debussy's playing, pedaling considerations, and articulation issues. Also provided are detailed analyses of each study's structure, a chart of metronome marks corresponding with recorded performances of the Études by famous pianists, and a glossary of the French terms used throughout the Études. Additionally, valuable performance recommendations, helpful fingering, and pedaling suggestions are offered in this comprehensive edition. Titles: * I (pour les "cinq doigts" d'après Monsieur Czerny) * II (pour les tierces) * III (pour les quartes) * IV (pour les sixtes) * V (pour les octaves) * VI (pour les huit doigts) * VII (pour les degrés chromatiques * VIII (pour les agréments) * IX (pour les notes répétées) * X (pour les sonorités opposées) * XI (pour les arpèges composés) * XII (pour les accords)
One of the classic snare drum books in print today! This publication presents the reader with challenging and stimulating material for the intermediate and advanced percussion student. Contains 50 musical solos and brief performance notes.
Claude Debussy's 12 Études were composed in 1915, in memory of Frederic Chopin. He admits that these are extremely difficult to play, and describes them as "a warning to pianists not to take up the musical profession unless they have remarkable hands." Includes: * Étude 1 (5 fingers, "after Monsieur Czerny") * Étude 2 (thirds) * Étude 3 (fourths) * Étude 4 (sixths) * Étude 5 (octaves) * Étude 6 (eight fingers) * Étude 7 (chromatic degrees) * Étude 8 (ornaments) * Étude 9 (repeated notes) * Étude 10 (opposing sonorities) * Étude 11 (composite arpeggios) * Étude 12 (chords)
Debussy's Late Style explores Claude Debussy's musical responses to World War I. This period of composition encompasses the duration of the war and the last four years of Debussy's life. The works that emerged during this time reflect both wartime events and the composer's self-conscious desire to define his own musical legacy as he felt his life nearing its end. Debussy's complete wartime compositions comprise a small but significant body of works, some little known and some now acknowledged to be among the masterpieces of his career. These include the Berceuse héroïque, En Blanc et noir, the Douze Études, the "Noël des enfants qui n'ont plus de maisons," and the three instrumental sonatas (the Cello Sonata; the Sonata for Flute, Viola, and Harp; and the Violin Sonata). Through music analysis, musicology, and cultural history, this study offers interpretive readings of Debussy's late works, focusing in particular on how they reflect the unique cultural milieu of wartime Paris.